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How does Shakespeare present the idea of guilt in the whole play
How does Shakespeare present the idea of guilt in the whole play
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Nicholas Rowe once said, “Guilt is the course of sorrow, tis the fiend th’ avenging fiend that follows us behind with whips and strings.” In Shakespeare’s Hamlet and Macbeth, both private and shared guilt play a major role, in influencing the thoughts of the characters. However, the effect that this remorse has on the characters, explains the actions they took which lead to their demise. From time to time within both plays, there is evidence how two types of guilt play a major role in influencing the thoughts of Claudius’ and the Macbeth’s. The first type of guilt is private guilt, characterized as guilt that begins and ends internally, and this type is found in abundance all throughout Hamlet. Lurene Brown in her article “Guilt in Literature” …show more content…
Daniel Diana in his article “Shakespeare’s Tragic Ghosts: Psychological Manifestations of Guilt” mentions that Shakespeare “adapts his sources' historical accounts into tightly structured tragedies that portray men who eventually succumb to their overwhelming guilt.” This statement is evident in Hamlet when Hamlet says, “Why yet I live to say ‘This thing’s to do,’ Sith I have cause and will and strength and means to do ’t” (Ham, 4.4.44-46). Hamlet feels guilty about taking such a long time to take revenge out for his father’s murder, and thus he takes actions to focus his life solely around trying to murder Claudius. His overwhelming guilt for taking such a long time to execute the murder, led to Hamlet’s own demise, because he didn’t care for his own life and felt as his only duty was to avenge his father’s death. However, the role of guilt is reversed in Macbeth, because unlike Hamlet, who doesn’t care about his own life and wants to relieve the guilt by avenging his father, Macbeth feels the guilt about murdering the king and wants to keep the crown. This is evident when Macbeth sees Banquo’s ghost and says, “Thou canst not say I did it/Never shake thy gory locks at me” (Mac, 3.4.55). Macbeth’s guilt of murdering Duncan has made him take actions to secure the crown, but in sentencing the …show more content…
Daniel Diana in his article “Shakespeare’s Tragic Ghosts: Psychological Manifestations of Guilt” also mentions that the role of guilt “externalizes [their] guilt-ridden conscience in the form of graphic supernatural hallucinations” (15). In both of their cases, their guilt gave rise to supernatural elements, in this case ghosts, which whether they were just a figment of their imagination or real were only seen by their eyes. In Macbeth’s case he saw the ghost of Banquo while the other people weren’t able to see him, and this can be seen when Lady Macbeth says, “This is the very painting of your fear. this is the air-drawn dagger which you said led you to Duncan” (Mac, 3.4.64-66). Similarly, this happens during Hamlet’s conversation with his mother when he’s the only one to see his father’s ghost. This is evident when Gertrude exclaimed, “Alas, how is ’t with you, that you do bend your eye on vacancy and with th' incorporal air do hold discourse” (Ham, 3.4.117-119). Comparing these two situations we can see that the hallucinations, which have occurred, happen after committing another crime, which further worsens their guilt. In Macbeth the hallucination appears right after Macbeth indirectly killed Banquo, because of his guilt. In Hamlet’s case the ghost appears right after he killed Polonius, because Hamlet would do
The play Macbeth and the movie The Social Network each explore ideas around guilt and remorse. Both these works are from two different timelines and explore two completely different themes and ideas, but are both relatively similar in scope. Macbeth and The Social Network explore ideas around guilt and remorse, but at opposing angles. Both works depict the main character as someone who is easily influenced and who is driven by ambition, both capable and not capable of feeling guilt and remorse. Their ambitions cause those close to them to break ties, and their relationships deteriorate as they betray those closest to them while trying to attain what others have by any means possible.
Everybody alive has experienced the feeling of guilt, or at least will at some point. Usually, this feeling is quite healthy for our consciousness, helping us distinguish between what is right and wrong by our own moral principles and values. However, guilt holds quite a power to really disturb the mind. This theme of the relationship between guilt and sanity is common throughout literature, and patterns to how this is expressed through texts are very evident. Four texts which I will discuss this theme through is Macbeth by William Shakespeare, Frankenstein by Mary Shelley, The Tell-Tale Heart by Edgar Allan Poe, and The Animals’ version of Don’t Let Me Be Misunderstood.
