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Frank Lloyd Wright essay
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Biography of Frank Lloyd Wright
Frank Lloyd Wright was arguably one of the best architects of the 19th and 20th centuries. His works ranged from traditional buildings typical to the late 1800’s to ultramodern designs (Official Site 1). He had a great knowledge of the land and his buildings were practical in terms of their surroundings. Wright’s appreciation and love for nature was a key characteristic, and a strong influence in his architecture.
Frank Lloyd Wright was born in 1867 in Richland Center, Wisconsin (Hunt 180). He was brought up by his mother, Anna, and his aunts and uncles on farmland near Spring Green, Wisconsin. His father had abandoned the family in 1885 (Encarta 1). He studied engineering briefly at the University of Wisconsin, and he showed a good ability to draw. He then moved to Chicago in 1887 and worked as an assistant at the Chicago architectural firm of Adler and Sullivan. There he learned many of the trades of architecture and embarked on an independent path of his own in 1893 (Encarta 1).
Wright avoided anything that might be called a personal style (Encarta 1), but he defined his architecture as “organic,” which he saw as a principle of order, structure, and form relating in the process of nature (Burns 8). This meant that every building should relate harmoniously to it’s natural surroundings, and the building should not be a static boxlike enclosure but a dynamic structure with open flowing interior spaces. He once said, “No house should ever be on a hill or anything. It should be of the hill, belonging to it. Hill and house should live together each the happier for the other (Official Site 1).” He achieved this design using geometric shapes that would form a pattern. His first models were mostly squares and he later used diamonds, hexagons, circles, and other geometric units for which he would lay the floor plan (Encarta 1). Wright also used long projections, often balconies or rooftops that were supported at only one end to create this effect. These geometric designs and jutting projections made Wright’s designs the opposite of the boxes with openings that he was trying to avoid.
Wright also had an extreme appreciation for nature. Throughout his life Wright spoke of the influence of nature on his work and attributed his love of nature to those early years spent in the rural Wisconsin countryside...
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...d, who has done as much to realize his vision of what a perfect architecture might be… (PBS Online 1).” Wright died in 1959, and he left behind a great legacy. His works are still considered modern today, even thought it is almost 50 years after his death. So, as Simon and Garfunkel sing, “Architects may come, and architects may go…”, but there will never be another architect like Frank Lloyd Wright.
Works Cited
Burns, Robert. “Frank Lloyd Wright in the Twenty-first Century.” National Forum. Summer 2000. 8-10. 2 Mar 2001.
Frank Lloyd Wright. 10 Mar 2001.
Harper, Hillard. “Show Explores the Wright Frame of Mind.” The Los Angeles Times. 5 Mar 1988. 3 Mar 2001.
Hunt, William Dudley Jr. “Wright, Frank Lloyd.” Encyclopedia Americana. 180.
Official Site of Frank Lloyd Wright. 1996-2001. 10 Mar 2001.
PBS Online. 1995-2001. 10 Mar 2001.
Taschen, Benedikt. Frank Lloyd Wright. Germany: Frank Lloyd Wright Foundation. 1991.
Weishan, Michael. “A Work of Genius.” Country Living. Nov 2000. 26-30. 9 Mar 2001.
Williams Students Online. 3 Mar 2001.
“Wright, Frank Lloyd.” Microsoft Encarta Encyclopedia 2001. CD-ROM. 1993-2000 Ed.
The design principles that Wright and Olmsted lived by helped to create a standard for following generations. Using Nature as an inspiration and a employing a consistent programmatic style have been characteristics that designers have picked up on from Wright, and plan to continue using. Juxtaposing nature and thick urban life, and finding innovative ways to mix the two, has become a signature characteristic that points to Olmsted. Both, Frank Lloyd Wright and Frederik Law Olmsted have had a heavy influence on designers today when it comes to including nature in design, but in very contrasting ways.
First, Wright’s prevalent hunger is for knowledge. This hunger sets him apart from those around him, which drives the path created by their differences further between them. Nevertheless, it gives Wright’s life significance and direction.
Eichler’s profession started after moving with his family from New York to California. Before moving to California, Eichler worked in New York for an affluent family business in which he was the financial manager. When in California, they decided to move into a Usonian house built by an architect by the name of Frank Lloyd Wright. Being around his work inspired Eichler to be what Wright was, and made him want to bring ideas, such as Wright’s unique design elements, to the people around him.
Gates, Henry Louis, Jr. and K. A. Appiah, eds. Richard Wright: Critical Perspectives Past and Present. New York: Amistd, 1993.
Wright's troubled past begins as a sharecropper while only a child. His childhood remained dark and abandoned. Richard Wright's father left him and his mother while he was only a child. The several episodes of dereliction resulted in the brief introduction of the orphanage. Subsequently his mother grew ill, and he lived with his grandmother whom treated him with brutality. Shortly after, he began a journey of rebirth and renewal, from the discriminant south to an opportunistic Chicago 1927. At this point in time, Wright began to develop his works through study and reading. His many jobs gave him the wealth and experience, along with many hardships and personal encounters to write about. Therefore, in his newfound love for literature and writing, he began to establish a firm foundation for himself by publishing an increasingly large amount of poetry and writing the early versions of Lawd Today and Tarbaby's Dawn. However, his name did not only attract those who wanted to appreciate a modern style of literature that would shake that grounds of racial distortion, but also attract the prying eyes of the public whom viewed his involvements in the Communist clubs, such as the Chicago John Reed...
