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Literary critique of mice and men
Literary critique of mice and men
Essay on john steinbeck's life
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Comparing the Novel and Movie of Steinbeck's Of Mice and Men
Who doesn't know of John Steinbeck's classic novel "Of Mice and Men"? It
is a novel that almost everyone educated in the United States has either read it
or pretended to read it. But how many have seen the 1992 film "Of Mice and
Men"? The relative obscurity of 1992 screen version of this timeless drama does
not mean that it was poorly done. Just the contrary is true, it is one of the
best film adaptations of a novel that I have seen. The novel and the film are
very similar. The Steinbeck's novel could be thought of as the screenplay's
first draft. There were some small changes, but they were instituted for the
good of the film. I liked the film better than Steinbeck's novel.
"Of Mice and Men" is a story of people who express their troubles
clearly, holding on to thin dreams as they go about their thankless business.
The novel, set in the 1930s, is a story of friendship of migrant workers George
Milton and Lennie Smalls. The pair travels from ranch to ranch, dreaming of
someday making enough money so they can buy their own plot of land and a stake
in their future. George is a father figure and protector of the strong simple-
minded Lennie. Lennie's strength is his gift and his curse. Like the child he
is mentally, he loves animals, but he inadvertently crushes them to death.
Women, to him, are rather like animals, -- soft, small, and gentle. And there
lies the tension that powers this narrative to its tragic conclusion.
The film version and the novel are very similar. There is minimal
description in the novel, enough to set the scene, and the rest is dialogue.
The film's story is very pure and lean as Steinbeck's original.
Producer/director Gary Sinise and screenwriter Horton Foote don't try do
anything fancy, they don't try to make it anything other than exactly what it is,
a timeless simple story. Sinise and Foote make American Literature teachers
everywhere proud; they have left the film's story uncluttered. Everything is
very clear, and makes sense within its context. They remembered "Of Mice and
Men is a classic for a reason, and if it ain't broke, don't fix it.
The screenplay and the novel are not synonymous but they are very close
to being that way. Sinise and Foote held very true in their adaptation. All of
the changes made were minor a...
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...im to be
more dirty and grizzled men. I thought Ray Walston looked a little too feeble
to play Candy but his acting made up for any shortcomings he had in his
appearance. Slim looked a little too young and handsome to be the character I
had envisioned. Overall, the casting and photography was excellent.
Another reason why I liked the film better was because of its dramatic
conclusion. At the end of the novel we know what that George has Carlson's gun
and then we know what is going to happen. At the end of the film, we don't know
George has the gun and we can't see that he is holding the gun to the back of
Lennie's head. This makes for a very dramatic ending. Because I read the novel,
I knew what was going to happen, but I still was very drawn into the action.
The film was a very good adaptation of a great book. It is a wonderful
story of friendship,loneliness, and pain. This was an excellent film because it
was dramatic but it never went too far and became sappy and overdone. This film
is great because the creators realized how important the original text was in
making this film. They did not fool around with it; the story says all they
want to say.
author decides to wrap up his writing with that final statement. Now you know that
Ultimately, it's difficult to draw a conclusion from the films overall message. On the one hand, the
I think the performance delivered the message and intent perfect. I was not once confused, but it is that which starts out some what at the end and uses flashbacks to tell the full story.
the book they wear exactly the same thing, but as the film has to rely
Two weekends ago, I found myself accidentally proving the old theory that Harry Potter is a gateway drug to the wider world of serious literature. Standing in the very back of a gigantic horde at my local bookstore at midnight, wedged into a knot of adolescents reading People magazine through oversize black plastic glasses, I picked up and nearly finished a great American superclassic that I’d somehow managed to avoid for my entire life: Steinbeck’s Of Mice and Men. Under normal circumstances I would have been perfectly happy to go on ignoring it—the paperback had an unmistakable high-school-syllabus stench about it—but I was bored to death and the aisles were clogged with potbellied wizards and it was the only readable book within arm’s reach. A few pages in, I found myself hooked. By the time I got to the register, I was three-quarters of the way through (just after—spoiler alert!—Lennie the man-child mangles the bully Curley’s hand) and all I really wanted to do was finish it. But the employees were all clapping because I was the last customer, so I closed Steinbeck right on the brink of what felt like an impending tragic climax, took my Potter, and left. Ironically, this meant that Of Mice and Men was now suspended at roughly the same point in its dramatic arc as Rowling had suspended the Potter series before Deathly Hallows. So I went home and conducted a curious experiment in parallel reading: a two-day blitz of 860 pages, with a pair of nested climaxes—one hot off the presses, one 70 years old.
Although the film was quite different from the book, I think it was a successful adaptation. Through the many changes made to the book, the movie was still able to capture the main idea of the text: you can’t have living without dying. In my paper, I will discuss the changes to Winnie Foster and Miles Tuck, why I believe the director rearranged the sequence of events, and how the director used different film techniques to set the tone during different scenes.
The movie is, most likely, done well enough to intrigue its intended audience. It captured the theme and story line of the book. It falls short, though, when compared to the beautiful, sensitive and contemplative prose of Natalie Babbitt. One could only hope that a viewing of the film will lead the watcher to try the book and be delighted all the more.
By the end of the novel, we have learnt all about the creature and we
the best novel in the world, and it cannot be compared to any other novel. Don
the other guy cliché of that nature. Through further insight the movie is in fact about a loyal wife
The film is a fairly faithful adaptation of the book. The amateurish style of the book gives it some appeal as a more sleek and sophisticated style wouldn’t evoke a sense of angst’ desperation and confusion that the novel does.
“You ain’t gonna leave me, are ya George. I know you ain’t (page 103)… S’pose George don’t come back, s’pose he took a powder and just ain’t comin back.
but his problem was making his book read like a novel. He accomplished this by
George because they give George the power word which he uses and Haber fails to use.
In most novels the end leads to a conclusion to sum up the whole novel