In this exquisite artwork named, “The Turning Road”, by Andre Derain, there are many elements of art shows many different type of lines, shape, texture, space, light, and color. This artwork has an automatic drawing that looks random and adventurous. I can see that the two-dimensional of the tree trunk and branches which have the outline of a cylinder and rectangle. There are vertical, horizontal, diagonal lines used to emphasize in this drawing like, the curvy tree trunk and the diagonal branches that stick out of the tree. Also the thin short lines are displayed behind the big thick tree trunk to avoid attention and let us in-version that there are many more enormous tree nearby. The lines were used in the picture to create a tonal variation and simulate texture. “The curving road, the tree trunks and branches, and the choreographed forms of villager all sway to an integrated rhythm”, that focus our attention of how the artist utilized lines to create a freeform way which add excitement to the design. He also applied different colors to shimmer in flat shapes in order to make the landscape come more alive and the expressive feeling of the villagers. The shapes of the house and road have a smooth and rounded angle that appears to be distorted. I don’t see any three-dimensional form that was use in this painting, however, the artist tend to portray a different angles that allow the viewer to see certain things like the trees and curved road to stand out and grab the viewer attention. The shapes used in the painting seem to be organic, because of the naturally outdoor environment and authentic of colors. In the representation of peoples, shape lend character to a figure by giving it more of a human-like structure, the human form d...
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...apes are different in shape where it cause the trees in the background to be smaller than the trees that are closer to the edge of the curved road. The opposites are made to create a vibrant object to balance out the color in the painting, like the straight lines were used to make many of tree trunks, bridges, and houses; therefore curved lines were located in the top brushes of the tree, the thickness of the arc that makes the turning road simply enhanced by the thickness of it edges. Also, the use of complementary colors used in this painting gives a warm and cooling temperature to grasp the village surroundings. The thick lines in the tree trunks in the far right draw the attention to the front of the painting were most of the action seem to be taking place, which also create the shape to be smoother as the left turn on the road curve over the village.
Politics create a perception that illegal immigrants are all horrid human beings and deserve to be deported back to Mexico. There are a number of Mexicans who look to cross the border to the United States because they are in trouble and they must do whatever they can in order to survive. Regardless of this, citizens of the United States immediately ask for the heads of illegal immigrants and jump to conclusions that these people are crude and selfish although they are just trying to support their families. Luis Alberto Urrea tackles this problem regarding Mexicans attempting to cross the border in his book, The Devil 's Highway: A True Story. Urrea retells the story of the Yuma 14, also known as the Welton 26, and their attempt to cross the
The dominant line in this piece of art would have to be a straight line. To be precise, the vertical straight line is a vivid piece to this art. Within the art, you can also see shapes such as squares and rectangles. These four sided shapes are found in many different aspects of the artwork. For example, the buildings in the background are rectangles, and the border is full of rectangles and squares. The form of this art is clearly 2D, considering it is on canvas. Although, Ringgold did an amazing job at portraying a sense of 3D degression. The texture of this art is considered to be rough and clothlike. This is due to the fact that “Ringgold’s vehicle is the story quilt” within this work of art. (Spector, Nancy.) The space of this art could be described as busy. There is something new in each square of the quilt. There is also a large value change if you compare the inner middle of the artwork to the surrounding edges of it. The core of this piece of art is dark while the outside is light. The type of balance would be considered asymmetrical. There is also not a distinct pattern in this piece. Another detail to this artwork is that everything is in proportion. The only rhythm and movement found is the young girl in the sky looks as if she is flying. A strong contrast found is, again, the bright floral border compared to the dark picture inside. The pieces of this piece are bold and do not work together because they highly
Since the beginning of the United States the American people have been on the move. Public transportation has played a major role in the development of this nation and in bringing its citizens together. In the book “Divided Highways”, author Tom Lewis takes the reader on a journey of the building of the Interstates and the consequences(good and bad) that came from them. Lewis believes that the Interstates are a physical characteristic of America and that it shows “all our glory and our meanness; all our vision and our shortsightedness”(xiv).
What I see in this piece is peacefulness. Stokes of the paintbrush are perfect to make it look whole. With the sun shinning down making the colors pop out even more. The olive trees glowing in the suns light with the mountains behind it. It is a piece I could look at for a long time with out getting bored. The colors of the piece just make it look so complete. With the lines of the
The Interpretation/Meaning (III) will be written without any guideline points, the aim of this part will be to determine what the painter wanted to express with his piece of work and what it tells us in a symbolic or not instantly clear way. This part will also handle why the artist drew the painting the way he did it and why he chose various techniques or tools.
There is a lot of repetition of the vertical lines of the forest in the background of the painting, these vertical lines draw the eye up into the clouds and the sky. These repeated vertical lines contrast harshly with a horizontal line that divides the canvas almost exactly in half. The background, upper portion of the canvas, is quite static and flat, whereas the foreground and middle ground of the painting have quite a lot of depth. This static effect is made up for in the immaculate amount of d...
