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How reason complements faith
Dante's experience in purgatorio and inferno
Dante and Virgil
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The Divine Comedy (The Inferno and Purgatorio, in this matter) without Virgil would be like coffee without cream. Without Virgil, Dante would never have completed his journey. Without reason, Dante would never have the courage to go through his redemption.
We meet Virgil in the Inferno just when Dante begins to lose all hope in going through that “shadowed forest.” Beatrice has appointed him to guide our hero through hell and then through Purgatory. Himself being in Limbo, Virgil knew the nooks and crannies of hell. His knowledge would then profit Dante in his perilous journey.
On the allegorical level, however, Virgil represents reason. Dante, on the other hand, is the personification of every man. Every human person is a sinner. In order to obtain forgiveness and salvation, every person needs reason to acknowledge the nature of sin, and how it goes against God’s love and His divine plan for everyone. As we all learned in our very extensive theology classes, the way to salvation is through reason enlightened by faith. Beatrice, whom we meet in Purgatorio, embodies faith.
The role of Virgil in both books is not always the same. The character of Virgil in the Inferno is more confident and reassured than he was in Purgatorio, wherein he is often insecure and uncertain.
The Divine Comedy could be read from many different angles. One could take in everything at face value, judging the book as just another piece of fine poetry. On the other hand, there is more to what the lines actually say. Underneath the story, one finds a richness of symbolism and metaphors which reflects each and everyone’s spiritual lives. This paper is divided into four parts. The first part is the literal sense of the Inferno, the second, the allegorical, the third is the literal meaning of the Purgatorio, and finally followed by its allegorical sense.
Virgil in the Inferno is the “head honcho.” He knows where to go, who to talk to, and what to do. His confidence is something to be admired.
As Virgil and Dante embark on their journeys in Canto I of the Inferno, Virgil is cool, calm, and collected. When he sees Dante, he immediately takes charge:
“…I think it best for you
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...atorio because man’s reason supports his faith. Blind faith would be just as dangerous as blind reason. There should be reason but enlightened by faith. Reason equips man with the knowledge of the natural law. Love, freewill, responsibility, and prayer are facilitated by reason. These virtues and actions would not amount to anything without reason.
We might say that the Inferno and the Purgatorio are veritable theology lessons. Both teaches the reader the requirements of a life of grace. In order to attain salvation and reach the earthly paradise, we must be cleansed of our sins. Cleansing makes it imperative for us to be truly contrite. We must sincerely be remorseful for our sins, not because we fear the punishments, but because we have offended God, who is all-Good. Once cleansed, we must lead a life of grace. Reason enlightened by faith is a primary factor in this life of grace. Living in the footsteps of Christ requires the use of reason to discern the good from evil. It requires faith to light up the path where Christ has walked. Only when we are furnished with the right use of reason and faith are we ready to (like Dante), climb onto the stars.
Upon entering hell with Virgil, Dante becomes witness to the true perfection of the justice done to sinners after their earthly life is over. This divine justice inflicted by God chooses to punish the souls in hell in a way very similar or representative to how the souls sinned on Earth. For instance, those guilty of the sin of wrath "tear each other limb from limb" (133), a punishment which directly relates to the actions of the sinners. However, there are also punishments that are more symbolic of the actions of the sinners, such as th...
Beatrice’s representation of God’s grace is reflected by her radiance in that she plays an image of nobility, virtue, the Redeemed Life and, to a certain extent, of God Himself. “[Dante] saw [his] lady filled with so much gladness that, at her joy, the planet grew more bright. And if the planet changed and smiled, what then did [he] – who by [his] very nature [is] given to every sort of change – become,” (Par 5 95-99). The book reveals that the destination of Dante’s journey with Virgil is Beatrice. However, it is not Beatrice herself that they want to reach but her grace with which can only be received after going through the experiences in Hell and Purgatory in order to see the process of sanctity. The amount of brightness Dante sees through her radiance demonstrates how deeply his merits have developed for they show his clarification of everything he doubted about the grace of God and has now finally achieved it.
