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Recommended: Topic on Women Rights
Charlotte Perkins Gilman’s story, “The Yellow Wallpaper,” explores the restricted societal roles of both Jane and John. Gilman, a strong supporter of women’s rights, focuses on her account with depression through this story (Hill 150). Traditionally, the man must take care of the woman both financially and emotionally while the woman’s role remains at home. Society tends to trap man and woman and prevent them from developing emotionally and intellectually. Although Gilman focuses on the hardships of the woman, she also examines the role of the man in society. Repression generated by social gender roles hinders men and women from acquiring self-individuation.
The repression of Jane ties into her lack of exposure to emotional and intellectual stimulus. Jane’s feminine emotions towards her environment aid in her restraint. Representing the dominance of masculinity over the restrained female, Jane observes the female figure, who looks as if she is behind bars, in the pattern of the wallpaper (1156). The woman who unsuccessfully attempts to climb out of the pattern symbolizes Jane’s frivolity in trying to alter feminine societal roles (1158). Significantly, the maternal instincts of Jane remain enslaved due to her surroundings. The nursery, containing windows “barred for little children,” represents the suppression of Jane’s motherly duties (1150). Jane is unable to take care of her own baby. The garden which Jane can view through her barred windows, stands for her fertility which she is incapable of obtaining (1149). Intentionally, Jane’s intellectual prowess remains held back. Beginning to “write for a while” in a journal against the wishes of those around her, represents the suppression of Jane’s attempt at creative stimulus (1149). The yellow wallpaper hinders Jane’s recovery in that it confuses her whenever she attempts to decipher its’ meaning (1151).
John’s repression results from the absence of his feminine side. Spirituality, a part of the human psyche of which John lacks, accounts for his repression. Jane feels that John “has no patience with faith,” justifying his stubborn behavior and the detraction of his masculinity (1148). An ideal attribute for one attempting to obtain self-individuation is a concern for faith, which is not present in John (1148). John’s scarcity of feminine emotions accounts for his repression. John shows no understanding of Jane’s need for an intellectual stimulus, signifying his lack of intuition (1150). For John, everything must be “put down in figures” (1148) in order for him to make sense out of anything, illustrating his stronghold on the stereotypically obstinate man (1155).
The bedroom is an overvalued fetish object that nevertheless threatens to reveal what it covers over. John's time is spent formulating the bedroom in a way that conceals his associations of anxiety and desire with the female body, but also re-introduces them. The bedroom's exterior, its surface, and its outer system of locks, mask a hidden interior that presumably contains a mystery--and a dangerous one. The bedroom in "The Yellow Wallpaper" generates this tension between the desire to know and the fear of knowing: on one hand, the enigma of the bedroom invites curiosity and beckons us towards discovery; on the other hand, its over- determined organization is seated within a firm resolution to build up the bedroom, so that what it hides remains unrealized. Mulvey writes, "Out of this series of turning away, of covering over, not the eyes but understanding, of looking fixidly at any object that holds the gaze, female sexuality is bound to remain a mystery" ("Pandora" 70).
Yellow Wallpaper - Bedroom.. As the story progresses in, The Yellow Wallpaper, it is as if the space of the bedroom turns in on itself, folding in on the body as the walls take hold of it, epitomizing the narrator's growing intimacy with control. Because the narrator experiences the bedroom in terms of John's draconian organization, she relies on her prior experiences of home in an attempt to allay the alienation and isolation the bedroom creates. Recalling her childhood bedroom, she writes, "I remember what a kindly wink the knobs of our big, old bureau used to have, and there was one chair that always seemed like a strong friend. . . I could always hop into that chair and feel safe" (Gilman 17).
would not say it to a living soul, of course, but this is dead paper
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions which society places on her as a woman have a worsening effect on her until illness progresses into hysteria. The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
The narrator finally achieves an authoritative position in her marriage, with John unconscious and her creative imagination finally free of all restraints. Her continual “creeping” over his prone body serves as a repeated emphasis of this liberation, almost as if the narrator chooses to climb over him to highlight his inferiority over and over again” (Harrison). John was a weak person, Jane suffered from a nervous disorder which was made way worse by the feelings of being trapped in a room. The setting of the nursery room with barred windows in a colonial mansion provides an image of the loneliness and seclusion she experienced. Periods of time can lead to insanity. Maybe her illness wasn’t that bad but he made it worse on her part because he was a sick husband. Some critics have argued “Is the narrator really liberated? We’re inclined towards saying “no”, given that she’s still creeping around the room and that her psyche is broken”
“There are things in that paper which nobody knows but me, or ever will. Behind that outside pattern the dim shapes get clearer every day. It is always the same shape, only very numerous. And it is like a woman stooping down and creeping about behind that pattern. I don’t like it a bit. I wonder—I begin to think—I wish John would take me away from here!” The late 19th century hosted a hardship for women in our society. “The Yellow Wallpaper” by Charlotte Perkins Gilman expressed a form of patriarchy within the story. Gilman never addressed the woman in the “The Yellow Wallpaper” by a name, demonstrating her deficiency of individual identity. The author crafted for the narrator to hold an insignificant role in civilization and to live by the direction of man. Representing a hierarchy between men and women in the 19th century, the wallpaper submerged the concentration of the woman and began compelling her into a more profound insanity.
