The Truth about Sammy in A & P
At first glance, Sammy, the first-person narrator of John Updike's "A & P," would seem to present us with a simple and plausible explanation as to why he quits his job at the grocery store mentioned in the title: he is standing up for the girls that his boss, Lengel, has insulted. He even tries to sell us on this explanation by mentioning how the girls' embarrassment at the hands of the manager makes him feel "scrunchy" inside and by referring to himself as their "unsuspected hero" after he goes through with his "gesture." Upon closer examination, though, it does not seem plausible that Sammy would have quit in defense of girls whom he quite evidently despises, despite the lustful desires they invoke, and that more likely explanations of his action lie in his boredom with his menial job and his desire to rebel against his parents.
While it's true that Sammy finds the three scantily-clad girls who enter the supermarket attractive, as would any normal nineteen-year-old male, what is most notable about his descriptions of the girls, and particularly of the "leader" of the group, is that Sammy holds them in contempt. Once we get beyond the descriptions of their bodies, we see nothing but derogatory comments directed at them, including the derisive nicknames that Sammy assigns to them. Nowhere is this more evident than in Sammy's description of the leader, "Queenie." The nickname assigned to her by Sammy points out the stereotypical snap judgment that Sammy makes about her personality and social status initially, and to which Sammy rigidly adheres despite no real evidence of its accuracy. From the description of her "prima donna" legs, to his imagining of ...
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...gel's suggestion that he relent and keep his job, Sammy is actually saying "no" to his parents and their attempt to put him on the road to middle-class respectability.
In the final analysis, it would seem that the most obvious explanation for why Sammy quits his job--the one that he implies--is actually the least plausible. While Sammy would like to portray himself as the fearless defender of the delicate sensibilities of innocent girls, the reality is that Sammy's motives in quitting have far more to do with his own sensibilities than with those of the three girls.
Work Cited
Updike, John. "A & P." The Bedford Introduction to Literature. 2nd Edition. Ed. Michael Meyer. Boston: St. Martin's Press, 1990. 407-411.
Wells, Walter. "John Updike's 'A & P'" Studies in Short Fiction, vol. 30, (1993) : Spring, pp. 127(7).
Sammy's feelings for Queenie changes when he hears her voice. Her voice is normal and he has built this romantic image of her in his mind. Hearing her voice and realizing she is a normal person, (that happens to be wealthy) slightly changes his feelings for her. It brings him back to reality a little. “Her voice kind of startled me, the way voices do when you see the people first, coming out so flat and dumb yet kind of tony, too, the way it ticked over "pick up" and "snacks." All of a sudden I slid right down her voice into her living room.” Sammy feels as if he has no chance to get noticed by her unless he does something out of the ordinary. So after she is done arguing with Lengel, Sammy decides to stand up for her and quit his job in hopes that she will notice him.
Sammy was obviously near the bottom of the class ladder, a place where he was extremely unhappy. His dead-end job at the grocery store, where lower class citizens are the prime patrons, was not a place he felt he belonged. He wanted to be a member of the family where the "father and the other men were standing around in ice-cream coats and bow ties and the women were in sandals picking up herring snacks on toothpicks off a big glass plate and they were all holding drinks the color of water with olives and sprigs of mint in them" (Updike 1028). Sammy realizes that Queenie comes from this sort of background, a very different one from his. When Queenie is being harassed by Lengel, Sammy sees that "she remembers her place, a place from which the crowd that runs the A & P must look pretty crummy" (Updike 1028). Queenie’s family was in the class that he envied, that he admired, that he wanted to become a part of.
This story represents a coming-of-age for Sammy. Though it takes place over the period of a few minutes, it represents a much larger process of maturation. From the time the girls enter the grocery store, to the moment they leave, you can see changes in Sammy. At first, he sees only the physicality of the girls: how they look and what they are wearing, seem to be his only observations. As the story progresses, he notices the interactions between the girls, and he even determines the hierarchy of the small dynamic. He observes their actions and how they affect the other patrons of the business. Rather, how the other people view the girl's actions. His thought process is maturing and he starts to see things as an adult might see them.
The plague itself was disastrous enough, especially in the appearance of more than one form during the same epidemic. But coming when it did was as catastrophic as its form. The middle 14th century was not a good time for Europe. The European economy was already in difficulties. It was approaching the limits of expansion, both on its frontiers and in reclaiming land from forest and swamp. The arrival of the Mongols and the Ottomans had disrupted trade routes, and certain areas of Europe were edging into depression.
Sammy is a 19-year-old boy conveying a cocky but cute male attitude. He describes three girls entering the A & P, setting the tone of the story. "In walk these three girls in nothing but bathing suits. There was this chunky one, with the two piece-it was bright green and the seams on the bra were still sharp and her belly was still pretty pale...there was this one, with one of those chubby berry-faces, the lips all bunched together under her nose, this one, and a tall one, with black hair that hadn't quite frizzed righ...