Guilt is a very potent emotion that an individual always feels in relation to others and has its genesis in the wrong done by some person to others. The two prominent works of literature that are Macbeth and The Kite Runner, though contrived centuries apart, revolve around an unremitting feeling of guilt felt by the central characters that are Macbeth and Amir, and the ordeal they had to go through owing to the psychological and practical consequences of that guilt. In the Shakespearian tragedy Macbeth, though, manages to murder the Scottish king Duncan to actualize the prophecy of the three witches, yet the guilt emanating from such nefarious acts and intentions continues to foreshadow Macbeth’s life throughout the plot. The very moment Macbeth approaches Lady Macbeth with hands dipped in the blood of Duncan, his deep seated guilt oozes forth as he says, “Methought I heard a voice cry ‘Sleep no more;/Macbeth does murder sleep (2.2.45-46)”. Thereby, from this moment onwards, Macbeth is shown to be strongly stung by an unrelenting and continually nagging sense of guilt that makes him engage in strange and suspicion generating acts and manners.
The Importance of Guilt in Macbeth Through the story, guilt motivates Macbeth and Lady Macbeth to a great extent. Macbeth was a kind, fine nobleman of the king Duncan. But one day his benevolence and patronage to the king changed. He had met the three witches who had revealed the three prophecies. The first prophecy was that Macbeth would become the thane of Cawdor.
People sense that they are guilty when they feel that they have done something wrong and they regret their actions. This would be considered “true guilt.” False guilt is when one feels guilty for an action that they are not responsible for. Both types of guilt have a destructive impact. However, false guilt has, if not more of a destructive (damaging?) impact upon a person. In the play Hamlet, by William Shakespeare and the book Fifth Business, by Robert Davies, the main characters both have a sense of false guilt and it causes them to go into solitude. Hamlet takes on getting the revenge of his father's death because of guilt which leads him to isolation. Dunstan also takes on the guilt
What is guilt and what major impact does it have in the play Macbeth by William
The play identifies how Macbeth faced guilt after he killed his King, “Is this a dagger which I see before me, The handle toward my hand? Come, let me clutch thee. I have thee not, and yet I see thee still. Art thou not, fatal vision, sensible To feeling as to sight? or art thou but A dagger of the mind, a false creation Proceeding from the heat-oppressèd brain? I see thee yet, in form as palpable.” Macbeth is hallucinating a dagger in which was caused by the guilt he feels after killing King Duncan. Macbeth also states, “I’ll go no more.I am afraid to think what I have done. Look on ’t again I dare not…..What hands are here? Ha, they pluck out mine eyes.Will all great Neptune’s ocean wash this blood Clean from my hand? No, this my hand will rather The multitudinous seas incarnadine….” Macbeth’s emotions are everywhere. After he killed King Duncan he immediately regretted it as he explains that no water, not even Neptune’s ocean can wash the blood and guilt off his hands. Macbeth not only faced guilt but he also losses his sanity. Macbeth hallucinates Banquo’s ghost making him scared and on edge, “[to the Ghost]. What man dare, I dare. Approach thou like the rugged Russian bear, The armed rhinoceros, or th’ Hyrcan tiger; Take any shape but that, and my firm nerves Shall never tremble. Or be alive again And dare me to the desert with thy sword. If
Guilt plays a strong role in motivating Macbeth, and causes Lady Macbeth to be driven over the edge of sanity - to her death. Throughout the story, there are many different types of guilty feelings that play a role in Macbeth’s fatal decisions and bring Lady Macbeth to commit suicide. Although there are many instances that show the power guilt has played on the main characters, there are three examples that show this the best. One is, just after the murder of the great King, Duncan. Guilt overcomes Macbeth where he can no longer think straight. A second example is soon after that, where all the guilt Macbeth feels at first, changes into hate after he decides that Banquo must be killed as well. The last example is just about at the end of the play, when we see Lady Macbeth sleepwalking, and then later committing suicide; this all because of the burden of her guilt. All of these examples build the proof that in this play, guilt plays a very large role in the characters’ lives.
Macbeth feels a great deal of remorse after he has killed the king. He understands that he has committed a sin and will be punished. He is so terrified that he hears voices telling him:“ Macbeth does murder sleep, … , Macbeth shall sleep no more”(Act 2, Sc.2 p. 57). Macbeth is very upset with himself and wishes that he never killed Duncan. “To know my deed it were best not know myself.” When he hears strange knocking at the gate he wishes that it wakes up Duncan, “wake Duncan with thy knocking”, however it is too late (Act 2, Sc.3 p. 61).
