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Beowulf As An Epic Hero
Beowulf As An Epic Hero
Beowulf As An Epic Hero
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Recommended: Beowulf As An Epic Hero
In the literary works Beowulf, an epic Anglo-Saxon poem, assumedly, composed orally around the seventh century, and Doctor Faustus by Christopher Marlowe, the protagonists embody the qualities of two contrasting types of literary heroes. Beowulf tells the story of a powerful fighter. Beowulf engages in several battles and displays personality traits worthy of respect. This character embodies the most distinctive features of an epic hero, including many derived from classical works, such as Greek plays by Homer. Also, the main character in Christopher Marlowe’s Doctor Faustus is considered to be a typical literary hero. Unlike Beowulf, Faustus represents the Renaissance man and he is overly ambitious. He makes an error of judgment which leads …show more content…
These qualities grant an epic hero significant honor and respect. Essentially, Beowulf portrays the characteristics of an epic hero because he is physically strong and he demonstrates noble traits such as friendship, bravery, and generosity. For example, Beowulf “battled and bound five beasts, raided a troll-nest and in the night-sea slaughtered sea-brutes” (420-423). This suggests Beowulf is an extremely powerful and skilled hero. Next, Prior to deciding to fight Grendel, he refuses to use any weapons against the demonic monster, “So it won’t be a cutting edge I’ll wield to mow him down, easily as I might. He has no idea of the arts of war, of shield or sword-play, although he does possess a wild strength. No weapons, therefore, for either this night: unarmed he shall face me if face me he dares,” (679-68.). Therefore, he demonstrates significant skill and combat …show more content…
This reveals his extreme aspirations. He desires god-like power and fame. Therefore, Faustus wild ambition drives him to take extreme, horrific actions. For example, he revokes his baptism and sells his soul to Lucifer.
Additionally, the bad angel represents Faustus’ conscience and encourages him to pursue his innermost desire: “Go forward, Faustus, in that famous art wherein all Nature's treasure is contained: be thou on earth as Jove is in the sky, Lord and commander of these elements,” (12). In this powerful passage, Faustus’ greed and thirst for fame and power becomes further exposed.
Lastly, Faustus does not use his powers in the pursuit of additional knowledge. Instead he uses his magical power for petty reasons, such as making fun of Benvolio or taking advantage of the horse-courser. Faustus allows his drives to take over his ability to rationally form decisions. As a result, he fails to repent. The audience or readers often begin to pity Faustus because he cannot repent or understand the hardships his ambition creates. Faustus’ pride prevents him consider the possibility of seeking forgiveness. Therefore, Faustus allows his desires to condemn himself to remain in hell and damns himself for eternity. Essentially, his relatable ambition causes his problems throughout the story. Conclusively, Faustus portrays a typical tragic hero. He creates his own problems, though naively and not intentionally. His actions
It is fair to say that Faustus represents the quintessential renaissance man - it is his thirst for knowledge that drives him into his pact with Mephastophilis, indeed it is the Evil Angel that best summarises this:
... believes his life to be beyond his own control even when he is the only character to have made any significant decisions in the entire play. Because of the many times he refuses divine help and rejects the idea that he controls his life, Faustus' stubborn belief that he cannot be saved appears almost comically tragic to the audience. The reader gains a sense that Faustus uses fatalism as a justification to do whatever he wants. This may be Marlowe attempting to bring attention to a condition he saw in his society.
Having attained all that he desires from the knowledge of man, Marlowe’s character Faustus turns to the only remaining school of thought that he feels he must master which is the art of necromancy. In his pursuits, he manages to summon the devil Mephistopheles, arch demon of hell, and strikes a deal to trade his immortal soul with Lucifer in exchange for being granted an infinite amount of power and knowledge that extends even beyond the limits of human understanding. However in the process of negotiating the terms of his pact, it becomes clear that Faust is in a constant state of uncertainty in terms of whether he should repent and forsake the arrangement or simply go through with it. This underlying theme of internal struggle is introduced very early and reappears in later acts with the appearance of established binaries that suggest a theme of division not only among the character of John Faustus, but within the written text as a whole. This suggests that Faustus is meant to serve as a symbol for the divided nature of man and the consequences of failing to negotiate the struggles that are a result of the divided self.
