Art And Symbolism In Siddhartha

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The representation of this particular piece of art seems to be accurate. The work of Siddhartha's mind had a battle with Mara, who represented the passions that delude us. Mara saw Siddhartha getting close to success and tried to distract Siddhartha with beautiful women when this did not work Mara brought his armies to attack Siddhartha, who sat still and untouched. During meditation, Siddhartha’s mind was perfectly still and quiet. Siddhartha then became enlightened and became the Buddha. This artwork portrays the Buddha in a divine status in front of a Bodhi tree of when he sought and achieved enlightenment even when being attacked. His eyes are closed and his lips are slightly curved into a subtle smile. He does not appear to be affected …show more content…

The lotus flowers surround Buddha and he also is sitting on a giant one. They are symbols that the Buddha is awakened almost as a sign of rebirth. The lotus flowers meaning in Buddhism means rising above everything and achieve enlightenment. There are lotus flowers that are not yet open representing that not all are yet enlightened and the lotuses that are fully bloomed representing full-enlightenment and self-awareness. Buddha sits in front of the Bodhi tree which literally means awakening or enlightenment. Behind the tree is a full moon and in Buddhism has a great significance. The Buddha was born on a full moon day and his enlightenment was also during a full moon. The Buddha also has earth touching mudra. Mudra is the religious hand gestures and earth touching is “calling the earth to witness”. These concepts go back to the Four Noble Truths. They are the truth of suffering, the truth of the cause of suffering, the truth of the end of suffering, and the truth of the path that leads to the end of suffering. The fist noble truth is represented by the temptresses and the flaming arrows sent from Mara. After the temptresses did not seduce Buddha Mara sent flaming arrows from all directions towards the Buddha representing that all of life’s sufferings. This artwork shows the second noble truth by Buddha avoiding the temptresses that Mara sent and in this way Buddha avoided having cravings or desires. By not submitting to those desires and cravings Buddha realized that this is the ending all suffering is to remove all desire, ill will and ignorance therefore completing the third noble truth. The fourth noble truth is represented by the weight of the Buddha in the artwork showing Buddha not overweight and not starving but in the middle showing him living The Middle Path. When artists get to work responding and expressing, whether or not also to urge a point,

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