Cold Blooded Murderer By Elisa Thompson: Rhetorical Analysis

658 Words2 Pages

In Elisa Thompson’s Cold Blooded Murderer, a twisted tale of a young woman who killed six other girls, the captivated theatre audience hears the girl’s reasoning behind her serial killing spree. This haunting monologue, set in a police interrogation room, makes chills run down the audience’s spine by pulling on their heart-strings and making them relate to this misunderstood girl, a girl who also happens to be a murderer. Thompson’s use of polysyndeton, appeal to the audience’s sympathy , and direct address to the audience makes this piece so frighteningly relatable that the audience is left to introspect where their morals truly lie. Firstly, Thompson utilizes polysyndeton when describing the murderer’s circumstance to show the rush she gets …show more content…

“I just want someone to notice me,” she pleads, “ All my life I've stayed in the background. There's always been that one student who gets better marks than me, That one teacher who makes me feel stupid, that one friend who always shuts me down, that one parent who's not interested, that one sibling who overshadows my achievements with theirs.” This excerpt is relatable to any audience, because everyone, at some point, has felt like they were not good enough. Through Thompson’s use of a vague anecdote, this passage makes the audience forget the speaker’s fault, being guilty of six murders, and makes them feel bad for her. In this quotation, Thompson humanizes the murderer with backstory, making her character more relatable to the audience. In conclusion, Elisa Thompson’s Cold Blooded Murderer is a haunting story of a young woman who killed six other girls just to receive attention. Throughout the piece, the theatre audience experiences fear, guilt, and sympathy while listening to the girl’s justification for her crime. Thompson’s use of polysyndeton, appeal to the audience’s caring emotion, and direct address to the police officer provokes the audience to reevaluate their own morals in comparison to the

Open Document