A combination of Macbeth’s ambition and paranoia lead to many senseless murders. He killed his best friend Banquo out of fear and he senselessly murdered Macduff’s family. The hallucination of Banquo’s ghost is a representation of Macbeth 's guilt, all of Macbeth’s guilt is manifested in the ghost. Macbeth states that he feels guilty because of the murders. “Ay, and since too, murders have been performed Too terrible for the ear.” (III, iv, 80-81) Seeing the ghost of Banquo is the breaking point for Macbeth. The ghost also causes him to think more irrationally which leads to the murder of Macduff. Also, after the murder of Duncan, Macbeth is full of regret and guilt. The voices he hears reflect his mental state. “Methought I heard a voice cry, “Sleep no more!” (II, ii, 35) His innocence was killed and he knows that he has to live with this guilt for the rest of his life, hence Macbeth will never sleep peacefully ever again. After each successive murder, Macbeth becomes more and more inhumane. “I am in blood Stepped in so far that, should I wade no more, Returning were as tedious as go o 'er.” (III, iv, 143-145) Macbeth claims that after committing a murder, there is no turning back. He killed his best friend due to his ambition and fear. The third murder was outright moralless and unnecessary, he compulsively killed Macduff’s wife and children. Macbeth shows no remorse in his murders, he becomes an absolute monster towards the end of the play. As Macbeth loses his human morales, hallucinations appear to remind him of the sins he
One particular human emotion can cripple humans mentally and physically. It can cause people to do things they do not want to do. It can lead them to twist the truth and lie not only to themselves, but people around them as well. It is something that they cannot hide. It is more like a disease, however, it is better known as guilt. Along with guilt, comes dishonesty, shamefulness, peculiar behavior, and even suicidal thoughts. Guilt is a recurring theme in both Robertson Davies’ Fifth Business and William Shakespeare’s Hamlet. Every individual will experience guilt sometime in their life, but it is how they cope and handle it that defines who they are. Humans must face the feeling of guilt, accept
In Shakespeare’s Macbeth, the theme of guilt and conscience is one of many explored throughout the play. Macbeth, is a well respected Scottish noble who in the beginning of the play is a man everyone looks up to; however as the play progresses he makes a number of bad decisions. Eventually, as a result of his actions he suffers guilt and this plays heavily upon his character until his personality is completely destroyed. Shakespeare uses a range of techniques in order to develop this theme such as, characters, imagery.
When we, human beings, are about to commit wicked acts, we feel a variety of emotions. One of those emotions is guilt. You may also feel guilt due to moments you chose not to act. The presence of guilt is a driving factor that prevents us from acting irrationally. Citizens of the 16th century possessed these emotions as well, no matter their social standing. The citizens included Shakespeare as well, a poet and playwright of the 16th century, and writer of the play Macbeth. Shakespeare transfers the idea of negative emotions to Macbeth by using blood to symbolize guilt, among other emotions in the protagonists they do not show otherwise. In Macbeth, William Shakespeare uses blood to show the inner-conflict of the
By embracing evil, Lady Macbeth and Macbeth have committed unnatural actions that disturb them. Their guilt does not leave them in peace, and slowly degrades their health. Macbeth's guilt causes him to act strangely in front of his guests, and it disturbs him deeply. Macbeth's guilt is deeply mutilated, and it only affects him when he hallucinates "Take any shape but that, and my firm nerves / Shall never tremble" (III.iv.124-125), and as soon as his visions disappear he feels better "Why so, being gone, / I am a man again.- Pray you sit still" (iii.iV.130-131), not something normal considering the actions he has committed. His guilt paralyzes him when he does feel it, but most of the time he is guiltless, and that encourages him to commit more murder. Although his guilt does not ultimately destroy him, it is a factor that brings his own men against him, since through his guilt he reveals the actions he has committed.
In Macbeth’s soliloquy, the conscious empowers the unconscious. “At the nonrational level of Macbeth’s psyche, conscience registers as “a dagger of the mind”: pricks of conscience that have assumed murderous, self-mutilating proportions” (Chauchi 337). In order for Macbeth to commit the murder, he has to do the act knowing with conscious. He must lose the principle of morality and enters in sublimation, which is satisfying the impulse with a substitute object, in this case, Macbeth’s desire for power. Shakespeare uses Macbeth character to exhibit the horrendous effects of ambition and guilt in men’s nature. From this point, Macbeth’s dramatic fall develops from his superego that makes a person feel guilty if the principle of behavior is not followed. The ego acts as a mediator between the id and superego to prevent an overwhelming anxiety (McLeod). Macbeth’s response is the result of anxiety, guilt, paranoia, fear, and distress. He plans a series of murders to protect his permanence as King. He orders Banquo’s death, Lady Macduff, and Macduff’s son. Macbeth’s paranoiac stage and inner conflict cause him to see Banquo’s ghost, and he has a confrontation between reality and metaphysical. He mislays the rational goal of being a fruitful king, and the tragic tension of his ambition drives him to become a tyrant. As Macbeth turns as an unscrupulous murderer, Lady Macbeth is not capable of losing her whole morality principle, so