... study for the overall concept they appear rather as abstract patterns. The shadows of the figures were very carefully modeled. The light- dark contrasts of the shadows make them seem actually real. The spatial quality is only established through the relations between the sizes of the objects. The painting is not based on a geometrical, box like space. The perspective centre is on the right, despite the fact that the composition is laid in rows parallel to the picture frame. At the same time a paradoxical foreshortening from right to left is evident. The girl fishing with the orange dress and her mother are on the same level, that is, actually at equal distance. In its spatial contruction, the painting is also a successful construction, the groups of people sitting in the shade, and who should really be seen from above, are all shown directly from the side. The ideal eye level would actually be on different horizontal lines; first at head height of the standing figures, then of those seated. Seurats methods of combing observations which he collected over two years, corresponds, in its self invented techniques, to a modern lifelike painting rather than an academic history painting.
Suburban life in the 1950s was ideal, but not ideal for the women. Women were continuously looked at as the typical suburban housewife. In Richard Yates’ novel, Revolutionary Road, we are given the chance to see the dynamics of the Wheeler family and of those around them. Through the use of theme, tone and major symbolism in the novel, we are shown the perspective of gender roles in the 1950s. The author shows the reader the struggles of strict gender roles and how the protagonist of the story will do just about anything to escape from it.
I have conflicting thought regarding Cormac McCarthy's novel The Road. My initial thoughts of the novel were that it was solely built on the complete devastation of two characters lives and the surrounding landscape and their constant search for survival. However after giving it further insight I discovered the underlying messages of the importance of good and bad people in my life, the beauty of the little things in life and constant greed showed by desperate individuals. I believe the novels successes comes from the messages of the significant value of human life and the importance of memories in our lives.
This work uses diagonal and zigzag lines on the limbs and branches of the trees. These are good line types to use since they resemble nature. Curved lines are
...technique of fluid in the brush strokes, which lead to an impression of blurry. The spots of soft color combine with the color of the figures, which shows bright light of beams through the trees. He blends colors in the background that appear to be people dancing. The lack of outlines is a traditional Impressionist technique.
31-40), there is a vast difference between his piece and Georges Seurat’s. Instead of using dots to create the effect for his piece, Van Gogh primarily uses small lined brush strokes heavy with paint giving a palpable appearance. Most visible is the predominant use of the color blue, ranging in different levels of intensity from a color so deep it appears to almost be black to the palest of blues, bordering on being white. Among these many shades of blues, yellow, white, black and a reddish brown are also visible. To balance the extravagant whirling skyscape located above the small village, Van Gogh includes in the foreground a large, gnarled looking tree, opposite side of the canvas to the imposing, glowing moon. Motion is noticeable within the sky, wherein the clouds and stars carry similar appearance to large waves. As though mimicking the movement from above, the mountains below follow along similar curvature as the clouds and stars, making it challenging for the viewer to determine where precisely the sky starts and the earth
...hese repeated vertical lines contrast firmly with a horizontal line that divides the canvas almost exactly in half. The background, upper portion of the canvas, seems unchanging and flat, whereas the foreground and middle ground of the painting have a lot of depth to them.
The painting Olive Trees, now at the Minneapolis Institute of Arts, is one of a series of ten or twelve paintings of olive orchards, which Van Gogh painted in 1889 while living at the asylum of Saint-Remy. This painting is a landscape accomplished in bright, complementary colors, with Van Gogh’s characteristically brisk brushwork. The image is divided roughly into thirds, with the middle zone, the trees, being highly capricious. The brushstrokes describe the lay of the land, the movement of the wind in the trees, and the rays of the sun. The sun itself is hugely misrepresented in size, and highlighted also by an outline of orange. It dominates the picture and takes on perhaps a “supernatural” aspect, possibly representing deity or faith. The curved trees all lean, even quiver, away from the center of the painting. They cast violet shadows which shouldn’t be possible, given the placement of the sun: Realism is sacrificed for the content. The most prominent of these shadows is at the center of the foreground, and is not associated with any one tree. One could see this central shadow as the thing from which the trees are bending. The base of each tree is painted with red lines that ambiguously outline where the shadows would fall if the sun were directly overhead. Both the ground and the trees have a singularly wave appearance, while the sun is more stable, and the distant mountains are still.
The poem entitled “The Road Not Taken” by Robert Frost is perhaps one of the most well-known poems to date. Frost’s poem explores the different paths and choices individuals are presented with throughout their life, which can later influence their lives significantly more than originally anticipated. Specifically, Frost describes a fork in the road at which the narrator must choose between two very different paths with varying outcomes. “The Road Not Taken” emphasizes the importance of taking the less traveled road through Frost’s usage of a wide range of literary devices. “The Road Not Taken” suggests that individuals should fully experience the process of making a choice before reaching a decision as that one single choice may later have