The primary characters in Dante’s poem include himself, who is also the narrator, Virgil, a poet he has admired, who serves as his guide through most of the first two sections, and finally, Beatrice, his inspiration, who greets him at Paradisio and escorts him through the remainder of his journey.
Virgil represented Dante and his humanity, that he still has sin that is holding him back, and when he must stay behind it shows Dante’s change. Virgil is stuck in hell, not able to move past the sin from his life on earth, like how Dante was at the beginning of the novel. When Dante crosses the river to Beatrice the reader is shown how Dante is leaving his sin behind him and is changing into something greater. The reader can tell that he is being transformed because the guides teach him different aspects that needed to be changed. When a person is changing, he must realize his past, which is what Virgil is teaching him, and then how to use this change for the better, which is what Beatrice is teaching him. They each represent the two stages of Dante’s transformation; Virgil showing Dante the effects of sin and Beatrice helping Dante learn and see the truth in purity. Dante the poet also want the readers to realize with this change that Dante in the novel has overcome his sin. When Virgil leaves him in the hands of Beatrice he is confident that he has done his part, that Dante is freed from his temptation, and he is confident that now Dante can follow his heart and not let it lead him to sin. When Dante follows Beatrice, the reader knows that his selfish ways have been wiped away, that Virgil and Beatrice know that Dante is on his way to holiness. The different things the guides teach Dante highlight this change. Virgil taught Dante more about the effects of his lifestyle now, that if he did not change he will be crushed by his sin in the afterlife. The Dante that was with Virgil was very proud and cared too much for the sinners in hell, and Virgil needed to show him how wrong he is being. When Dante meets Beatrice, we can see the change Dante has made, that he is less caught up with himself and sees the effects of his actions. Beatrice reprimands Dante,
Despite fear, Virgil reasures Dante with indirect and divine love. Virgil and Dante are anxious and weary about the journey that they are about to take on. However, Virgil reassures Dante that he will not leave him in the underworld. Instead, they both will eventually ascend to paradise. He believed that sometimes it is important to live through other people's happiness in order to seek happiness.
Everyone has a different perception of what really is heaven and hell and where people end up in the after life. Some people are not even religious and have their own personal thoughts about what is next after death. The Inferno or to be more precise “Hell” can be described and defined as a place where people end up after death in the natural world, when people have not followed God’s ways and laws of living. It is has been depicted throughout the years of time that suffering in hell is horrific, gruesome, and unimaginable. In Dante’s Inferno, Dante portrays the protagonist as he is guided by his ghostly friend Virgil the poet through the nine chambers of Hell. The transition from one circle to another is very shocking and graphic at what he witnesses through each circle. Dante uncovers where each sin will lead people to once the sinners souls face death. He faces many trials and tribulations through the beginning to end of the Inferno. Dante felt impelled to write the Inferno because he was going through his own personal struggles at the time. In a way he was extremely depressed because he was exiled out of Florence, and the love of his life Beatrice died. While Dante was in exile for so many years, it allowed him to write some of his most significant works of literature that people still read to this day.
That is symbolic of the nature of the human life and human beings. All human beings are new to life that only goes once. There is importance in making sound decisions not to get lost in the motions of life forever. The role of God or the Holy Spirit is seen in the guidance by Virgil. All that Dante needs to do is follow the lead of the one that knows much more than him. The use of the holy days to journey through hell in the narration gives the reader the authority to associate some of the events of the journey with spirituality and God. The guidance of Virgil is also legitimate because he leads Dante to the
In the Inferno we follow the journey of Dante as he wanders off the path of moral truth and into Hell. The Virgin Mary and Santa Lucia ask Beatrice, Dante’s deceased love, to send some help. Thus, Virgil comes to the rescue and essentially guides Dante through Hell and back to the mortal world from which he came. However, things begin to seem kind of odd. When reading the Inferno one may begin to question the way Dante describes Hell and the things that occur within, or even the things we have always believed about Hell. Despite the way it is described and well known in western civilization, Hell is not at all how we expect it to be because of Dante's use of irony throughout this poetic masterpiece.
