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history of american literature
negro langston hughes
Harlem Renaissance in america
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Cultural developments do reflect American society as much as government policies or maybe more. Much of the literature, art, and music emerging during the first half of the twentieth century came from African Americans, but people of all races and cultures were involved. Films also reflected society a lot during this time.
The Harlem Renaissance was a movement that gave black people a cultural uniqueness though literature and art. Most of the literature focused on realistically portraying black life, life in the ghetto, and other black issues. Langston Hughes was one of the major black writers to emerge from this movement. Hughes was a great writer with much diversity in his types of writings. He wrote plays, novels, poems, essays, short stories, and much more. Most of his writings were of the realities of black life, racism, ghetto and slum life, no jobs for black man and much more. Painters used improvisational style of art. Many of the painters used African subjects and designs in their paintings, such as Palmer Hayden. American society is reflected greatly in all the forms of art in the Harlem renaissance.
Also emerging at the same time as the renaissance was a new music form called jazz. Jazz groups usually were made up of several trumpets, saxophones, some string instruments, piano, and drums. At this time whites were very interested in the exoticness of the black race, and jazz was a new exotic form of music that many whites liked. It was different then most other music of the time because of its fast paced rhythm, and swinging beat. Jazz reflects society by adding to the growing cultural uniqueness of black people emerging. It was another exotic form of art that made many people enjoyed. Louis Armstrong and Joe "King" Oliver were among the most famous to emerge from this style of music.
Another art movement that reflected society from 1908 though the early 1920’s, though briefly touched on in class, was Ashcan School of Arts. They painted in the impressionistic form. Painters like Robert Henri, Arthur B. Davies, and painted on the realities of urban life. Paintings were usually of the slums and ghettos, or portraying some form of poverty of the city life. This form of art was based on reflecting societies poverty and urban life by putting them into paintings, and making something beautiful out of something ugly. It showed middle and upper class people what life actually was like for people in the slums.
Bedford Book of Genres explains that “genres are flexible.” Through a recent post on a fellow classmate’s discussion I thought about mysteries. The ability for writers in mystery genres to guide us through their web of twists and turns makes it a genre that has something for everyone. While the theme of the genre may change or the information within the story, a mystery is basically a story, true or false, that centers itself around a mysterious or unexplained event that drives the mystery deeper and deeper. Mysteries have a way of sucking you into the story on the seat of your chair waiting to find out what twist is coming next. They know how to “resonate with readers” and connect with the story. There are several genres of mysteries available out there that can be enjoyed by many different people, with numerous likes and dislikes and in order for this genre to be able to please so many different types of fans it needs to be flexible.
Detective fiction always ends with a successful resolution because law and order is restored. Once moral and social order is restored this impacts the reader as they are still trying to figure out how it happened and how did Holmes solve the crime. The reader also feels relieved when a crime is solved especially if it was Victorian readers.
In D.H. Lawrence’s essay, “On The Scarlet Letter,” he criticizes Nathaniel Hawthorne’s wrongful idolization of Hester Prynne. Throughout The Scarlet Letter, Hester is treated as a victim rather than the criminal Lawrence believes her to be. In Lawrence’s essay, he analyzes Hester’s sin and mocks the book for becoming a farce. He focuses on the causes of Hester's sin, rather than the consequences. In analyzing Hester Prynne, Lawrence is effective in achieving his purpose due to his satirical tone, choppy syntax, and use of biblical allusions.
