Banjo History

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The Banjo is classified as a plucked lute chordophone which is thought to have derived from the Portuguese bandore (Odell). I may also have come from the West African “bang” which is a lute formed from a stalk of papyrus (Odell). The modern Banjo is fitted with five steel wire strings over a fretted neck and tambourine like head (Odell). The fifth string of the banjo is called the “thumb string” and is shorter than the other strings (Odell). It is often tuned g’-c-g-b-d’ which is called C tuning or g’-d-g-b-d’ (G tuning) and often finger-picked which arose in 1855 (Odell). On the back the head there may or may not be a “resonator” which reflects sound outwards (Odell). Banjos without a resonator are considered “open-backed” banjos (Odell). …show more content…

In 1860 James Buckley advocated for raised frets which were then only popularized in 1880s (Odell). Tuning at this point was now in the modern C tuning however music was written in “A notation” which was resolve until 1909 (Odell). The modern banjo was formed in the nineteenth century as a “commercial adaptation of an instrument used by enslaved West Africans” (Odell). “It was popularized in the 19th century by ‘minstrels’ and, later, by jazz bands. In late 19th-century USA, and also in Britain, the banjo became a popular parlour instrument, and ‘classic’ concert styles were also developed by soloists” (Montagu). Today the most common use for the banjo is in south-eastern traditional music and in bluegrass (Montagu). Several instrument came out of the banjo included in the cello and piccolo banjos, banjeurines, and “ladies” and “pony” banjo. Several other banjos include the plectrum banjo (banjo with only four strings), tenor banjo (shorter version of the plectrum) (Odell). The tenor banjo was created to be used in jazz and dance orchestras and later adapted for Irish and English traditional music

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