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Shakespeare's linguistic devices
Shakespeare literary techniques
Shakespeare's linguistic devices
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1. What expectations are created by the title of the poem? Are those expectations fulfilled by the text?
The title of this poem makes us think that this is going to be a love story with him and a significant other. But these expectations are not fulfilled by the text starting in the introductory epigraph. The title is completely ironic because this is not a “love song”, yet this story is about a depressed, lonely and weak man. The title makes us think that this poem is going to be a serious love song about J. Alfred Prufrock, but instead it is more of a fake love song. From the third line of the poem he shows a man who is unable to communicate, much less sing, “love songs” to anyone.
2. John Berryman wrote of line 3, “With this line, modern poetry begins.” What do you think he meant?
The third line of the poem displays that
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The references to the image of “oyster-shells” tell the reader of his suppressed self. Prufrock compares himself to a few of the Shakespearean characters two of them being Hamlet and an attendant lord. The reference that Prufrock makes to Hamlet is a reference that he describes by denial. He says, “No! I am not Prince Hamlet, nor was meant to be” (line 111). Prufrock says that he is not Hamlet because he does not have the self-confidence that is needed in order to be the main character of a play. Prufrock references himself to that of the attendant lord from Shakespeare. The attendant lord is a character in the play that is of no importance, and is only there to provide enough time for the main characters of the play to get changed and ready in between scenes. In lines 114-116 Prufrock describes the attendant lord as “an easy tool, deferential, political, caution, meticulous.” Of these images that are represented in describing the attendant lord and Prufrock himself they all define a sense of negative self-
For example, in the poem, Prufrock made mention of how “ There will be time, there will be time/ To prepare a face to meet the faces that you meet”(27-28). In the quote the image “Face” used, means a facade. What Prufrock is actually trying to say is that people in the society are not exactly what they portray to be and that everyone is just putting on a mask or putting on an appearance to cover up the unpleasant and credible reality of their lives. Therefore, he means that people only pretend to be who they are not and hide their real identity or personality. Consequently, since he believes that everyone is just putting on a facade, he then feels that he would also have time to be able to prepare himself to have another personality, he would portray when he meets other people who have also created another false identity of
How would it be possible for Hamlet to express or even recognize love, without having a clear definition of what love is? One may define love as a lover’s passion, devotion or tenderness for someone or something. Hamlet perceives love as an emotion that causes loss, devastation and pain. In the play, Hamlet, written by William Shakespeare, the main character uses love as a reason for his actions, but never truly loves any of the characters except his father. Hamlet seems to be more of a love story but, truthfully, it is more of revenge then love.
T.S. Eliot’s poem The Love Song of J. Alfred Prufrock has a plethora of possible interpretations. Many people argue that the poem represents a man who appears to be very introverted person who is contemplating a major decision in his life. This decision is whether or not he will consummate a relationship with someone he appears to have an attraction to or feelings for. People also debate whether or not Prufrock from the poem is typical of people today. While there are a plethora of reasons Prufrock is not typical of people today the main three reasons are he is very reserved, he overthinks most situations and he tries avoid his problems instead of solve them.
“The Love Song of J. Alfred Prufrock” is hardly a love song at all. That irony is clear in that the narrator’s voice is anxious, self-conscious, and depressed. It seems he has wasted his life or that life was wasted on him, and he regrets not being born as a creature that lives on the bottom of the sea. The very last lines of the poem,
The Lovesong of J. Alfred Prufrock, a poem created by the late T.S. Eliot was a poet in the 20th Century (when Europe was at its peak of industrialisation) and this is considered to be one of his highly regarded pieces alongside The Wasteland. This poem is a monologue of the persona of J. Alfred Prufrock, (the speaker of the poem) a middle aged man, intellectual and described with little self-confidence with himself who has problems in dealing with self-image and anxiety. He’s a solitary man who is achingly shy and has little courage, when isolated, he isn’t subjected to a social lifestyle and this halts him when it comes to speaking with a female. The title to me is ironic, Eliot titled it a ‘Lovesong’, therefore, the language used in the poem cements a theme of pessimism, as hardly anything is written on love.
