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Feminism in Indian literature
Indian writers in post colonial literature
Indian feminism in Indian English literature
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Anita Rau Badami was one of the Indo Canadians or Indian Canadians are Canadian citizens whose heritage was fully or partially South Asian children of persons who immigrated from India and or South Asia to Canada or persons of Indian South Asian origin who have Canadian Citizenship. Anita Rau Badami was a writer in whom one can find the combination of an artist and a missionary. A major development in modern Indian fiction had been the growth of a feminist or women. This approach projects the experience from the view point of feminine consciousness and sensibility. Feminism assumes that women experience the world differently from men, and write out of their different perspective. The emergence of women writers across the culture forms a significant …show more content…
Though varied in cultural they share a deep interest in evolving female culture and liberation of women. Our thesis mainly focused on her one of the novel “The hero’s walk” which mainly deals with Diasporic sensibility like “The hero’s walk”, “Tamarind Mem” And “Can You Hear the Night Bird Cell?” Written by her also deals with the same theme of Diasporic sensibility “Tamarind Mem” (1997) grew out of her university thesis. Her novels deal with the complexities of Indian family life and with the split that emerges when Indian move to the west. Her first novel “Tamarind Mem” deal with pungent sugary home sickness of her Indian sensibility portraying her memories of her past days, depicting the descriptions of Indian domestic life. Her second novel “The Hero’s Walk” could be the best illustration to her alien feeling which was clod in a fine garb of refinement. And also she has portrayed the clash between the cultural of East and west. She attempts to explore the nuances of Diasporic consciousness by the quait portrayal of woman characters. Badami’s third novel “Can You Hear the Night Bird Call?” Explores the golden Temple slaughter and the Air India Bombing was set against the back drop of Punjab division “Can You Hear the Night Bird Call?” Could be branded as a historical novel, as the plot conveniently moves between India and Canada in 1947. It tries to explore the
When Sripathi and his family receive the news of Maya’s and her husband’s fatal road accident, they experience a dramatic up heaval. For Sripathi, this event functioned as the distressed that inaugurated his cultural and personal process of transformation and was played out on different levels. First, his daughter’s death required him to travel to Canada to arrange for his granddaughter’s reverse journey to India, a move that marked her as doubly diasporic sensibility. Sripathi called his “foreign trip” to Vancouver turned out to be an experience of deep psychic and cultural dislocation, for it completely “unmoors him from the earth after fifty-seven years of being tied to it” (140). Sripathi’s own emerging diasporic sensibility condition. Not only must he faced his own fear of a world that is no longer knowable to him, but, more importantly, he must face his granddaughter. Nandana has been literally silenced by the pain of her parent’s death, and her relocation from Canada to Tamil Nadu initially irritated her psychological condition. To Sripathi, however, Nandana’s presence actsed as a constant reminder of his regret of not having “known his daughter’s inner life” (147) as well as her life in Canada. He now recognizeed that in the past he denied his daughter his love in order to support his
Khaled Hosseini’s novel, A Thousand Splendid Suns, tells the stories of women in Afghanistan in the late twentieth century. Hosseini shows the women’s strengths, weaknesses, tribulations and accomplishments through their own actions, and how they are treated by other characters in the book, particularly the male characters. Hosseini portrays men in A Thousand Splendid Suns to create themes of justice and injustice within the novel. The justice, or lack thereof, served to the male characters is a result of their treatment and attitudes toward the female characters in the book and towards women in general.
Phindile: Jan, I personally side with Raina on this because I feel that utilitarianism does not fully explain the ‘why’ in this situation. I think that political philosophy explains it though, to be specific libertarianism. “Libertarianism is the view that each person has the right to live his life in any way he chooses so long as he respects the equal rights of others.” (According to Libertarianism: A Primer by David Boaz, Free Press, 1997). In this situation if the definition is applied, Marilyn chose to be jettisoned, the pilot never actually forced her to leave the ship and in fact he tried all he knew of to make sure Marilyn did not have to choose what the law required of him to do.
There are many female writers, some known better than other. Female writes most of the time focused their stories in experiences or personal point of view on what is going on around them. Other women write fiction of unusual worlds and character that people can relate to with the struggle or experiences. Margaret Atwood the “Canadian nationalist poetess is a prominebt figure concerned with the need for a new language to explore relations between subjects and society“ (Omid, Pyeaam 1). Atwood wrote her first novel called, “The Edible Woman”; this first novel categorized her as feminist, based on the main character of a strong woman. In an interview with Emma Brockes, Atwood affirms, "First of all, what is feminism? Second, which branch of it? Am I against women having rights? Actually, no. Am I really a puppet of the women's movement? No, I'm too old for that. I've been writing since 1956 and there was no women's movement in sight at the time”. Atwood does stands for women’s right but she never thought of being feminist while writing her stories. Atwood writes about strong women because just like any other female they are tired of reading about weak and submissive woman in books. Is clear that Atwood began writing before the woman movement started and that means she was ahead of her time. Atwood’s works is not just feminist her works represents her art and the way she feel about the world. Margaret Atwood is a poet, critic, novelist, and activist. Atwood’s stands for issues that trouble her and that she sees that are obstacles for her community. Through her entire writing career peoples can see that culture, science, feminism, and environment is reflected in her words and her expression to tell a story the only way she can. Her sho...
Margaret Atwood is considered to be one of the greatest living writers to hail from Canada. While she is a critically acclaimed novelist, Atwood is also celebrated for her influential and empowering poetry and can also be regarded as the Canadian literary poster child for feminist-themed writing. Feminist literature, Atwood’s included, gears towards characterising and constituting equality between men and women. A number of Atwood’s poems encompass similar motifs that link together her feminist expressions. The represented themes of “the search for identity” and societal exploitation of women provide readers with true and poignant expressions of women’s internal struggles while they are also externally judged.