Just one century ago the experience of women compared with men was extremely different – many of them did not have access to education, nor they did have a political voice,. Ellen Gruber Garvey, Professor in the English Department of New Jersey City University, who teaches Women's and Gender Studies, argues that in the past century women, who lived in rural areas, experienced more challenges than women living in the city, as they were more labored with domestic work on the farm. Mary Eleanor Wilkins Freeman (1852-1930), American author, in her short story “The Revolt of Mother” (1890) depicts the life of Sarah Penn, an obedient wife and a mother of two children, on the farm in rural New England. The plot of the story presents a snapshot of the protagonists’ life forty years into the matrimony. The climax of the story appears when Adoniram Penn, Sarah’s husband, leaves the farm for a few days, and Sarah, worn out by the droopy house they have resided in for forty years, decides to relocate hearth and home into the new “fine edifice” on their property—another livestock barn that was recently built by Adoniram. Her radical decision, made without any confirmation from her husband, invokes an utmost reaction from the village folks. Based on Freemans’ depictions in the story of the domestic condition Sarah was living in, as well as the promise of a new house her husband gave forty years ago, justifies her act of revolt. However, “The Revolt of Mother” is not a story about a personal revolt: through the character of a Mother, Mary E. Wilkins Freeman illustrates women’s battle against their powerlessness in patriarchal society, as well as an example of emergence of “companionate family model” instead of the “patriarchal family model.”
In Nathaniel Hawthorne's The Scarlet Letter, Hester Prynne is seen as a hero by some and as corruption and sin itself by others. She commits adultery, perceived as one of the worst sins by Puritan society, but also comes to terms with it. D.H. Lawrence conveys his thoughts on the subject of whether the protagonist of the novel should be considered a hero in his essay “On Hester Prynne”. He claims that the whole idea of Hester being a hero is ridiculous because The Scarlet Letter was meant to be satirical when relating to the topic of who is seen as a hero. Lawrence believes that she has corrupted Dimmesdale, the young and pure minister, and does not deserve the praise she is receiving from Hawthorne and other authors like Van Doren. Hester
Lawrence again refers back to sarcasm in his tone to emphasize his criticism. For example, he talks about the idea of Hester “Glittering with gold thread. Abell Adultery. Admirable!” (Lawrence). It is clear that Lawrence is simply mocking the tone of those who sympathize with Hester Prynne. By criticizing and retaliating against the idea that Hester Prynne is an admirable character, Lawrence succesfully attacks how Hawthorne seeks to portray Prynne, as well as those who cannot see Hester Prynne as a contradictory symbol to pure society. In this case specifically, Lawrence targets the seduced reader who fails to detect Hester’s mortal sin, mainly because it helps him lead into the gravity of her sin itself. Lawrence also warns those of pure society to not “let [Hester] start tickling [them]” (Lawrence). Lawrence issues a direct statement to the reader that Hester Prynne’s characterization is used for the mere purpose of seduction. Those who have been seduced undermine the virtues of pure society, and are therefore criticized by Lawrence. Lawrence warns his fellow members of pure society to not fall under this
This particular tone is evident when he accuses Hester of “seducing a man:...the greatest triumph of woman” (Lawrence). As Lawrence repeats this line several times, he illustrates Hawthorne’s foolishness for unreasonably respecting Hester even though she committed a mortal sin. It is obvious that an act of seducing someone is not something to be congratulated for, let alone to be named as the greatest triumph. By saying this in a mocking tone rather than blatantly stating Hawthorne’s false portrayal of Hester, Lawrence emphasizes the absurdity of Hawthorne’s words. Likewise, Lawrence exhibits a sarcastic tone when he suggests to “put [Hester] upon the scaffold and worship her there” (Lawrence). Here, Lawrence is not really proposing to worship Hester, but rather, is exhibiting a ridiculing tone to display how Hawthorne glorifies Hester by depicting her as a heroine with noble qualities when she is obviously a disgrace to society. Here, Lawrence purposefully makes an incongruent statement to mimic Hawthorne’s perspective; a scaffold is not a platform to worship people but is rather to publicly execute criminals. Because readers can recognize this incongruence, Lawrence effectively demonstrates that Hawthorne mischaracterizes Hester by claiming that Hester is a victim and a heroine. If Lawrence had established a forthright tone instead of a sarcastic tone, he would not have strongly revealed his disapproval of Hawthorne’s depiction of Hester as a victim.
