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Essay on societal issues
Essay on societal issues
Essay on societal issues
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Sammy’s point of view of conformity changes from passive to active which shows the growth of his character. Updike chooses a 19-year-old teenager as the first narrator. As a teenager, Sammy’s personal value is still developing and he is not fully shaped by the conformity, which suggests his quitting later in the story. Although Sammy’s perspective is unreliable since his thoughts are limited by his age, he gives readers a naiver perspective of the society. He simply considers the customers as “sheep” or followers when he works in A&P, such as: “The sheep pushing their carts down the aisle” (748). However, before he saw the girls, he was part of the conformity. He silently mocks the people being conservative, but does not show any rebuke against
There is two main types of people in the story "A&P by John Updike". The types are conformity vs rebellion. Sammy in the story is a rebel.
At first glance, Sammy, the first-person narrator of John Updike's "A & P," would seem to present us with a simple and plausible explanation as to why he quits his job at the grocery store mentioned in the title: he is standing up for the girls that his boss, Lengel, has insulted. He even tries to sell us on this explanation by mentioning how the girls' embarrassment at the hands of the manager makes him feel "scrunchy" inside and by referring to himself as their "unsuspected hero" after he goes through with his "gesture." Upon closer examination, though, it does not seem plausible that Sammy would have quit in defense of girls whom he quite evidently despises, despite the lustful desires they invoke, and that more likely explanations of his action lie in his boredom with his menial job and his desire to rebel against his parents.
William Peden once called John Updike’s “A&P” “deftly narrated nonsense...which contains nothing more significant than a checking clerk's interest in three girls in bathing suits” (Peden). While Peden’s criticism may be harsher than necessary, it is hard to find fault with his analysis. Sammy’s tale offers little more than insight into an egocentric and self-motivated mind, and while Updike may disagree with that conclusion, a close reading of the text offers significant evidence to support this theory. In “An Interview with John Updike”, Updike describes how Sammy quit as a “feminist protest” (153). However, I would argue that Sammy’s act of defiance was selfishly motivated and represents his inner struggle with his social class as demonstrated through his contempt for those around him and his self-motivated actions.
This story represents a coming-of-age for Sammy. Though it takes place over the period of a few minutes, it represents a much larger process of maturation. From the time the girls enter the grocery store, to the moment they leave, you can see changes in Sammy. At first, he sees only the physicality of the girls: how they look and what they are wearing, seem to be his only observations. As the story progresses, he notices the interactions between the girls, and he even determines the hierarchy of the small dynamic. He observes their actions and how they affect the other patrons of the business. Rather, how the other people view the girl's actions. His thought process is maturing and he starts to see things as an adult might see them.
We’ve seen and read the views of what other critics thought of Updike’s character Sammy and his reasons for leaving the A & P but it’s doubtful that a young adult would quit his job for “ the girls” or “standing up for his belief system “. The third critic Thompson gives us the thought and makes us really think of being in Sammy’s shoes. “The text suggest, however, that Sammy is not frustrated because he cannot woo Queenie but because of the length of time he has been working at the super market and his daily encounters with customers. Sammy wishes to quit, but he resists doing so because his parents would’ regard his decision.” I couldn’t agree ever so more with Thompson and his way of viewing Sammy’s situation. It is understandable to get tired too of working there and feeling trapped looking for a way to escape, an excuse to get out just to breathe from all the pressure of working and staying at the job just to please what your parents might so think of it. “Presumably he has begun to realize that the incident offers him the perfect opportunity to free himself from his dead-end job. Sammy should not be regarded as a hero, but rather as a young man who takes full advantage of an opportunity to free himself from a responsibility- filled life that he desperately wants to
Sammy is clearly intelligent, although still uneducated at nineteen, and capable of creating striking images, such as calling a girl’s hair “oaky” and describing the sunlight as “skating around” the parking lot. He is opinionated, sarcastic, disaffected teenager with a healthy interest in the opposite sex and a keen observational sense. Sammy thought of his community boring with nothing to do. He sees most adults as "sheep" or followers “sheep pushing their carts down the aisle”, all indistinguishable from one another, and symbolizes every costumer. Sammy shows no interest in his job what so ever, he demonstrates that when he says he made up a song with the cash register sounds “hello (bing) there, you (gung)hap-py pee-pul (splat)”(Updike) Since he doesn't enjoy his job he looks for something to do, he is the kind of teenager who notices everything around him. One day at the store three girls walk in with nothing but their bathing suits he didn't hesitate to start analyzing them. He drinks
From the beginning of the story, it is clear that Sammy in no way likes his job, nor is he fond of the customers and people he is surrounded by each day. To Sammy, they are nothing more than "sheep" going through the motions of life. "I bet you could set off dynamite in an A&P and the people would by and large keep reaching and checking oatmeal off their lists and muttering Let me see, there was a third thing, began with A, asparagus, no, ah, yes, applesauce!' or whatever it was they do mutter." (Updike, 693). He view them negatively; to him they are boring and useless, living mundane and unimportant lives and it's obvious through Sammy's portrayal of them that he doesn't want to ever become one of them, nor does he want to be around them any longer.
