The Two Sagas of Gilgamesh
Western literature has few epics of any real greatness: readers can probably name most of them and count them on their hands with a few fingers left over. Of these, The Epic of Gilgamesh is by far the oldest. The standard version of the epic grandfathers Homer's Iliad and Odyssey by centuries. But what does it mean to call Gilgamesh an epic? By the standards of Homer's outline of an epic, Gilgamesh's tale could be seen as two distinctly different, yet drawn together sagas.
"There is a hero of great national or even universal importance in a vast canvas, a setting that may be the whole world or larger." In the beginning we are introduced to our hero as not only the great king of Uruk, son of the goddess Ninsun and the great king, Lugalbanda, but also a great tyrant who became a hero. From the beginning of his story this man is destined for a fantastic journey that spans the worlds beyond what any of his peasants can dream to see. We are told that he is more godly than not, yet still must suffer the same fate as all mortals. With destiny set against his mortal, or physical life Gilgamesh must take the journey to the great cedar forest of Lebanon where he will prove his superior strength (and favor from the gods) to the world.
"The plot involves battles involving superhuman deeds or a long, difficult journey while gods or other supernatural beings are interested and involved." Gilgamesh does encounter all of these things. Not once, but twice. In the first part of this tale he battles Humbaba, the feared giant who protects the trees of the cedar forest. Alongside him is his trusted friend, Enkido. Enkido was made by the gods, an equal of Gilgamesh which they planted in the wild as a man to grow strong in the wild of the animals. It is after Enkido has become Gilgamesh's friend that he complains of feeling weak from civilization, and gives Gilgamesh the idea of conquering something great to reclaim his strength and perpetuate their names. In this task they are also helped by Shamash; the god responsible for the cedar forest because he takes pity on Gilgamesh's mortality. Yet his story does not end at the defeat of Humbaba. Nor does it stop at the return of the mighty king of Uruk.
Having to take your anger out on someone isn’t fair or good, especially if you’re being killed with frozen lamb. Based on everyone’s understanding, when you kill someone you’ll have to pay the price and consequences. Apparently this lady didn’t. But are we sure she’s going to marry another man and kill him too? In “Lamb to the slaughter”, I’m going to be talking about Mary Maloney and how madly crazy she is.
put it best when he described what Yossarian was going through when his friend was
Thorkild Jacobsen, "'And Death the Journey's End': The Gilgamesh Epic" “The Epic of Gilgamesh,” trans. and ed. Benjamin R. Foster, A Norton Critical Edition, New York: W.W. Norton & Company, Inc., 2001
From the beginning of time, mythology has appeared to be one key method of understanding life’s confusions and battles. Within these myths lies a hero. From myth to myth and story to story, heroes experience what may be called a struggle or a journey, which lays down their plot line. Bearing tremendous strength, talent, and significant admiration, a hero holds what is precious to their audience, heroism. Over time however, no matter the hero, the hero’s role remains indistinguishable and identical to the position of every other hero.
In Gilgamesh, he fights Humbaba with Enkidu, his best friend. Humbaba is the guardian of the Cedar Forest who was assigned by the god Enlil. Gilgamesh doesn't fight for the world, but he has his own reasons. In the text, it states, “Even if I fail I will have made a lasting name for myself’’ (181). In other words, Gilgamesh's motivation to slaughter Humbaba is not just to get rid of evil but to let his people remember him. Gilgamesh is being selfish because if he's dead, Uruk won't have a ruler, which means Uruk will be out of control. The choice Gilgamesh makes causes him not to care about Uruk but only himself. However, the encounter of Enkidu's death has turned Gilgamesh into another person. He couldn't confront the truth that Enkidu has died. Enkidu was more than a best friend to him, he was a brother whom he loved. Because of his love for Enkidu, Gilgamesh builds a statue so everyone in Uruk will remember him. This demonstrates Gilgamesh changing from selfish to selfless. This change is part of Gilgamesh's transformations towards becoming a hero. Gilgamesh changes as a result of Enkidu's death. According to the text, it states, “Gilgamesh interferes in the lives of his subjects beyond his right as king”(175). This proves that Gilgamesh was bothering and annoying the people of Uruk. Gilgamesh is going to become king soon and he shouldn’t disregard or interfere with his subject’s private life.
Consequences are inevitable. A decision made today will have consequences that can last years or even a lifetime. Both Gilgamesh and Enkidu made choices that changed their lives forever. Consequences can be both positive and negative, but each is equally long lasting.
