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critical essays on the merchants tale
the merchant's tale critical analysis
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How effectively does Chaucer depict human nature and human folly in
the Merchant's tale?
"Dream as if you'll live forever, live as if you'll die today"
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January our main character of this tale shows a resemblance to this
quotation, particularly in how it effects his behavior. What the late
James Dean is trying to tell us simply is that try and make each day
count, and never waste a minute because you could drop down dead. Now
for most this appears to be a little dramatic lets say, but for
January who has already outlived his peers and now sits at a grand age
then it all becomes relevant. With this is mind we can look at how
Chaucer has let January become the character he is partially down to
the fact of his age. We know January is highly sexually driven there
is no argument. Yet Chaucer leaves us believing this is down to his
personality and character, his age is not used as a justifiable tool
to any extent; so what if the man is 60 he still wants to have sex
right, yet our author plays this fact more on the person he is than
his age.
We are told that January does have a sexual appetite and does
regularly feed it mostly with a selection of middle aged women, so
when he requires himself a young and "untouched" girl for a wife we
are taken aback. Now Chaucer throws age into the mix and we begin to
see just how January thinks and more precisely what he desires.
Justinus and placebo's scene with January for me is more like him
talking to himself and there being an angel on one shoulder and a
devil on the other. Placebo is the "devil" and the free thinking no
conscience side of |January whilst Justinus is the angel who shows
conscience and justice. Chaucer has used this scene well to show us
exactly the knight's thoughts. As the characters tell him what they
think, inversely it is really what he thinks; by the way he chooses to
ignore Justinus we know that he throws the proper thinking aside, and
by listening to Placebo he listens to what he wants.and desires.
The folly for January is his great lack of realism. Not only is it
portrayed by the way he expects to have a young wife at the age of 60,
but by the way he thinks that he "still has it" and that his age has
not effected his status with women. This is one of the seven sins that
Chaucer uses in all of the Canterbury tales; VANITY.
The Merchant's Prologue and Tale presents the darkest side of Chaucer's discussion on marriage. Playing off both the satire of the moral philosopher, the Clerk, and the marital stage set by the Wyf of Bathe, the Merchant comes forth with his angry disgust about his own marital fate. Disillusioned and depraved, the Merchant crafts a tale with a main character who parallels his own prevarication and blind reductionism while he simultaneously tries to validate his own wanton life by selling his belief to the other pilgrims. As both pervert reality through pecuniary evaluations on different levels, however, both are exposed to be blind fools, subject to the very forces that they exert on others. As this reversal happens and the Merchant satirizes Januarie blindness, Chaucer reveals the Merchant's blindness, giving him the very significance that he had spent his whole tale trying to deny.
say, “If I can catch once upon the hip I will feed fat the ancient
The Merchant's Tale tells the story of an old man searching for a wife and finding one, who is ultimately unfaithful to him. Chaucer uses a variety of elements in the poem to show his knowledge of contemporary interests and his story telling capacity through another figure. Irony flows through the poem, laced with allusions to the Bible. Chaucer's use of his astronomical knowledge not only allows modern day scholars to date events, but also adds another dimension of interest for the contemporary audience and of course, the pilgrims.
The Virtue of Men and Women in The Canterbury Tales People never change. In every town you will always be able to find the "rich guy," the "smart guy," the "thief," and the "chief." It has been that way since the first man was swindled out of his lunch. Throughout his life, Geoffrey Chaucer encountered every kind of person and brought them to life for us in "The Canterbury Tales," a collection of short stories written in the 1300's. There are tales of saints, tales of promiscuity, tales of fraud, and tales of love.
Marriages everywhere have their troubles, yet everyone is able to relate to other couples problems. By looking at A Delicate Balance and The Merchant of Venice we will see their perspective on how marriages have changed over time of the martial relationship. After getting an overview of these books we will then apply it to present day and see if anything really has changed. The marriages I’ll be analyzing is Bessanio and Portia from The Merchant of Venice and Tobia ad Agnes from A Delicate Balance. By examining Bessanio’s behavior towards Portia and Tobia’s toward Agnes, we can see how the role of the husband has changed from emotional support and conversations to the development of the wives having bigger roles.
Risk is the exposure to danger. Taking risks are necessary because risk reveals experience to an individual. Hazard has both malevolent and benevolent outcomes, which can affect the overall atmosphere in a play. The content of William Shakespeare’s The Merchant of Venice includes many scenarios of risk-taking among the relationships between characters. The Merchant of Venice consists of four different plots: the bond plot, casket plot, love plot, and ring plot; in which characters are exposed to danger. Risk serves a major responsibility as it divulges many elements of dramatic significance throughout the play. Shakespeare manifests hazard through rival arguments, lovers’ commitments, and father and child agreements.
