Postmodern works often incorporate an aspect of randomness; this randomness is sometimes purposeful while other times it comes across as completely haphazard. Randomness is a part of what defines postmodernity, but how big of a factor is it when trying to classify something as a postmodern work? It’s possible that works including randomness are automatically defined as postmodern or that the postmodern genre was in part created in order to classify these random works in a type of miscellaneous category. It can be argued that postmodernity is an attempt to give artistic or intellectual meaning to seemingly meaningless or random modern experiences. Modern technology has further enabled randomness and because of this, randomness has become a …show more content…
The film Last Year in Marienbad (Resnais 1961) plays with fragmentation and chance to create a confusing narrative. Initially (and for a significant portion of the film) the story comes across as completely random and incoherent but as the film goes on patterns begin to arise. Chance and randomness become themes that unite the fragments. The whole organization of the film and the way the past is presented through the present is done using random chance. The way the disjointed clips seem to come together by chance to create a story shows how there can be order and purpose in the random. The film is further broken up by disturbances that are all chance events. Interruptions that would normally be random occurrences such as a glass breaking, gunshots or laughter come to form a sense of coherence and pace. In a work where randomness could potentially create more confusion, Last Year in Marienbad uses the element of chance and lack of a clear linear narrative to leave more room for the viewer’s own interpretation. A part of consuming art is promoting new ways of thinking. This film could easily come across as boring and pretentious to some but to others could be a thought-provoking puzzle or mystery to be solved. Randomness and discontinuity in art often make for the most stimulating conversations and analyses. Postmodern works often leave us asking, “why?” when there is no immediate meaning, the audience wants to find a
poster typically has the white cowboy large, presented front and center, with the antagonists and co-stars all behind him. An iconic western, The Good, The Bad, and the Ugly, has a poster picturing the white cowboy alone. Clint Eastwood stands there tall, stoic, and singular. Typical of most other westerns, the white cowboy is the center of attention. Here, however, there are two non-white figures presented: Bart, the Black cowboy, and a large Native American chief. This movie poster has the same style as other westerns with the color and layout, but is unique in the fact that a black man is presented where a white man would normally be dominating. Once again, this makes a statement about racial improvements. Previously having a black man at
There are still fairly serious discrepancies between Davis’s actual historical monograph and the depiction in the film. Most importantly, we see the trail in Toulouse in the film opened for the public while the fact is that “sixteenth-century criminal justice is always secret; there are no spectators until the sentence is read.” Moreover, the monograph positions Bertrande as being opposed to having an imposter for a husband as she openly rejected him as soon as she realised that he was not Martin Guerre. In the film, Bertrande likely already knew of the fake Martin Guerre and is collaborating with the imposter out of a dire need for a husband, and also out of love.
Postmodernism can be defined as a rejection of the idea that there are certain unequivocal truths or grand narratives (such as capitalism, faith or science) and as a belief that there are multiple ways of understanding anything, whether it be it culture, philosophy, art, literature, films, etc, or even television... Television reflects the mass-produced society we live in and certain shows exhibit many of the archetypes of postmodernism that have become prevalent in other art forms. Postmodernism can be useful for understanding contemporary television it can help us to relate to the ever-changing world we live in. Television shows like ABC’s Lost (ABC, 2004-2010) dabble in matters of intertextuality, questioning of grand narratives and, amongst others, a manipulation of time through use of flashbacks, flash-forwards and, uniquely to Lost, the flash-sideways.
REFERENCESJean Baudrillard Simulations--1983 Semiotext[e]. America--1988 (English Edition) Verso. Seduction--1990 (English Edition) St. Martin’s Press. The Illusion of the End--1994 (English Edition) Stanford University Press. Simulacra and Simualtion--1994 (English Edition) University of Michigan Press. Jean-Francois Lyotard The Postmodern Condition: A Report on Knowledge--1984 (English Edition) University of Minnesota Press. The Postmodern Exaplained--1993 (English Edition) University of Minnesota Press. Michel Foucault Madness and Civilization--1973 Vintage Books. Discipline and Punish: The Birth of the Prison--1977 Vintage Books. The History of Sexuality--1980 Vintage Books. Linda Hutcheon A Poetics of Postmodernism: History, Thoery Fiction--1988 Routledge. The Politics or Postmodernism--1989 Routledge.
Postmodernity is said to be “a reaction against the Modern movement” (Nicol 2009) and has shown a complete disregard for many aspects of art and design that were popularized during modernity, including: legibility, the grid, and use of a clear hierarchy. Postmodernism, as an art movement, aims to create works based on an independent style. Nothing is new in postmodern art, in a sense that something always comes from something else.
