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Brief biography tchaikovsky
Essay on pyotr ilyich tchaikovsky
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Pyotr Ilyich Tchaikovsky was born in 1840 in Votkinsk, Russia. He was the second child
of six children. When he was eight years old, his father planed on moving to Moscow and
applying for a better job, but the plan fell through. This lead to both he and his older brother
being sent off to boarding school. After completing his schooling he enrolled in the St.
Petersburg School of Jurisprudence . While enrolled in school he worked as a clerk in the
Ministry of Justice . While working for Ministry of Justice he realized that his interest was
elsewhere and not in the study of law. He enrolled in the St. Petersburg Conservatory of music
at the insistence of his music teacher Nicholas Zaremba. He had found calling as a musician
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The Cathedral of Christ the Saviour which is in Moscow, Russia asked Tchaikovsky to
create the “1812 Overture.” The musical piece was constructed for the celebration of the 70th
anniversary of Russia’s defeat over Napoleon. The piece was created in-between October 12th
and November 19, 1880. Although he was appointed to write the piece, which is considered to
be an honor, Tchaikovsky did not thoroughly enjoy writing the piece because he considered it to
be “very loud and noisy and completely without artistic merit, obviously written without warmth
or love” (Classic FM). It only took him one week to fully complete the 1812 Overture. Although
he did not enjoy writing the piece, it is still considered to be an honored work (Gramophone).
The first performance of Tchaikovsky’s 1812 Overture was August 20, 1882 directed by
Ippolit Altani at the Arts and Industry Exhibition which was delayed by a year. Tchaikovsky had
also asked another conductor Eduard Nápravník to perform his piece in St. Petersburg but he
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They were able to pre record actual explosive booms to insert
into the piece (Gramophone). Tchaikovsky’s 1812 overture has been played for many years and to this day is still
played. The song is played all across America for the 4th of July. The reason it is played is
because America thinks that the overture portrays the country’s victory over the British during
the war of 1812. Arthur Fiedler who was also a musician, had The Boston Pops Orchestra play
it on July 4, 1974. It was supposed to be an interpretation of Tchaikovsky’s 1812 Overture, but
for the ending of the musical piece he included fireworks, cannons, as well as a choir. The reason
Arthur Fiedler put more pizzazz into the piece was to increase ticket sales for his performances,
even though Tchaikovsky intended for there to be cannons fired at the end. Americans truly
believed that this piece was written for their victory, but later found out that was written for
Russia and their victory over Napoleon in Moscow (Digital Journal)
A romantic Orchestra was always considered to be much bigger than in the classical
period. They had many more different instruments during their time. The piece was written
It was not only until the spring of that year that he for first time left Hamburg professionally. He undertook a tour with the Hungarian violinist Eduard Remenyi for the purpose of introducing himself and his works. At Gottingen they gave a concert in which the young pianist made a deep impression upon the musicians present. He and Remenyi were to play Beethoven?s Kreutzer sonata, but at the last moment it was discovered that the piano was half a tone too low.
While Tchaikovsky is known for his compositions of classical ballet, he was overall great as a pianist. Like most composers of music, his compositions reflected that of his feelings greatly, which helped him connect to the public and spread his music quite well. As a child, he became better than his teacher in one year, and at the age of ten went to the School of Jurisprudence and quickly completed the upper division classes. After graduating, he did four years at the Ministry of Justice, which didn’t really suite him well. Once out of the Ministry of Justice in the 1860s, he joined the Music Conservatory at the age of 22. Shortly after joining, he composed his first orchestral score in 1864. Two years later, he settled down in Moscow and started to increase his fame as a composer. In the following years he would tour around Europe and even into the United States. In 1893, six days after the premiere of his last piece he
Georgi Melitonovich Balnchivadze, George Balanchine, was born on January 22, 1904 in St. Petersburg. He was born into a highly musical family. His father, Meliton, was a singer and composer and his mother Marie, was a pianist. His mother encouraged her children to have musical education. He began to take piano lesson at age 5. He also received a classical education with his sister, Tamara and his younger brother, Andrei. Ironically, Balanchine had no desire to dance at all. His sister and brother were dancers. Music was young Balanchine's passion he hated anything to do with performing.
week! He was unable to go to law school like he wanted to do, so he studied by
piano. Sometimes he put this knowledge to use and played at a few of the
Dmitri Shostakovich, born on September 25, 1905, started taking piano lessons from his mother at the age of nine after he showed interest in a string quartet that practiced next door. He entered the Petrograd (formerly St. Petersburg, later Leningrad) Conservatory in 1919, where he studied the piano with Leonid Nikolayev until 1923 and composition until 1925 with Aleksandr Glazunov and Maksimilian Steinberg. He participated in the Chopin International Competition for Pianists in Warsaw in 1927 and received an honorable mention, after which he decided to limit his public performances to his own works to separate himself from the virtuoso pianists.
