Blindness
The novel Slaughterhouse-Five by Kurt Vonnegut displays a strong theme of sight, and lack thereof. The protagonist, Billy Pilgrim, is an optometrist by trade. He deals with trying to make people see. However, after he goes to war, he becomes blind to the real world. One may speculate that the entire subplot of the Tralfamadorians, the aliens that supposedly kidnap him and keep him in a zoo, could be a figment of his imagination. Whether it is real or not, Billy learns many things from them. He learns about the fourth dimension, time, and tries to help other people to see like he does.
Billy Pilgrim’s profession is optometry. This choice by the author very much reflects the theme of the novel. Some believe that this was a very intentional
…show more content…
Images of murder and violence is enough to kill a man without a single bullet. In some senses, it did just that to Billy Pilgrim. It screwed with his vision. It broke the poor man. He became blind to the world around him. He did not mind images of death and blood. His insensitivity to these subjects are clearly seen when it is said that, “Billy had an extremely gruesome crucifix hanging on the wall of his little bedroom in Ilium” (38) This not only shows his blindness and numbness to things that would make others look away in disgust, but it represents his physical and mental scars leftover from the war. And sometimes, mental injuries leave much deeper …show more content…
How could any species even exist outside of earth, much less be more intelligent than humans? Well, Billy Pilgrim thinks they are real. In fact, he has meet them. Or so he thinks. Madness comes in different forms. Sometimes it is different even in the same person. First, Billy becomes blind to pain. Then, he becomes schizophrenic. He imagines that an alien species, the Tralfamadorians, abduct him and keep him in a zoo while they teach him about their ways. The Tralfamadorians can more than the three dimensions humans can see. They can see four. The fourth, of course, is time. This alien species could travel forward and backward in time. They believe more than what humans believe, which is that “It is just an illusion here on Earth that one moment follows another one, like beads on a string, and that once a moment is gone, it is gone forever.” (27) Pilgrim writes this in his second letter to his local newspaper, as he tries to convince the town of Ilium that the fourth dimension is real and it is possible to travel in time. He sees this, but cannot get anyone else too. This is ironic, because now Billy has gone full circle and is trying to help people see again. This once again supports the theme of
The human mind is a part of the body which current science knows little about. Trigger mechanisms, and other factors within the brain are relatively unknown to current humanity. Therefore, in order to produce a diagnostic on why Billy Pilgrim became “unstuck” in time, the reader of Slaughterhouse Five must come to terms with situations concerning the experiences described in the novel. Billy Pilgrim starts out, chronologically, as a fairly basic infantryman in the United States Army during the last Nazi offensive of the war, also known as the Battle of the Bulge (Vonnegut, 32). That battle resulted in fierce fighting, and also in massacres (such as the one that occurred near Malmedy, France), and the reader may be sure that there were men who became mentally unsound due to the effects of what they experienced there. Pilgrim is taken in by a group of soldiers who have found themselves behind the Nazi lines and are required to travel, by foot, back to friendly lines (Vonnegut, 32).
us about a character’s (Billy Pilgrim) life during World War two and how Billy coped with
Billy Pilgrim time travels to various moments in his life at random, which suggests he has no power over his mind and the memories that haunt him. He “is spastic in time, (and) has no control over where he is going next” (Vonnegut 43), as he struggles to make sense of his past. Billy’s ability to remember events in an erratic sequence, mirrors the happenings of war. War is sudden, fast paced, and filled with unexpected twists and turns. Billy cannot forget what he experienced during his time as a soldier, and in turn his mind subconsciously imitates this hectic quality of war. This behavior proves that although the war is over, “psychologically, Billy has never fully left” (Vees-Gulani). For many soldiers, especially those who were prisoners of war (POW), it is inevitable that their mind will not be like it once was (Vees-Gulani).
When Vonnegut created Billy Pilgrim, he made Billy subject to the experience of the war. In fact, Billy experiences it almost. exactly the same as Vonnegut himself had, including the experiences of being a POW and in the firebombing of Dresden. The. But in Billy's case, Vonnegut writes it with.
Billy was not dressed as a soldier should be, lacking a helmet, an overcoat, a weapon, and boots. In fact, “He didn’t look like a soldier at all. He looked like a filthy flamingo” (33). Much like other children sent into the war, Billy was not prepared for what he would face. To other soldiers he seems laughable, a joke on the face of the entire army, but all other soldiers are as unprepared as Billy. Billy’s comical appearance acts as a symbol of his placement in the war; in other words, a scrawny, unprepared soldier is absurd during wartime.
Within Oliver Sacks, “To See and Not See”, the reader is introduced to Virgil, a blind man who gains the ability to see, but then decides to go back to being blind. Within this story Sacks considers Virgil fortunate due to him being able to go back to the life he once lived. This is contrasted by Dr. P, in “The Man Who Mistook His Wife for A Hat”, Sacks states that his condition is “tragic” (Sacks, “The Man Who Mistook His Wife for A Hat (13) due to the fact that his life will be forever altered by his condition. This thought process can be contributed to the ideas that: it is difficult to link physical objects and conceptualized meanings without prior experience, the cultures surrounding both individuals are different, and how they will carry on with their lives.
