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Woman oppresion in literature
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Recommended: Woman oppresion in literature
Anthony Fowler
V. Underwood
ENG109
February 9, 2014
Analysis of Bewitched by Ueda Akinari
Bewitched is a story about a naïve young man in 16th century Japan who falls in love with an unbelievably gorgeous woman who turns out to really be an evil spirit who possesses the bodies of beautiful women. This story tells a tale that holds a message to warn men and women in a misogynist fashion to beware their temptations and to act in the correct social norms. The fact the protagonist is a man and the antagonist is a female represents the patriarchy within the society for which the story was written. The story teaches the roles of men and women by contrasting characters who act appropriately to those who do not. The main protagonist and antagonist appear to have the characteristics of an improper man and woman, whereas all the other characters show the appropriate fashion they should act according to their gender.
The main characters meet after a mysteriously sudden rainfall where they both retreat into the same hut. The male protagonist, Toyo-o, is naïve young man who is drawn in quickly by the beauty of the antagonist, Manago. Despite his naiveté, he seems to understand some of the gender roles of a woman by observing the odd fact she was without a male escort. His knowledge of the gender roles for both women and men is obviously lacking, however, as he doesn’t think much of her other strange behaviors later on, nor does he appropriately take on his own personal duties as a man.
Throughout the story the author discusses how Toyo-o’s father and bigger brother scorn him for his irresponsibility and laziness, since he fails to take up any responsibility to help with the family business. This shows that, in the Japanese culture, a man is...
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...o him. This part in the story suggests such a thing is a feminine quality and that men should not worry about being good looking, but rather focus more on more manly qualities: especially that of prudence.
Toyo-o’s brother seems to represent many qualities of a good man. He makes the final decisions of the household, holding his judgment’s above that of even his mothers. He takes responsibility for his family business, and is able to take care of his family from his work. The women aren’t mentioned to take much part in the business, so it’s assumed to be mostly the man’s responsibility. These are qualities that Toyo-o seems to lack, which mostly seem to be qualities that are meant to keep men away from any feminine qualities so that they can hold power over them. This lack of such power is the reason why Toyo-o was so susceptible to Manago’s, or a woman’s, power.
One day an old man comes to join the family for supper-- he new Poh-Poh from Old China... the man is odd looking and Liang thinks him to be "the Monkey Man" from the ghost stories her grams is always telling. Regardless Liang and this man she comes to call Wong-Suk become great friends. They go to the movies together and get jeered at (I'm not sure if this is beacause 'Beauty and the Beast' or because they are Chinese); he tells her stories; and she dances for him.
Hero’s plight in Much Ado About Nothing is a perfect example of how the skewed male perspective can turn a sweet and innocent girl into a scheming strumpet in no time.
In conclusion, Katsu’s tale allows one to delve deep into the day to day life of an unemployed samurai during the end of the Tokugawa era. His life can be observed to see the immense privilege the samurai status held. Not only that, he displays the values of a samurai warrior and although he does not act like an honorable samurai, he is an honorable warrior. Katsu displays the tenacity of both samurai privileges and values during the late Tokugawa shogunate. Although his life may not exemplify the ideal samurai, it does in fact allow one to observe the life of an ordinary samurai.
Misogyny in this text is represented through many factors showing how women can only prove their dominance by removing the men’s sexuality and freedom of independence. It is also represented in the fact that Nurse Ratched is seen as perfect except for her breasts, her outward mark of being a woman. “A mistake was made somehow in manufacturing, putting those big, womanly breasts on what would of otherwise been a perfect work, and you can see how bitter she is about it.” (6) The fear of women is usually stemmed from ...
Many readers feel the tendency to compare Aphra Behn's Oroonoko to William Shakespeare's Othello. Indeed they have many features in common, such as wives executed by husbands, conflicts between white and black characters, deceived heroes, the absolute vulnerability of women, etc. Both works stage male characters at both ends of their conflicts. In Othello, the tragic hero is Othello, and the villain is Iago. In Oroonoko, the hero is Oroonoko, the vice of the first part is the old king, and the second part white men in the colony. In contrast to their husbands, both heroines—Desdemona and Imoinda—seem more like "function characters" who are merely trapped in their husband's fates, occasionally becoming some motivation of their husbands (like Desdemona is Othello's motivation to rage, Imoinda's pregnancy drives Oroonoko restless to escape). While Shakespeare and Behn put much effort in moulding them, to many readers they are merely "perfect wives". This paper aims to argue that, Desdemona and Imoinda's perfect wifehood may be the product of compliance to male-dominated societies, where women are
The overarching the play demonstrates the men’s perception of women is entirely not treated as humans. The dialogue between
In Tokyo Sonata, all four members of the Sasaki family are presented with interesting obstacles that each must overcome or resolve in their own ways. The values of the Sasaki family are challenged in a way that most definitely describes a growing trend in our world, where family values are slowly disintegrating and people are accepting individual values over family values. In closing, the Sasaki’s appear to be on the right track towards unifying again, yet the reality is not clearly laid out.