When Jane arrives at the summer estate with her husband, a physician of some repute, she immediately begins to fantasize that the location is haunted, at the least strange, she can “feel it” (479). We begin to see that something is occurring with her mentally, that possibly she is the one feeling strange. “This is our first intimation that all is not right, though whether with the house, or with Jane, we have yet to be told. However, the fact that she tells us at the beginning that this is not a haunted house, suggests that the "queerness" will lie with her” (Kerr). This is again reinforced in the next lines when she confesses that she get “unreasonably angry” with her husband (479). She is sure that she “never use to be this way” (479). This is the effects of her suffering from postpartum depression, finally falling under a psychosis by story’s end.
Throughout “The Yellow Wallpaper,” Charlotte Perkins Gilman tells her readers the story of a woman desperate to be free. Gilman’s use of symbolism is nothing short of brilliant in telling the story of a new mother suffering from postpartum depression and fighting her way through societies ideas of what a woman should be. When her husband, John, also known as her physician, tells her nothing is wrong with her mind, at first she believes him because she knows that society tells her she should. However, with her husband’s misdiagnosis, or attempt to keep his wife sane for the sake of their reputation, comes a short journey into madness for his wife, Jane. Jane’s downward spiral, as one may call it, turns out to be not so downward when the reader
In Charlotte Perkins Gilman's "The Yellow Wallpaper," a nervous wife, an overprotective husband, and a large, dank room covered in musty wallpaper all play important parts in driving the wife insane. The husband's smothering attention, combined with the isolated environment, incites the nervous nature of the wife, causing her to plunge into insanity to the point she sees herself in the wallpaper. The author's masterful use of not only the setting (of both time and place), but also of first person point of view, allows the reader to participate in the woman's growing insanity.
The author of the story, "The Yellow Wall-Paper", is Charlotte Perkins Steston. Steston was a feminist that encourged women to gain independence during the late 1890s and early 1900s with her writings. Steston was a writer and social reformer during her lifetime. The story, "The Yellow Wall-Paper" was published in 1892 and is a great literary piece. The way the author, Charolette Perkins Steston, uses many examples of causes and effects to give the reader an insight to her story, "The Yellow Wall-Paper", such as examples as John, the woman's husband, the house and the wall paper.
As a result, women were stuck at home, usually alone, until their husbands got home. In the story, Jane is at home staring at the wallpaper in her room. The wallpaper’s color is described by Jane as being “repellent, almost revolting” (3) and the pattern is “torturing” and “like a bad dream” (10). The description of the wallpaper represents Jane’s and all women’s thoughts about the ideologies and rules upheld by men prior to the First World War. It is made evident that this wallpaper represents the screen made up of men’s ideologies at the time caging in women. Jane is subconsciously repelled by this screen and represents her discovering continuously figuring out what she wants. Metaphorically, Jane is trapped in that room by a culture established by men. Furthermore, Jane compares the wallpaper’s pattern to bars putting further emphasis on her feelings of being trapped and helpless. Later in the narrative, she catches Jennie staring at the wallpaper’s pattern and then decides to study the pattern and determine what it means herself. Her study of the pattern is representative of her trying to analyze the situation in which she’s in. By studying the pattern, she progressively discovers herself, especially when she sees the woman behind the
In conclusion, Jane has been through oppression and depression but she stands up for what she believes in. Jane gains her femininity, socialization, individuality and freedom. Her husband, who has been oppressing her for so many years, is no longer her prison guard. Jane defies her husband, creeps right over him and claims her life” so, that I had to creep over him every time” (Gilman 1609). Jane is now her own personal freedom through perseverance.
From the beginning of the story, the theme of male dominance is seen. Although equally distressing to realize that this still is going on in the 21st century, giving this works a timeless quality, which is both unfortunate and insightful. The transparent level of disrespect John shows the narrator about her metal level is horrendous and frustrating to the point where John seems absolutely underserving of marriage, much less any kind of relationship with a woman. The following line opens the eyes to the reality of the narrator’s environment and also her own belief that she is not on an equal level as her husband. The narrator narrates “John laughs at me, of course, but one expects that in marriage”(9). “Even the name John itself is male dominating”(Ford 5). The name owes it popularity form two New Testament character, both highly reserved saints. The name John also has been born to 21 popes and eight Byzantine emperors, giving it a very superior meaning. The fact that he is a physician and a primary source of her illness because ...
Advocating social, political, legal, and economic rights for women equal to those of men, Charlotte Perkins Gilman speaks to the “female condition” in her 1892 short story “The Yellow Wallpaper”, by writing about the life of a woman and what caused her to lose her sanity. The narrator goes crazy due partially to her prescribed role as a woman in 1892 being severely limited. One example is her being forbidden by her husband to “work” which includes working and writing. This restricts her from begin able to express how she truly feels. While she is forbidden to work her husband on the other hand is still able to do his job as a physician. This makes the narrator inferior to her husband and males in general. The narrator is unable to be who she wants, do what she wants, and say what she wants without her husband’s permission. This causes the narrator to feel trapped and have no way out, except through the yellow wallpaper in the bedroom.
Charlotte Perkins Gilman wrote The Yellow Wallpaper in 1890 about her experience in a psychiatric hospital. The doctor she had prescribed her “the rest cure” to get over her condition (Beekman). Gilman included the name of the sanitarium she stayed at in the piece as well which was named after the doctor that “treated” her. The short story was a more exaggerated version of her month long stay at Weir Mitchell and is about a woman whose name is never revealed and she slowly goes insane under the watch of her doctor husband and his sister (The Yellow Wallpaper 745). Many elements of fiction were utilized by Gilman in this piece to emphasize the theme freedom and confinement. Three of the most important elements are symbolism, setting and character.