Faust Part One, allows its readers to explore sixteenth century European life at a time where newfound ideas, and old beliefs collide. This work allows the reader to experience firsthand the contrast between the quest for knowledge and the strict bounds of religion and superstition, through the eyes of the main character Faust. Though written centuries ago, Faust’s timeless inner conflict touches the reader in that it relates to mankind’s enduring struggle when seeking other-worldly knowledge. The work possesses this ability to make a connection, and provides an impactful example of a human being’s personal turmoil concerning the limits of everyday life.
At he very beginning of the play, we are introduced to Faustus in a very clinical, objective fashion. In the Prologue, the Chorus briefly describes his past and then hints about the events to come ("His waxen wings did mount above his reach, / And, melting, heavens conspir'd his o...
...n able to bout the inaccuracy he committed. Some things may never be taken back, but when given a chance a compromise can be contrived In Faustus’s case, he was told over and over again to repent and beg to god for mercy. Of course his desire got the the most of him, and he ignored his second guesses and fear. If somethings does not seem intact, follow what your intuition tells you. That is a key point this drama has proved true. In conclusion I think the story was full of knowledge, understanding, and astuteness which all are crucial factors of ones life. Without influence, corruption, and intuition, the human race would be very different. Everyone goes through their own right of passage, some sooner or later then others, where they must surpass and leave behind parts of their pasts, and enter what they want out of their life. In Faustus’s case, he failed the test.
evident. The main one is that despite his great knowledge and power, Faustus makes the
During the final scene of the play, in which we witness Faustus' final hour before being taken off to hell, he is, like all heroes of classical tragedy, completely isolated. There is a poignant contrast in Faustus' degeneration from the successful, revered conjurer of the previous scenes, to the disillusioned scholar we see here. In despair, he tries to conjure and command the earth to gape open but realises that, "o no, it will not harbour" him. His terror, desperation and... ... middle of paper ... ...
Although Faustus is initially an impressive figure because of his intelligence and integrity, he fails to sustain this image all throughout the play. He allows evil to prevail over the good; hence, failing to act in an intelligibly and morally correct manner. Faustus’s pride becomes his major sin and takes him on the path of self-destruction in which he is successful in acquiring supernatural powers, but at the greater expense of his soul. In other words, Doctor Faustus’s victory becomes his biggest defeat in the end.
This section of the play has both an important structural and contextual role in Dr. Faustus. Leading the audience through his doubt and limitations, Faustus begins to realize that his potential for knowledge and power is not half as grand as he expected. This leads him into strong bouts of inner struggle, as shown by the appearance of the good and evil angels on stage. The forces of good and evil start to tear away at Faustus, and he begins the decline into his inventible tragic downfall at the end of the play.
In Christopher Marlowe’s play, Doctor Faustus, the idea of repentance is a reoccurring theme with the title character. Faustus is often urged by others to repent his decision to sell his soul to the devil, but in the end he suffers eternal damnation. Faustus was resigned to this fate because he lacked the belief in his soul of God. He was once a moral and devout man, but greed led him to sin.
...onsibility and, although too late, returns to his former self. Faustus fills the role of the tragic hero that Marlowe created for him perfectly and that is easily seen through Aristotle's definition of a tragic hero and the play itself.
The Prologue makes clear that the life of Faustus is governed more strongly by external forces as opposed to inter...
There seems to be quite a debate on whether Faustus is a tragic hero or an antihero. Many people describe an antihero as someone who is “flawed,” a character that is corrupted, selfish, full of arrogance, and one who lacks heroic characteristics. An antihero can also be, the protagonist. In the play, Doctor Faustus, Christopher Marlowe starts by describing Faustus’s accomplishments and gives the audience a background of where he comes from, where he was born, who his parents were, etc. Faustus soon realizes that even though God has given him the skills and intelligence to accomplish his aspirations, he still does not possess any “real” power. He is not satisfied with his knowledge and decides to practice black magic. “Necromantic books are
This part I will discuss the relationship between Faustus’s passion and reason. Faustus’s whole life is a constant struggle. In the book the good angel represents the voice of god and another represents evil. The contrasts of them show Faustus’s internal struggles and conflict to choose and judge which view is right: seeking for soul and harmony human life or following the human’s body