These were paintings that used images of newspaper articles and even police photographs of car crashes, accidents, and suicides (warhol.org). Around this time, Warhol made more artsy films like “Sleep”, which was a five hour movie just of his friend John Giorno sleeping. He was really able to make art out of anything.
Occurring in the 1920’s and into the 1930’s, the Harlem Renaissance was an important movement for African-Americans all across America. This movement allowed the black culture to be heard and accepted by white citizens. The movement was expressed through art, music, and literature. These things were also the most known, and remembered things of the renaissance. Also this movement, because of some very strong, moving and inspiring people changed political views for African-Americans. Compared to before, The Harlem Renaissance had major effects on America during and after its time.
Segregation and racism in the 1920s was mundane for the average African American, but as they put that aside they were respected by many whites. The rise of the jazz age was due to the prohibition of alcohol. People were selling alcohol illegally and many African Americans began playing music known as the jazz age. Many white folks came to watch famous African musicians play in secret clubs called the cotton club. In the 1920s when there was prohibition and racism, many African Americans had to deal with discrimination, and segregation between the whites. During that time the Klu Klux Klan population was at an all-time high. Being colored was dangerous because the KKK members were out to hunt for people who weren’t white. Africans were driven out of the South from the whites and also the bot weevil. They were forced to migrate to the north. These areas had poverty. Luckily, African Americans could overcome this hatred by creating a new age called the Harlem Renaissance. Making the North well known for its gargantuan transformation and making it a success. The connection towards Gatsby is that Gatsby had hired a band that played jazz. This came from African Americans as jazz influenced many people throughout the world. The Harlem Renaissance was an era of where African Americans became famous, well known, and respected for their music and literature.
During the 20th century a unique awakening of mind and spirit, of race consciousness, and
The Harlem Renaissance, a cultural movement that began in the 1920s, brought an excitement and a new found freedom and voice to African-Americans who had been silent and oppressed for a long time. This blossoming of African-American culture in European-American society, particularly in the worlds of art and music, became known as The Harlem Renaissance.
The Harlem Renaissance refers to a prolific period of unique works of African-American expression from about the end of World War I to the beginning of the Great Depression. Although it is most commonly associated with the literary works produced during those years, the Harlem Renaissance was much more than a literary movement; similarly, it was not simply a reaction against and criticism of racism. The Harlem Renaissance inspired, cultivated, and, most importantly, legitimated the very idea of an African-American cultural consciousness. Concerned with a wide range of issues and possessing different interpretations and solutions of these issues affecting the Black population, the writers, artists, performers and musicians of the Harlem Renaissance had one important commonality: "they dealt with Black life from a Black perspective." This included the use of Black folklore in fiction, the use of African-inspired iconography in visual arts, and the introduction of jazz to the North.[i] In order to fully understand the lasting legacies of the Harlem Renaissance, it is important to examine the key events that led to its beginnings as well as the diversity of influences that flourished during its time.
How do musicians during the Harlem Renaissance relate to musicians in today’s society and how do they influence them? Musicians relate and influence musicians in today’s society for many different reasons. However, not only do musicians during the Harlem Renaissance relate to musicians in today’s society and influence them but artists, actors, painters and poets in the Harlem Renaissance did also. During the 1920s is when the Harlem Renaissance blossomed in the African American culture, particularly in creative arts and influential movement in African American literary history. Without the Harlem Renaissance eminent people today such as Beyoncé Knowles, Jay-Z, Morris Chestnut, Maya Angelou and Gabrielle Union would not be relevant.
The Harlem Renaissance was the name given to the cultural, social, and artistic explosion that took place in Harlem, New York in the 1920s. The renaissance was more than just a literary movement, it involved racial pride. This was a time for cultural explosion, after African Americans had dealt with years of slavery and the fight or abolition. The encounters with music art and literature of the Harlem Renaissance impacted American society by bringing light to artists, such as writers, musicians and painters that challenged the white society’s ideas about African Americans.