In Slaughterhouse-Five, Kurt Vonnegut tries to make sense of a seemingly meaningless world by creating a novel whose narrative is more a conjunction of events instead of a linear story. Vonnegut beings his novel with a confession about why he wrote this book, he starts, “all this happened more or less” (Vonnegut 1). As a reader it is alarms are signaled when the author themselves makes an omission about the reality of the tale about to be told. He spends the first chapter giving an autobiographical view into what shaped his life and how this book needed to be written. Vonnegut says he thought he would have a lot to say about the bombing in Dresden that “all [he] would have to do would be to report what [he] had seen” (2). But instead “not many words about Dresden came from [his] mind then—not enough of them to make a book, anyway” (2). So here Vonnegut makes it clear this novel is not explicitly an anti-war book but rather an attempt at making sense of how life
However, the books present response to war in a contrasting way. The incorporation of repetition, balance, and the idea of little control of one’s fate display parallelism between Billy Pilgrim and the soldiers of The Things They Carried while still distinguishing the existing psychological and internal contrast between them. When Billy is leading a parade in front of the Dresdeners prior to the bombing, Vonnegut
Blindness in Raymond Carver's Cathedral Blindness creates a world of obscurity only to be overcome with guidance from someone willing to become intimate with the blind. Equally true, the perceptions of blindness can only be overcome when the blind allow intimacy with the sighted. Raymond Carver, with his short story Cathedral, illustrates this point through the eyes of a man who will be spending an evening with a blind man, Robert, for the first time. Not only does this man not know Robert, but his being blind, "bothered" (Carver 98) him.
In the short story Cathedral, by Raymond Carver, there is a direct contrast between a blind man named Robert, and the narrator. The narrator has full use of his senses, and yet he is limited to the way he sees things, and the way he thinks. Robert however, has a very different outlook on life and how he sees things, as well as the use of his senses. At the end of the story, Robert has the narrator close his eyes to try and get him to experience the world the way he does. The narrator ends up being able to not only see the way Robert does, but he also is able to feel the world in a completely different way. The author suggests that the mind is most important in how people view things, and the judgements we make are based on what we see in our heads, instead of what is really there.
Symbolism plays a vital role throughout Tom Walker’s tale. Set in the early to mid-18th century in the New England area, Irving uses the location’s landscape as a basis of symbolism throughout the story, as well as to represent the main character. The murky morass environment of the swamp in which Tom Walker meets the devil represents his soul which, like the swamp fog, is clouded and thick with greed. The swamp areas of the New England areas were also used as a stronghold by the Native Americans against the Europeans during the Indian battles. Ironically, this same area in the story is seen as the devil’s stronghold, which symbolizes the prejudice that was still prevalent in the...
Vision is something many people take for granted every day. Society only deals with the matter of being blind if they are the less fortunate ones. According to the Braille Institute, "every seven minutes a person in the United States loses their sight, often as part of the aging process" (1). Only two percent of legally blind people use a guide dog and thirty-five percent use a white cane. Blindness can be caused from various different types of things including (in order) age-related macular degeneration, glaucoma, diabetic retinopathy and age-related cataracts. (Braille 1). However being blind does not mean a person is in total darkness. Some people can see lights and the shapes of objects, but the most import thing is for family and friends to provide hope and encouragement. The last thing a person who has lost their sight wants is to lose their family and support, which will led to loneliness. Likewise, in the short story "Cathedral," by Raymond Carver's, blindness is the key element in the story and shows in detail how the characters manage it. The theme Carver conveys in the short story is being able to see without sight and is revealed through the characters, tone and plot of the story.
When Billy Pilgrim goes to war in Germany, he is soon captured by the Germans and taken to a prisoner camp. While there, he is mocked and ridiculed. He is a very passive character, and so is not bothered by this taunting, but when Billy realizes that the war doesn’t just affect soldiers and people, but all animals, such as the horses they find after the bombing of Dresden, his life is scarred forever. He sees that the horses are bleeding from their mouths and that they are in agony when walking. When Billy sees that his colleagues had mistreated the horses, he realizes that that is what war does to the entire world. Billy is forever changed and even weeps (197). This may have been the trigger for PTSD in Billy’s life to begin with.
Though he was able to escape war unharmed, Billy seems to be mentally unstable. In fact, his nightmares in the German boxcar at the prisoners of war (POW) camp indicate that he is experiencing Post-Traumatic Stress Disorder (PTSD): “And now there was an acrimonious madrigal, with parts sung in all quarters of the car. Nearly everybody, seemingly, had an atrocity story of something Billy Pilgrim had done to him in his sleep. Everybody told Billy Pilgrim to keep the hell away” (79). Billy’s PTSD is also previously hinted when he panics at the sound of sirens: “A siren went off, scared the hell out of him. He was expecting World War III at any time. The siren was simply announcing high noon” (57). The most prominent symptom of PTSD, however, is reliving disturbing past experiences which is done to an even more extreme extent with Billy as Slaughterhouse-Five’s chronology itself correlates with this symptom. Billy’s “abduction” and conformity to Tralfamadorian beliefs seem to be his method of managing his insecurity and PTSD. He uses the Tralfamadorian motto “so it goes” as a coping mechanism each time he relives a tragic event. As Billy struggles with the conflict of PTSD, the work’s chronological order is altered, he starts to believe
Billy Pilgrim is also not like Pilgrim who is the main character in the “The Pilgrim’s Progress”, although they have same last name. His experience is very horrible in the war, there are just have violence and cruel, like the soldier who is in the “Three musketeers”. Imaginary, a man who just naive and have a great lucky, how can he keep his life in the war, just lucky? It is funny. Thus, though the whole novel “Slaughter-Five” by Kurt Vonnegut, the main character, Billy Pilgrim is a contradictory person who has the naive and sane attitude together, in almost time he looks like a child, but his wise can “see” at his speaking and action, likes his speaking “So it goes.” (2) Not only is the indifference to the lives, or the hatred and