The double standard of aging is, as women get older they are seen as less useful, less attractive, you could even say “washed up”. Whereas, men are seen as mentally and financially stable, wise and powerful. Society see’s women as this “young spring chicken” who can do anything, take care of others, create life; typically young women are seen as sexier, more fun and livelier. As women age, they are portrayed as mean, boring, not as sexy, or even useless. On the other hand, society sees men as they age as strong, powerful, sexier, and even wiser; typically younger men are seen as immature, broke, and useful for great sex as “they are in their prime”. This is what the double standard of aging looks like. This is also how the unwritten rule of
William Shakespeare attained literary immortality through his exposition of the many qualities of human nature in his works. One such work, The Merchant of Venice, revolves around the very human trait of deception. Fakes and frauds have been persistent throughout history, even to this day. Evidence of deception is all around us, whether it is in the products we purchase or the sales clerks' false smile as one debates the purchase of the illusory merchandise. We are engulfed by phonies, pretenders, and cheaters. Although most often associated with a heart of malice, imposture varies in its motives as much as it's practitioners, demonstrated in The Merchant of Venice by the obdurate characters of Shylock and Portia.
Committing deceptive deeds not only hurt others, but also the ones who deceive. The Merchant of Venice, by William Shakespeare, is a romantic-comedy play about a Christian merchant named Antonio who agrees to a bond that a Jewish moneylender named Shylock, his enemy, creates to help his best friend Bassanio see Portia, an heiress whom he is in love with. Shylock warns Antonio that if he forfeits the bond, by not repaying him three thousand ducats, he must allow him to remove a pound of his flesh. Throughout the play, deceptive behaviour causes the moral values of individuals to decline. First, this is seen through wealth as it pertains to the desire to have what is valuable. Second, moral values decline when people deceive the family members that they encounter. Finally, deceiving others through love leads to a decline of moral values. In the play, The Merchant of Venice, deception, as seen through wealth, family encounters, and love, causes the moral
Stereotypes are a fixed image of all members of a culture, group, or race usually based on limited and inaccurate information resulted from the minimal contact with this stereotyped groups. stereotypes have many forms; people are stereotyped according to their religion, race, ethnicity, age, gender, coulor, or national origins. This kind of intolerance is focused on the easily observable characteristics of groups of people. In general, stereotypes reduce individuals to a rigid and inflexible image that doesn't account for the multi-dimensional nature of human beings. One example of stereotypes is the categorization of the Jews in Elizabethan era. In fact, Elizabethan era was an age of prejudice, discrimination, and religious persecution particularly against minorities. Jewish people were one of those minorities who was suffering and struggling for survival. This racist attitude was rife not only in England but also across Europe. "Christians tended to see the Jews as an alien people whose repudiation of the Christ had condemned them to a perpetual migration. Jews were denied citizenship and its rights in much of Europe and forced to wear distinctive clothing to identify themselves in public (the yellow star, or badges of shame). There were forced expulsions of the Jews from several regions across Europe." (1). Jews were even believed to worship the devil.
Using the chosen texts, Twelfth Night and The Merchant of Venice, this essay will consider whether or not the dramatic effects of deception and disguise are significant in Shakespearean works. Deception and disguise show the difference between appearance and reality and often go hand in hand within many, if not all of Shakespeare’s plays. There are, for example, many instances of disguise leading to accidental deception, the use of disguise as a means to deceive in a form of self-preservation such as the tactics used within Twelfth Night and there are occasions when deception is used in a more malevolent fashion as shown in both Twelfth Night and The Merchant of Venice. Other characters are known to even deceive themselves, ultimately believing they are something they are not, as such deception and disguise is one of the most significant dramatic effects used in any Shakespearean play.
more alive and the love that is in the story line more prevalent. Portia hooks in Bassanio with the gift she bestows upon him. For example, “In “The Merchant of Venice” spotlights shiny displays of sacrifice and gift giving. At the same time he (Shakespeare) lets the shadows of darker motives encroach on the glitter of those displays”(Berger 1). The darker motives show that Portia is a little bit conniving in her way the she bestows the ring onto Bassanio. She uses the ring to self-protect, setting herself into a win-win situation. For example, “Portia’s gift to Bassanio is an act of self-protection “in a naughty world”(Shakespeare 5.1.91), a something for nothing that she can transform
soon have several ships in port, agrees to part with a pound of flesh if the
Characters and Relationships in The Merchant of Venice by William Shakespeare The characters Antonio, the merchant of Venice, and Bassanio, his friend who lives beyond his means, have already been introduced by Shakespeare in the first scene. Here Bassanio has asked his friend to lend him money so that he might woo the rich and beautiful Portia. Antonio has expressed his willingness to lend the money, but, as his. trading ships are all away at sea, he does not have funds readily.
Defeating the enemy, light-heartedness, and a happy ending for the lovers are all elements in a comedic play. William Shakespeare’s The Merchant of Venice shows that love conquers all and that you can always defeat the enemy. Even if a pound of flesh is the difference between life and death, or if one wrong person chooses the casket that decides your fate. For example, The Merchant of Venice, Antonio, not only survives the fate of having a pound of his flesh taken from his body on account of his friend that could not repay the bond to a man who is seen as the devil, but gets thrice his money back and the villain is taken down. Not to mention that Antonio’s best friend, Bassanio, not only repays the bond and gets out of his debt to help his friend, but also marries himself a rich wife. In contrast, Portia, who was bound by her dead father to marry a man whom she could never love, cheated her fate and married the man she truly loved. What makes this play a comedy is clearly evident; the villain is defeated and destroyed, and happy endings are given to those that deserve them like the Christians.