These ideas proposed by Wright represent a half century of ingenuity and unrivaled creativity. Wright was unquestionably a architectural genius and was years ahead of his time. The biggest obstacle which held Wright back throughout his career was the lack of technogaly that was present during his time. As a architect, Wright accomplished more that any other in history, with the possible exception of DaVincci or Michangelo. His philosophy of Organic Architecture showed the world that form and function could both by achieved to create a house that was both true to nature and affordable. Wrights homes, have today become monuments of greatness and distictionn. Most of them serve as museums, displaying the his ideas and the achievements of a lifetime of innovation. It wasn't until Wright published "The Natural House" however, that he fully was able to illustrate all of his ideas relating toward housing. In the "Natural House" wright defines the meaning of Organic Architecture and how it can be applied to creating housing which provides a closeness to nature for the occupents. Wright was undoubtly a romantic and individualist. His feeling toward nature and self integrity can best be shown by comparing them to those shared by Emerson and Thoreau. Wrights deep love of nature and his individualism were formed from the events which influenced him as a child and up until his days working for Louis Sullivan. In order to fully understand the ideas which Wright proposed through his philosophy of Organic Architecture, one must first understand the events and influences which led to their creation.
The guide is not designed to be exhaustive. It provides ideas for student activities and assignments, bibliographies of Wright's work, and a selected listing of background sources. Some older materials are included to suggest the state of scholarship and thinking about issues within Wright's lifetime or as reminders of what works might have influenced his thinking. In making assignments, it is suggested that the teacher add current articles and books that are deemed appropriate.
"Wright Brothers Information Packet: Primary Sources - Special Collection & Archives." Wright State University Libraries, www.libraries.wright.edu/special/wrightbrothers/packet/primary.
Wright established the first truly American architecture. In a Prairie house, the essential nature of the box could be eliminated. Wright explained. Interior walls were minimized to emphasize openness and community. The relationship of inhabitants to the outside became more intimate; landscape and building became one, more harmonious; and instead of a separate thing set up independently of landscape and site, the building with landscape and site became inevitably one. Frank Lloyd Wright published the book, A Testament, which was a philosophical summation of his architectural career. In an essay entitled “The New Architecture: Principles”, he put forth nine principles of architecture that reflected the development of his organic philosophy. The principles addressed ideas about the relationship of the human scale to the landscape, the use of new materials like glass and steel to achieve more spatial architecture, and the development of a building’s architectural “character,” which was his answer to the notion of style. From his beginnings in a little town in Wisconsin, the rise of a great architect commenced his journey. No one has attained his level of expertise in the architectural field. Frank Lloyd Wright’s accomplishments are unmatched, was inspired by natural and simplistic designs, and his career flourished by his ingenuity. Early on in his career, in the United States, gave Frank Lloyd Wright a varied amount of experiences. One of his most famous quotes is “The mission of an architect is to help people understand how to make life more beautiful, the world a better one for living in, and to give reason, rhyme, and meaning to life.” Written by Frank Lloyd Wright in
Kinnamon, Keneth. The Emergence of RIchard Wright: A Study in Literature and Society. 1973. Reprint, Urbana: University of Illinois Press, 1972.
By the turn of the 1600's, the way in which the solar system and the universe as a whole was viewed began to change. With the controversial conclusions of Copernicus, scientists already began to adopt the idea of a heliocentric solar system. Further advancements in astronomy came about through the research of Tycho Brahe and his assistant Johannes Kepler. The three planetary laws developed by Kepler with the data gathered by Brahe shaped the way in which science viewed the structure and motion of the planets of the solar system in profound ways, lasting to this day.
Frank Lloyd Wright has been called “one of the greatest American architect as well as an Art dealer that produced a numerous buildings, including houses, resorts, gardens, office buildings, churches, banks and museums. Wright was the first architect that pursues a philosophy of truly organic architecture that responds to the symphonies and harmonies in human habitats to their natural world. He was the apprentice of “father of Modernism” Louis Sullivan, and he was also one of the most influential architects on 20th century in America, Wright is idealist with the use of elemental theme and nature materials (stone, wood, and water), the use of sky and prairie, as well as the use of geometrical lines in his buildings planning. He also defined a building as ‘being appropriate to place’ if it is in harmony with its natural environment, with the landscape (Larkin and Brooks, 1993).
Jewett tries to establish the relationship between the character of Sylvia and the hunter. Sylvia represents the ideal young women with all innocent and natural feminist attitudes and the hunter as the masculine figure who carries a gun and spends his time killing and stuffing birds. Sylvia doesn’t seem to live a “normal girl” life but due to the fact that she lives in the time and place she does you’d think shed fit in to the stereotypical mold society has made her fit in but the thing is that Sylvia comes from a manufacturing town and has the freedom ...
Terence Riley, Peter Reed, and Anthony Alofsin. Frank Lloyd Wright, Architect. New York: Museum of Modern Art, 1994. Print.
Wright designed according to his desire to place the residents close to the natural surroundings. He felt that a house should be a natural extension of its surroundings and not just positioned on a site. Wright designed his buildings so its layouts and features could merge with its surroundings rather than merely resembling a rectangular box on a lot. Wright stated, “A building should appear to grow easily from its site and be shaped to harmonize with its surroundings.” His main objective was to demonstrate how people can be harmonious with