In his short story "A & P" John Updike utilizes a 19-year-old adolescent to show us how a boy gets one step closer to adulthood. Sammy, an A & P checkout clerk, talks to the reader with blunt first person observations setting the tone of the story from the outset. The setting of the story shows us Sammy's position in life and where he really wants to be. Through the characterization of Sammy, Updike employs a simple heroic gesture to teach us that actions have consequences and we are responsible for our own actions.
...itting his job because of the girls going against the store policies is an example of rebellion in this story. By Sammy quitting and causing a huge scene, he represents a person rebelling and going against the status quo of society. John Updike does a great job of drawing a distinction between the A&P market and society. It’s Sammy vs. Lengel; rebelling against society.
In John Updike's short story, "A & P," the main character, Sammy, is a cashier at a small grocery store. He is seen by many to be a sexist pig, describing in detail how he sees the three girls that walk in to the store. Sammy is in fact a sexist pig by what he says about them. With evidence and quotes from the story, Sammy can be determined to be a sexist pig. He describes the first girl he sees walking in the store as "a chunky kid, with a good tan and a sweet broad soft-looking can with those two crescents of white just under it..." (421). Although the comment was kept to himself, in mind it is a sexist comment. Though the girl was in a bathing suit and there was no beach around, she probably wasn't trying to get the attention of young guys. She was just there to "pick up a jar of herring snacks" (423). Describing the girl's "can" (421), meaning her backside, gives Sammy some credit of being a sexist pig. Sammy slowly begins to see the other two girls follow the first. He notices not only what they're wearing, but what the little clothing that they have on covers up. "This clean bare plane of the top of her chest down from the shoulder bones like a dented sheet of metal tilted in the light" (421). With this quote, he is describing how the bathing suit was slipping off the girl, but in a more demeaning manner. "With the straps pushed off, there was nothing between the top of the suit and top of her head except just her..." (421). Sammy describes that he just sees the girl, a one-nighter type. He doesn't see that she's a human, but just a plaything. One other quote/thought that Sammy has while these girls (whom remain nameless throughout the story), is when the one he calls Queeny takes her money from "the hollow at the center of her nubbled pink top" (423). He begins to get excited as he uncreases the bill as "it just having come from between the two smoothest scoops of vanilla [he] had ever known there were" (424). Sammy seems to be more of a sexist pig, as the reader proceeds through the story.
Throughout the story, the story Updike makes a great effort in painting the Sammy’s character in an emotional and arrogant individual. The way Sammy constantly refers to customers as sheep highlights the pride allows him to mock the adults in the store seem to take notice of how the girls were dressed, and then just go back to shopping. He continues to further make fun of their behavior “I bet you could set off dynamite in an A & P and people would by and large keep reaching and checking oatmeal off their lists.” It’s these kinds of observations that eventually help him learn to appreciate the decisions made by
As the student begins his essay, he points out that Sammy is part of the lower class structure. He is an “eighteen-year-old boy who is working as a checkout clerk in an A&P in a small New England town five miles from the beach” (2191). While working an afternoon shift on Thursday, he notices “these girls in nothing but bathing suits” (2191) enter the store. It is in this scene that the student begins to identify the differences between the group of girls and Sammy.
I quit! These words can be attached to so many things in life. At times in life things seem to be different then they really are, for instance the thrill and the excitement of having a summer job or even successfully getting a first job. There are certain moments in a person’s life that will always have an impact on them one could call this a definitive moment or an epiphany. In the short story A&P by John Updike the main character Sammy has an epiphany in that he realizes that a moral line has been crossed in his working environment.
Affirmation of Adulthood in Updike’s A&P Researching John Updike’s story, "A&P", I found many readers agreed that the main character Sammy is viewed as a hero or martyr for quitting his job at an A&P store in a northern beach town. I did, however, find that critics disagreed on why Sammy quit. Initially it appears that Sammy quits his job to impress girls who were reprimanded for wearing bathing suits in the A&P. Sammy did not ultimately quit his job to be the hero for three girls who happened to walk into this A&P.
John Updike's A&P provides numerous perspectives for critical interpretation. His descriptive metaphors and underlying sexual tones are just the tip of the iceberg. A gender analysis could be drawn from the initial outline of the story and Sammy's chauvinism towards the female. Further reading opens up a formalist and biographical perspective to the critic. After several readings I began seeing the Marxist perspective on the surreal environment of A&P. The economic and social differences are evident through Sammy's storytelling techniques and even further open up a biographical look at Updike's own view's and opinions. According to an essay posted on the internet Updike was a womanizer in his own era and displayed boyish immaturity into his adulthood. A second analysis of this story roots more from a reader-response/formalist view. Although Sammy centered his dramatization around three young females, more specifically the Queen of the trio, it was a poignant detailed head to toe description of scene. I'll touch on that later.