“Sammy wishes to quit, but he resists doing so because his parents would regard his decision as 'the sad part of the story'” (Thompson 215). Sammy points out that he thinks of quitting his job many times during the story, subtle as they are, he begins with the observation of quitting during the summer rather the winter and the part where he has mentioned “the sad part of the story” (Up...
There is an unwritten set of rules that dictate what is and is not socially acceptable. The theme of “A & P” by John Updike is to be your own person. Updike uses setting, symbolism, and point of view to establish this theme.
His work ethic, public speaking skills and overall leader aided him in influencing the russian citizens to trust him. The citizens were tired of the horrible factory conditions and overcrowding. (Figes, 1) There was hardly any legislation to protect the workers laboring in the factory. Another problem in the factory was the dangerous equipment, the workers could be severely injured and the government wouldn’t compensate for their recovery. Workers pleaded for an insurance policy to protect them if they were injured but the government denied it. So when Leon Trotsky, an upcoming major political figure, decided to support their revolution, many government officials grew to hate him. This is yet another cause of Stalin's ruthlessness towards
At the beginning of A&P, Sammy notices that three girls have walked into the store with only there bathing suits on. At first, poor Sammy cannot see the girls because he was at register 3 with his back toward the door. When they finally get into his sight, he immediately size the girls up. "The one that caught my eye first was the one in the placid green two-piece. She was a chunky kid, with a good tan and a sweet broad soft-looking can with those two crescents of white just under it, where the sun never seems to hit, at the top of the backs of her legs." He also gives a description of the other two girls. He says one has "a chubby berry-faces, her lips all bunched together under her nose and the tall one, with black hair that hadn't quite frizzed right, and one of these sunburns right across under the eyes and a chin that was too long--you know, the kind of girl other girls think is very "striking" and "attractive" but never quite makes it, as they very well know, which is why they like her so much." This comments illustrate his immaturity. Sammy refers to one of the girls as queen. He calls her queen because she seems to be the leader. ...
According to the text, “I look around for my girls, but they’re gone, of course” (Updike 96). This sentence makes the reader feel like Sammy knew he was never going to get the girls, yet he decides to quit since he realized that he was never going to achieve a better life if he stayed at A&P. Even though he still calls them his girls, he knows that “once you begin a gesture it’s fatal not to go through with it” (Updike 96). He feels obligated to go through with this “act of heroism”, but deep inside, quitting, is what he has been wanting to do for a long
He criticizes his family and their background when he says, “when my parents have somebody over they get lemonade and if it’s a real racy affair, Schlitz in tall glasses with ‘They’ll do it every time’ cartoons stenciled on.” Sammy desires to move from a blue collar to a white collar family to differentiate him from his family. He shows his growing maturity when he says, “the girls who’d blame them, are in a hurry to get out, so I say ‘I quit’ to Lengal quick enough for them to hear, hoping they’ll stop and watch me, their unsuspected hero.” He wants to be noticed by the girls for his selfless act of quitting his job for them. His plan does not work though, and the girls leave him to face Lengal alone. Lengal confronts Sammy and says, “Sammy, you don’t want to do this to your mom and dad.” Sammy ponders Lengal’s comment and thinks to himself, “It’s true, I don’t. But it seems to me that once you begin a gesture it’s fatal not to go through with it.” Sammy has begun to reach maturity and now wants to make his own decisions concerning his future and how he spends
Porter, M. Gilbert. "John Updike's 'A & P': The Establishment and an Emersonian Cashier." English Journal 61 (Nov. 1972): 1155-1158. Rpt. in Short Story Criticism. Ed. Anna J. Sheets. Vol. 27. Detroit: Gale Research, 1998. Literature Resources from Gale. Web. 13 Apr. 2011.
Updike, John. "A&P." The Bedford Introduction To Literature. Ed. Editor's Name(s). Boston, MA: Bedford/St. Martin, 2005.
Sammy is astounded by three young girls that walk into his store in their bathing suits. He follows their every move as they peruse over the cookies and other goods. The first thing this typical nineteen boy recognizes is the one girl’s “can”. But then he goes on to say that this girl is one that other girls seems to think has potential but never really makes it with the guys. One girl though especially catches his eye. He starts to call her “Queenie” because of the way she carries herself and that she seems to be the leader of the pack. Sammy does nothing but watch her every move as they parade about the store. He even daydreams about going into her house with her rich family at a cocktail party. He notices everything about her and thinks there was nothing cuter than the way she pulls the money out of her top. His immature infatuation with this girl is one of the reasons Sammy makes the hasty decision to quit in the end.
As the student develops his essay, Sammy begins to compare the girls to other customers in the store. From “houseslaves in pin curlers” to “an old party in baggy gray pants” (2192 ), Sammy negatively characterizes customers in contrast to the leader of the girls, Queenie. To Sammy, the girl is someone that is not from their town. She is everything that every girl envies and wants to be. In contrast to Sammy, she will spend her summer vacationing while he spends it working. It is clear to Sammy that their worlds are different, however it is also obvious that he would like to explore hers.