The term love can be exemplified in many variations. As complex as it is, it may be described as an experience rather than a tangible entity. Love’s paradoxical capacity consists of devotion and passion, which can be both liberating and binding in a relationship. A recurrent theme in Shakespeare’s Hamlet is the portrayal of one character’s love for another, and how this obliges them to act in various circumstances. This is prominent throughout the play, as seen in Hamlet's adoration for his father, Horatio's self-less love for Hamlet, and Gertrude's unparalleled love for her son. However, the love illustrated in these relationships cannot be used to define Hamlet and Ophelia’s association. In its place, Hamlet’s lust for Ophelia is simply a
"The Love Song of J. Alfred Prufrock" is one of the most influential poems of the twentieth century (Williams 49). It is certainly not a love song like any that had been written before. The second and third lines shock the reader because of their unusual imagery that would be out of place in a traditional love poem, describing the setting sunlit sky as looking "like a patient etherised upon a table" (Eliot 3). This "etherised" outside world is the key to understanding all of Prufrock's views. He is afraid of the increasingly industrialized and impersonal city surrounding him, and he is unsure of what to do and afraid to commit to any particular choice of action (Mays 112). Paralysis is the main theme of "The Love Song of J. Alfred Prufrock."
of the difficulty in acceptance. In the first few stanzas the poet creates the impression that she
Prufrock’s allusion in the thirteenth stanza to Hamlet, the character notorious for not being able to make decisions, provides readers with a microcosm of Prufrock’s own unraveling. The opening of this stanza reminds readers that Prufrock is characteristically quite similar to Hamlet, in terms of the pressing anxiety and indecisiveness which they both experience. As the stanza opens, Mr. Prufrock makes it clear that he is not worthy of being compared to Hamlet in any way, articulating that he is “not Prince Hamlet, nor was meant to be” (111). William Irwin reiterates Prufrock’s thoughts contending that, “Prufrock is no prince Hamlet, who, despite being paralyzed for most of the play, eventually does take action” (187). After contextualizing
In "The Love Song of J. Alfred Prufrock", written by T. S. Elliot in 1917, J. Alfred Prufrock makes the reader privy to his innermost thoughts on an evening out. Prufrock wants to lead the reader to an overwhelming question, raising expectations, but he is a bitterly disappointing man; he never asks the question. He lacks self-esteem, women are intimidating to him, and he is too much of a coward to ever be successful with women. The title is "The Love Song,", not "A Love Song." So whenever Prufrock is around women, he behaves the same way. He always has and always will. Because of his inability to change he will die a lonely man.
"Characteristics of Modern Poetry - Poetry - Questions & Answers." ENotes - Literature Study Guides, Lesson Plans, and More. Web. 09 Jan. 2012. .
The play focuses on the twins Viola and Sebastian as they separate due to a shipwreck and must meet again in the land of Illyria. After being separated by the shipwreck, both twins believe the other is dead and they begin to strategize their new way of living. Viola dresses as her twin brother Sebastian to work under the Duke of Illyria Orsino using her new disguise as Cesario. Sebastian after being saved by the sea captain Antonio explores Illyria with hopes of finding his twin sister. Viola’s new job working for Orsino is to persuade Countess Olivia to marry Orsino.
Alfred Prufrock,” we must briefly analyze the narration and point of view of the poem. From the first line of the poem, we can see that the narration is a Speaker that uses first-person pronouns. This means that the narration is either the author or a character in the poem. We know that the Speaker is not the author because the title tells us that this is the love song of J. Alfred Prufrock, so it is not a stretch to assume that the protagonist, Prufrock, is the first person speaker here. The use of second person pronouns also suggests that the Speaker is talking to another character. The phrase “Let us go,” suggests that, though we are uninformed of the specifics, the characters are set in a particular place and time. This tells the readers that we are dealing with a dramatic
The title T. S. Eliot chose for his poem "The Love Song of J. Alfred Prufrock" is ironic. Mr. Prufrock does not love anyone, nor does he believe he is loved. He has disdain for the society of which he wishes he were a part, and he believes society views him no differently. The imagery of Mr. Prufrock's thoughts provide the audience a more detailed insight into his character than had Mr. Eliot simply listed Mr. Prufrock's virtues and flaws. Mr. Prufrock is seen as an exaggeration or extreme for the sake of literary commentary, but the world has many Prufrocks in many differing degrees, and T. S. Eliot has made them a little easier to understand.
Love, or what is more commonly known as love, can take hold in an instant and feel very much like magic that is being put over you. It can make you do things that you would never of done and makes you feel like your floating in air. It hits you without you knowing that it's going to happen and there is nothing you can do to stop it. That is what A midsummer Night's Dream mostly consists of. But who speaks more completely, eloquently, and most compassionate in this play about love? Before you can come to a conclusion, you have to look at all the kinds of love there is in this play.