...ards monstrous figures and sympathy towards those who seem to be tortured unjustly. In his perverse education, with instruction from Virgil and the shades, Dante learns to replace mercy with brutality, because sympathy in Hell condones sin and denies divine justice. The ancient philosopher Plato, present in the first level of Hell, argues in The Allegory of the Cave that truth is possible via knowledge of the Form of the Good. Similarly, Dante acquires truth through a gradual understanding of contrapasso and the recognition of divine justice in the afterlife. Ultimately, Dante recognizes that the actions of the earthly fresh are important because the soul lives on afterwards to face the ramifications. By expressing his ideas on morality and righteousness, Dante writes a work worth reading, immortalizes his name, and exalts the beliefs of his Christian audience.
With that in mind, one can look at Inferno as a handbook on what not to do during a lifetime in order to avoid Hell. In the book, Dante creates a moral lifestyle that one must follow in order to live a morally good, Catholic life. This explains why Aristotle and Dante disagree on a few key points about what it means to be virtuous. Aristotle is adamant about not having excess nor deficiency and rather finding a middle ground (mean), whereas Dante abides by the virtues laid out in the Bible.
Virgil is not only an influence on Dante as a character of Dante's fashioning and in terms of the poem, but he is also (perhaps more importantly) an incredible inspiration to Dante as a fellow poet. It seems clear that there are many similarities between the Aeneid and the Divine Comedy - what at first glance may seem indefinite is the importance of those similarities. Virgil's Aeneid is intimately intertwined with Dante's Divine Comedy in the capacity of an entire poetic work with similar themes, and also as an integral reference for specific images.
In Dante’s Inferno, the relationship between Dante the Pilgrim and Virgil the Guide is an ever-evolving one. By analyzing the transformation of this relationship as the two sojourn through the circles of hell, one is able to learn more about the mindset of Dante the Poet. At the outset, Dante is clearly subservient to Virgil, whom he holds in high esteem for his literary genius. However, as the work progresses, Virgil facilitates Dante’s spiritual enlightenment, so that by the end, Dante has ascended to Virgil’s spiritual level and has in many respects surpassed him. In Dante’s journey with respect to Virgil, one can see man’s spiritual journey towards understanding God. While God loves man regardless of his faults, His greatest desire is to see man attain greater spirituality, in that man, already created in God’s image, may truly become divine, and in doing so, attain eternality.
Dante’s Inferno presents the reader with many questions and thought provoking dialogue to interpret. These crossroads provide points of contemplation and thought. Dante’s graphic depiction of hell and its eternal punishment is filled with imagery and allegorical meanings. Examining one of these cruxes of why there is a rift in the pits of hell, can lead the reader to interpret why Dante used the language he did to relate the Idea of a Just and perfect punishment by God.
Dante's "Inferno" is full of themes. But the most frequent is that of the weakness of human nature. Dante's descent into hell is initially so that Dante can see how he can better live his life, free of weaknesses that may ultimately be his ticket to hell. Through the first ten cantos, Dante portrays how each level of his hell is a manifestation of human weakness and a loss of hope, which ultimately Dante uses to purge and learn from. Dante, himself, is about to fall into the weaknesses of humans, before there is some divine intervention on the part of his love Beatrice, who is in heaven. He is sent on a journey to hell in order for Dante to see, smell, and hear hell. As we see this experience brings out Dante's weakness' of cowardice, wrath and unworthiness. He is lead by Virgil, who is a representation of intellect. Through Dante's experiences he will purge his sins.
From the beginning of the journey, Dante knew from the moment he saw “Abandon every hope, all you who enter” (Canto 3) his life was about to change. At this point of the journey he has met his guide Virgil. Virgil showed him the rightful way in life and he also introduced Dante to everyone who influenced him throughout his