He gave a radio lecture about his Orchestral Songs op. 22 in 1932, where he said “if a performer speaks of a passionate sea in a different tone of voice than he might use for a calm sea, my music does nothing else than to provide him with an opportunity to do so, and to support him.” He also took back statements from Pierrot in his 1949 article “This is my Fault” where he wrote that music heightens the expression of the text and express things provoked by the text. He had not intended a stiff, detached performance.
In the passage by Igor Stravinsky, he uses not only comparison and contrast, but also language to convey his point of view about the conductors of the time and their extreme egotism. Stravinsky believes that conductors exploit the music for their own personal gain, so rather, he looks on them in a negative light.
Born in Saint Petersburg, Russia on September 25, 1906, Shostakovich was the second of three children born to Dmitri Boleslavovich Shostakovich and Sofiya Vasilievna Kokoulina. His father was of Polish descent but both his parents were Siberian natives. Dmitri was a child prodigy as a pianist and composer. He began taking piano lessons from his mother at the age of nine. He displayed an incredible talent to remember what his mother had played at the previous lesson and would get caught pretending to read the music, playing the music from his last lesson instead of what was placed in front of him.
Or Jupiter or the Sun. The second and final was the Lord Nelson Mass, composed by Joseph Haydn. In this concert, the two performances differed greatly, unlike the last performance that I went to. The previous one that I attended had music that all sounded very similar to me. That could just be my lack of experience with American music, especially music that was composed hundreds of years ago.
...restricted him from his work. Moreover, perhaps the most sorrowful moment in Vivaldi’s life is his funeral. His renown did not bring him financial success. Vivaldi died in poverty in 1741. Despite his passion, talent, and contribution to the world’s music, there was no music proceeded during Vivaldi’s simple funeral. You usually find it unfair for earlier musicians and artists since almost all of them, despite their talents, struggled with financial matters since the benefits came with their compositions did not last long. Music in their time definitely required more work and dedication compared to music today. However, thanks to the evolution of laws and regulations, patents and copyright are more to the artists’ favor nowadays. If you ever have a chance to visit Venice, remember to take some time to take a deep breath and recall a place, a person that once lived.
The first piece on the program was Polonaise from Eugene Onegin (1878). This piece is from the Romantic period composed by Pyotr Ilyich Tchaikavosky (1840-1893). Very short piece probably around six minutes. The variations and the interesting theme made this piece the most interesting among the other compositions despite the length of this piece, but it was amusing. The piece started with trumpets playing short high notes as an introductory, with the accompaniment of violins playing quick short notes. It sounds like if it was played in a major key, very cheerful and very fast like if the tempo is Vivace. Moreover, trumpets throughout the piece reinforce the harmony. Throughout the piece varies styles were used such as legato (smooth connected style).The texture of this piece is homophonic ( one line of real interest with accompaniment). The rhythm of the piece is really catchy, pretty much predictable; most of the piece variations are centered on the main theme, but it is very pleasing to the ears (consonant).
It was completed in the year 1826. It’s about forty minutes long and consists of seven movements. This piece was played without a break. The first movement is described as adagio ma non troppo e molto espressivo. The second movement is described as allegro molto vivace and is about three minutes long. The third movement is allegro moderato- adagio meaning fast moderate and then slow. The fourth movement is the central movement of the quartet and about fourteen minute long. The fifth movement is presto meaning very fast. Movement six serves as a slow, dull introduction to movement seven. Movement seven is allegro. The finale of the piece returns to the home key of C minor. Beethoven dedicated this musical piece to Baron Joseph von Sutterheim, as a gesture of gratitude for taking his nephew into the army. Beethoven took the string quartet from Haydn and Mozart and made it a more fantastic piece. This quartet was considered as Beethoven’s favorite.
The music he produced had a lot of control with a lot of flair. He liked improvisation, but did not leave that up to the performer. Instead, he wrote very virtuosic passages for his pieces, with which the performer did not have much room for imaginative playing. Then there is his knowledge on how to writ...