Postmodernism movement which began in the 1950’s and still prevails today, is the successor of Modernism. Postmodernism, in contrast to Modernism, seeks to challenge authority as a whole, refutes any belief in absolute truths, regards hierarchal power as distrustful and seeks to establish an approach in
Over the past thirty years, generations understand the world around us is made up of worldly views and patterns of thoughts that inform the culture. Postmodernism informs more of the current culture than of the past, and plays a major role in media, politics, and religion. Postmodernism relies more on experience rather than specific principles, knowing that the outcome of one’s experience will be relative than universal. Postmodernism implies a shattering of innocent confidence in the capacity of the self to control its own destiny. These are some characteristics that researchers find important?
Within the German Democratic Republic, there was a secret police force known as the Stasi, which was responsible for state surveillance, attempting to permeate every facet of life. Agents within and informants tied to the Stasi were both feared and hated, as there was no true semblance of privacy for most citizens. Directed by Florian Henckel von Donnersmarck, the movie The Lives of Others follows one particular Stasi agent as he carries out his mission to spy on a well-known writer and his lover. As the film progresses, the audience is able to see the moral transformation of Stasi Captain Hauptmann Gerd Wiesler primarily through the director 's use of the script, colors and lighting, and music.
Postmodernism movement started in the 1960’s, carrying on until present. James Morley defined the postmodernism movement as “a rejection of the sovereign autonomous individual with an emphasis upon anarchic collective anonymous experience.” In other words, postmodernism rejects what has been established and makes emphasis on combined revolutionary experiences. Postmodernism can be said it is the "derivate" of modernism; it follows most of the same ideas than modernism but resist the very idea of boundaries. According to our lecture notes “Dominant culture uses perception against others to maintain authority.”
Post-Modernism, the absence of any certainty, discredits the values of modernism, opposing the fixed principles of meaning and value. It is built on countless theories about society, the media and knowledge of the world, but it is also aware that there is no ultimate way of making sense of humanity. Ondaatje embraces aspects of post-modernism, by creating a novel that breaks away from the traditional narrative, thereby giving readers a greater perspective on the novel. One learns that any story is simply a storyteller's construction, and is never unbiased.
Don DeLillo creates in White Noise a manifesto which attempts to expose certain retrospective characteristics which he believes must be a part of every postmodern fiction.
Postmodernism is a vague term that can describe a variety of disciplines that include, architecture, art, music, film, fashion, literature…etc. (Klages). In the case of “Videotape”, postmodern literature would be the main focus or area of study. This type of literature emerged in the era that succeeded World War II and relies heavily on the use of techniques such as, fragmentation, the creation of paradoxes, and questionable protagonists. Furthermore, postmodern literature also exudes ambiguity and critical thinking where the focus is mainly on the reader and his/her experience of the work rather than the content and form. Building upon that, the selected passag...
Hotel Rwanda was a 2h and 2 min movie released to the public eye on December 22, 2004. This filmed showed viewers a sociological problem dealing with racism within groups that lived, eat, breath and bathed on the same land. The move featured cruel and punishable by death actions involving two groups. One being of peace and willful kindness, another whose minds are shaped into hate and carrying out acts of genocide. Outside allied forces joined in to keep what little peace the country has had, however good news and bad blend so well in this movie it is hard at first to see a silver lining.
The notion of postmodernism has rapidly made its way to the front and center of our social discussion topics. The question that must be asked concerning this erroneous view from the premise is, ‘How does anyone think this logically and pragmatically could be an idea which they could hold firm to?’ The idea of postmodernism guarantees that there are no guarantees. In other terms, postmodernism boldly states that there is a solid truth that the earth is incapable of boldly producing statements of solidified truths. Straight from the premise of this fallacious idea we see a landslide of incoherence and an overwhelming sense of vacillation at the very foundation.
The term postmodernism is applied to several disciplines which include architecture, art, literature, music, film, sociology, cultural and media studies, visual arts, philosophy, history. Communications and technology. The beginning of postmodernism is quite unclear, however, it emerged as an area of academic study in mid- 1980s. "Postmodernism" is an outcome of the deep changes in social and political life style in post-industrialized societies with an attitude to question the truth and authority put forth by such conditions. Critics have constantly been debating about the treatment of the prefix “post” in "postmodernism". According to some critics, the "post" designates a process of historical succession. For them, "Postmodernism" is something that either follows or replaces what is known as "modernism". A consensus is yet to be reached about whether postmodernism is a break from modernism, a continuation of modernism or even both. Noorbakhsh Hooti offers three uses of the term “postmodernism”. “First, postmodernism represents a number of developments in the arts and culture in the latter half of the twentieth century. The reference point and point of departure for this type of postmodernism are the different forms of modernism that developed in the arts and culture in Europe in the first half of the century. Second, it designates the rise of new frameworks of social and economic organization, again approximately since the end of the 1939-45 war. As such, its reference point and point of departure is the tendency of modernization which specified the early years of the century, with the development of industry, the growth of the mass market, and the speed in automation, travel and mass communication. Third, it indicate...