Sandra Cisneros’s coming of age novel The House on Mango Street, is a good example of an instance where the ‘macho man’ stereotype is extenuated. Esmerelda, the narrator, is growing up in a very traditional patriarchal culture. In this environment, the men are seen as the head of the family, often controlling what his wife and family can do. In the chapter, “Alice Who Sees Mice” Esmerelda tells about a girl, Alice, who was forced to take her mother’s role and care for her younger siblings and father. When she attempts to go to school to escape the life, her father berates her sections and tells her that her
...seful miscommunication between men and women. Lastly, when looking through the imagined perspective of the thoughtless male tricksters, the reader is shown the heartlessness of men. After this reader’s final consideration, the main theme in each of the presented poems is that both authors saw women as victims of a male dominated society.
After reading “The Doll House” and “Trifles”, the idea of females being inferior to men is portrayed. Both plays, are in a much older time period. But from a feminist view, females are still sometimes given the doubtful role in today’s society. Both plays, are very different, but much alike in the ways the females are treated, never taken seriously, nor are they appreciated.
(Essay intro) In the modern day, women have the luxury of belonging to themselves but unfortunately this was not always the case. During his life, William Shakespeare created many positive female characters who defied the traditional gender roles and brought attention to the misogynistic patriarchy of Elizabethan England. One of these true feminist icons is ‘Much Ado about Nothing’s. Beatrice. The women in ‘Much Ado about Nothing’ defy traditional gender roles. Beatrice represents a brave and outspoken woman who defies the oppressive, traditional gender roles for the female sex. Her cousin Hero, however, represents those women who were successfully oppressed by the patriarchy and accepted the traditional gender roles without much complaint.
Beauty’s sisters marry rich men, who seemingly have acceptably desirable attributes as husbands. One man is detailed as a man of good looks. The other man is noted for having great wit. The two possess qualities most women seek in a husband, but it is indicated in descriptions that the two sisters are both unhappy in their marriages. Although the first husband is handsome, this serves him as a drawback, for he is a narcissist, only concerned with himself. The second husband’s wit is also a severe disadvantage due to the fact he uses his wit to torment other people, including his wife. It is when Beauty reviews her sisters’ marriages and the unhappiness her sisters experience in relation to their husbands that helps Beauty realize The Beast’s true worth and her love for him: “I should be happier with the monster than my sisters are with their husbands; it is neither wit, nor a fine person, in a husband, that makes a woman happy, but virtue, sweetness of temper and complaisance and Beast has all these valuable qualifications.” (9). The juxtaposition made between the husbands and The Beast create the disclosure of the appropriate masculine qualities a man should encompass. De Beaumont presents the contrast of characters to the reader as a method of emphasizing the
From an early age, Okonkwo was ashamed of his father, Unoka, who was unable even to feed his family. The unpredictability of receiving enough food at a young age was enough to inspire fear and embarrassment in Okonkwo who associated this embarrassment with his father and was given further justification for these feelings when he went out into Umuofia, discovering that the other villagers held similar opinions of Unoka. When he was old enough, Okonkwo began farming his own yams because “he had to support his mother and two sisters […] And supporting his mother also meant supporting his father” (25). Okonkwo’s self-reliance was admired, valued in the community where “age was respected […] but achievement was revered” (12); this admiration gave him feelings of security, and the respect of his peers pushed him towards greater self-respect, distancing him from his father. The security and respect became related in his mind as he viewed his acceptance in the community as his life’s goal and Okonk...
Okonkwo is a self-made man. He achieves greatness through his own hard work and determination. Okonkwo started his life without the benefits that other young men had. His father, Unoka, was a lazy man. He had acquired no honorary titles. When Unoka died, Okonkwo did not inherit any barn, title, or young wife. He merely acquired his father’s debts. Therefore, Okonkwo sets about to make a name for himself and to achieve greatness in his community. He diligently plants and harvests his yams, building a farm from scratch. He builds a large commune for his family. He marries three wives; one of them was the village beauty. He acquires two titles. Okonkwo is not a failure, like is father was. In Umuofia, “achievement was revered”, and Okonkwo’s achievement was immense (8). He was “clearly cut out for great things” (8). To the Igbo people, Okonkwo epitomizes greatness and success.
...sequently, the identity of Japanese women within popular culture would transform with the empowerment of Japanese women. They create a new type of identity ‘female masculinity’ which reinforces the reversal of gender roles and the alternative world that it achieves. In a patriarchal society, the characters should be able to influence and inspire the audience to gain confidence and challenge the status quo. From another viewpoint, gender is a type of social construction insofar as they needed the feminine side of masculinity to have a balanced world and to explain it. Although, there will always be a fine line between the ideal and reality because the films are supposed to represent the ideal alternative to the world to resolve the social issues that are not directly discussed. Reality is just supposed to be influenced by it and to understand the problems of society.