The Epic of Gilgamesh has many similarities to the Bible, especially in Genesis and it’s not just that the both begin with the letter “g”’! One major similarity being the flood story that is told in both works. The two stories are very similar but also very different. Another being the use of serpents in both works and how they represent the same thing. A third similarity being the power of God or gods and the influence they have on the people of the stories. Within these similarities there are also differences that need to be pointed out as well.
N.K. Sanders, The Epic of Gilgamesh, is one of the most well-known stories in literature. The story beings with Gilgamesh, one-third human and two-thirds God. He ruled the greatest city with strong walls in Urnk to save his people from dangerous attacks. He is described as the most beautiful, strong, and wise ruler of Mesopotamia. He then goes on a quest with Enkidu. When they arrive at Ceder Forest Enkidu dreams that killing the Bull of Heaven had some consequences. Either Enkidu or Gilgamesh must die. Enkidu was chosen and suffered a severe illness. Enkidu did not make it, he was deeply sadden and decide to continue his quest to find immortality. He showed fear towards death because of his friend and now risking everything in hopes that Utnapishtim
Ever since the beginning of time, man has learned to mature by trials and tribulations. In the beginning of The Epic of Gilgamesh, the protagonist Gilgamesh appears to be an arrogant person who only cares about himself. He abuses all his powers and takes advantage of people with his physical abilities. Basically in the beginning he thinks that no one on earth is better than him. However, just like all epic poems, the protagonist encounters many challenges that make him a better person. So as the story progresses Gilgamesh slowly starts to change his personality. Various events help transform this tyrant to a humble person.
The Epic of Gilgamesh is a story about heroism and the search for immortally. It is easy to see the transformation that Gilgamesh goes through from a ruthless and fearless king to a humble and content hero. Even though Gilgamesh failed his task and did not gain immortally, he did achieve content with his mortality and a better overall character.
Perhaps one of the main reasons the Epic of Gilgamesh is so popular and has lasted such a long time, is because it offers insight into the human concerns of people four thousand years ago, many of which are still relevant today. Some of these human concerns found in the book that are still applicable today include: the fear and concerns people have in relation to death, overwhelming desires to be immortal, and the impact a friendship has on a person’s life. It does not take a great deal of insight into The Epic of Gilgamesh for a person to locate these themes in the story, and even less introspection to relate to them.
The epic begins with the men of Uruk describing Gilgamesh as an overly aggressive ruler. "'Gilgamesh leaves no son to his father; day and night his outrageousness continues unrestrained; And he is the shepherd of Uruk, the enclosure; He is their shepherd, and yet he oppresses them. Strong, handsome, and wise. . . Gilgamesh leaves no virgin to her lover.'"(p.18, Line 23-27) The citizens respect him, but they resent his sexual and physical aggression, so they plead to the gods to alleviate some of their burden. The gods resolve to create an equal for Gilgamesh to tame him and keep him in line. This equal, Enkidu, has an immediate impact on Gilgamesh. When they first meet, both having never before met a man equal in stature, they brawl. "They grappled with each other, Snorting like bulls; They shattered the doorpost, that the wall shook."(p.32, lines 15-18) In giving Gilgamesh a real battle, Enkidu instantly changes him; having this equal gives Gilgamesh a sense of respect for another man. These two men fighting each other creates a serious mess, but they both end up without animosity toward the other.
Gilgamesh is an epic of great love, followed by lingering grief that causes a significant change in character. It is the story of a person who is feared and honored, a person who loves and hates, a person who wins and loses and a person who lives life. Gilgamesh's journey is larger than life, yet ends so commonly with death. Through Gilgamesh, the fate of mankind is revealed, and the inevitable factor of change is expressed.
An additional view point of the story could be from a woman. A female reading Lamb to the Slaughter would most likely side with Mary Maloney. Dahl starts the story describing Mary’s behavior before her husbands’ arrival. She sits ...
The Epic of Gilgamesh is an epic poem of a hero named Gilgamesh. Gilgamesh is seventy- five percent god and twenty- five percent human. Gilgamesh is a fierce warrior and is used to getting what he pleases whenever he wants, but he is not satisfied with all the things he has. Gilgamesh is lonely and wishes for a companion of some sort. The gods notice that Gilgamesh is starting to become too powerful for his own good and decide to create another being somewhat similar to Gilgamesh, but more powerful so that he is able to defeat Gilgamesh and bring him to his knees. They create a similar being named Enkidu. Enkidu starts off as just a very powerful being wondering the wilderness by himself. He, like Gilgamesh is lonely and wishes to find someone