Hussain, Rokeya Shakhawat. Sultana’s Dream and Selections from The Secluded Ones. New York: Feminist Press, 1998.
Not all countries have the freedom of speech; some people are brave enough to speak the truth about their beliefs. Having the freedom of speech is the most precious right; it gives people the opportunity of opinion to their own thoughts and beliefs. The freedom of speech is the freedom to speak honestly and not getting in trouble about it. Raif Badawi, a thirty year old man who lives in Saudi Arabia, was brave enough to speak about his thoughts, but he never thought about the trouble he was going to get in. He blogged an article on the internet insulting Islam. He speaks about the tragedy that Americans suffered in September 2001, about how many innocent people lost their lives in the attack.
She herself confirms it when she says in an thesis for Bold Type, “. . . I find myself focusing my writing on friendships with women, and trying to balance them with the conflicting passions and demands that come to us as daughters and wives, lovers and mothers.” (n.p.). In deed so she identifies herself with the occidental quite than with the oriental. Her fiction relates to the tradition of the West, since Indian writers from Anita Desai to Arundhati Roy have uncared for sisterhood in their focus on feminine issues.
From Lal Ded to Habba Khatoon, we see a shift from Sufi poetry to the romantic poetry. It is not that Habba Khatoon is just challenging “the expectations” of those who would appreciate the Sufi poetry of Lal Ded instead of any romantic poetry but she is also here to “extent the horizon” of their expectations (qtd. in Chanda ii-iv) . The aim of this paper is to explore the voices of these three women poets against the patriarchy. For this, the paper shall closely observe a few of their works and see, how their ideology of self-determination sets them apart not only from the women of their times, but also many women of contemporary times. Sisir Kumar Das argues that “there can be changes caused by cultural borrowings or foreign influences, which can be identified as external changes” (44). The changes caused by Habba’s “use of a particular Persian metre” in her poetry that was suggested to her by Sayed Mubarak are external and not internal (Mujeeb 167). Syed Mubarak, himself a poet, has persuaded Habba Khatoon for singing. Her “love of music... offended the susceptibilities” of those who thought music to be frivolous as “the Muslim sharia ‘ah condemns frivolity” (Mujeeb
While male characters are powerful, strong and foreboding, female ones tend to be anything but. Often, they are stereotypically feminine – obsessed with their looks, dreaming of husbands, and used as pawns by the men around them.” (Sanghani, R. 23.09.2014, prgrh. 15-16) When writer Amish Tripathi asked actress Sonan if she faced gender bias in Bollywood, she said; “Though my father is a North Indian Punjabi, never once did he make me feel the difference between my brother and me.
Right from the ancient epics and legends to modern fiction, the most characteristic and powerful form of literary expression in modern time, literary endeavour has been to portray this relationship along with its concomitants. Twentieth century novelists treat this subject in a different manner from those of earlier writers. They portray the relationship between man and woman as it is, whereas earlier writers concentrated on as it should be. Now-a-days this theme is developing more important due to rapid industrialization and growing awareness among women of their rights to individuality, empowerment, employment and marriage by choice etc. The contemporary Indian novelists in English like Anita Desai, Sashi Deshpande, Sashi Tharoor, Salman Rusdie, Shobha De, Manju Kapoor, Amitav Ghosh etc. deal with this theme minutely in Indian social milieu.
The various forms of oppression, over race, class, or gender, all operate with one uniform principle: a belief in their own superiority over another. Just as women have always suffered under the oppression of men in patriarchal systems, a quarter of the world, the natives of India, the aborigines of Australia, the Canadians and Africans, endured the iron hand of British rule for centuries. Using the novels, Freedom at Midnight by Dorninique Lapierre and Larry Collins, and Clear Light of Day by Anita Desai, I explore the relationship between the British colonizers and the Indian people, and the relationship between Bakul, an Indian diplomat, and Tara, his innocent wife. The relationships between the two countries and the married couple represent a mother/child relationship by incorporating the idea of co-dependency. In Freedom at Midnight Great Britain plays the role of a matemal parent that 'intends' to save India, while India appears to be a rambunctious child, needing to be tamed. Within Desai's novel, Clear Light of Day, Bakul is a self-serving parent who sees hope in reforming Tara and 'intends' to rescue her from her primitive world in Old Delhi. While both Britain and Bakul begin with good intentions, the result of their efforts, especially Britain's, proves to be detrimental to India and Tara, respectively.
Dr. Jayant Khatri (1909-1968) was one of the most significant and noteworthy short story writers in the canon of Gujarati literature of the twentieth century. He won the prestigious Mahida Gold Medal in 1945 for his short story ‘Lohi nu Tipu’ (A Drop of Blood). He was also elected a leader of opposition for the Mandvi Municipality in 1951, and the vice-president of the Mandvi Municipality during 1954 to 1960. He was posthumously honored with the Uma-Snehrashmi Award in 1968-69 for his collection ‘Khara Bapor’ (Scorching Afternoons).
Rahul Bajaj (2014d), Leadership style of Rahul Bajaj, available at http://www.knowledgebase-script.com/demo/article-170.html, [accessed on March 28, 2014]
It focuses on three women saint’s life, writing, and their voice for space in the society. The well-known three women Saiva saints are Karaikkal Ammair from Tamilnadu, Akkamahadevi from Karnataka and Lalladevi or Lalded from Kashmir. If the aim of the feminism is to establish equal social identity as well as an individual identity of women, then we have considered that the feminist voice was begun in Indian during medieval period. The three women raised their voice for their place in the sacred world. Before discussing women saint’s view on Identity in the society, there is a need to be known their