Writing Cannot be Altered by Technology
The term “cyberculture” is derived from the word “cyberspace”. William Gibson’s science novel “ Neuromancer” predicted a world that man and machine merge to become a cyborg (Tribble and Trubek: 521). This prediction became reality during the end of study of the 1990s when cyberculture began to flourish. This culture exists within several cultures here on earth. Some may ask, what is cyberculture? Cyberculture studies cover the examination of the subject and the forming communities within the realms of those networked spaces that are being created through technological devices and amplifications (Silver). In this essay I will examine how technological advancements affect our fundamental habits of writing and reading.
Our “traditional” writing was not traditional in ancient times. The birth of writing itself was a new technology. This is similar to the birth of the computers years ago. The writing process is taught in grade school. It begins with brainstorming, writing a rough draft, proofreading and completing a final draft. This process is often obsolete with modern writing. Traditionally a writer uses a writing utensil and paper to create their writings. Modern technology allows us to type as we write. This occurs when a writer begins to type their thoughts as they think. I personally design a paper structure similar to the traditional format to assist in my paper creation prior to typing; however, some people sit at the computer and type as the think. Some may argue eliminating the traditional process damages the fundamentals of writing. However, I feel we brainstorm in a different way with modern writing. As the person types, he/she deletes and rearranges sentences to make the paper complete. The writer is able to use spell check or proof read from a printed copy. The fundamentals are not tarnished because the purpose of traditional process applies to the modern process as well.
I feel we should learn the traditional format of writing in addition to using the advancements of technology. "Internet is another invention in a line of modern technologies that undermine traditional notions of civil society that require unity and shun multiplicity while giving impressions that they in fact re-create such a society" We should not rely solely on technology because we must know how to function if the technology fails.
In the article “Twoness in the style of Oscar Micheaux” by J. Ronald Green critiques the common theme of twoness which was a common debilitating dilemma for black film in America concerning American Social Codes. African Americans face the possibility of two identities at the same time but somehow resolve individually for her or himself. The point is made that African Americans are American citizens, but are hindered by the color line which sets them up to be positioned to understand two sides to the American hegemony. Hegemony consists of leadership or domination, either by one country or social group over others. American black cinema acquiesced in segregation, placed white cupidity off limits as theme, rehashed white Hollywood stereotypes
Through its remarkable breakthroughs in film and what the camera could do, Birth of a Nation can be explored as a film that set the standards for future film development and masterpieces. However, one can never look past the way that African-Americans were horribly represented and depicted on film. This has caused this film to be such a great film to explore when studying film and especial minorities in film. This debate will continue way past my life and beyond. One must hope and believe that the ignorance of the few that still see this as a positive image of reality can be overturned and that this film can only be seen as a studying device for all those that look to explore the art of film and the sad realities that can come from the ideals of those who create film and movies.
Back in the 1800’s, when calculating the population, African Americans were counted as 3/5 of a person (Antonia, p2). One would think that in the past two hundred years people’s beliefs would have changed a little bit, but the general white public are stuck into believing the common stereotypes commonly portrayed in movies. In films and television shows blacks are almost always portrayed as murderers, robbers, rapists, pretty much anything negative, like American History X, for example. Two black men are shown breaking into a white man’s car. People see this, and in turn believe that all black men will try and steal their car; as stupid as it may seem, it is true, and as a result, film producers try to incorporate this into their films. Very rarely, if ever, is it possible to see a minority depicted as a hero-type figure. Every once in a while, there will be an independent film from a minority director, but as Schultz states in Lyon’s piece, “We [blacks] are still being ghettoized in Hollywood, a serious black project of any scope is as difficult to get marketed today as it was in the ‘70s.” By making a barrier to entry for minorities in the film industry, it’s almost as if America is trying to keep black films out of the popular media. At first glimpse, it may appear that minorities are very hard to be seen in the filming industry, when in reality, they are becoming more and more apparent in America’s mainstream media culture, particularly in action movies.
Watkins, Craig. “Producing Ghetto Pictures.” Representing: Hip Hop Culture and the Production of Black Cinema. Chicago: U of Chicago P, 1998. 169-195.
Just like in Europe and many other parts of the world, religion has been on the decline for many years now in America. From the historical point of view, religion in America is very different from what it was in Europe. The first amendment of the American constitution forbids the state to establish an official church of the state. In other words, secularization is the very premise that America is built upon. In many European countries it is the complete opposite as in for example Sweden where the state church has played a huge role for centuries, and where the church was separated from the state only a few decades ago
Butler, J., Balmer, R., & Wacker, G. (2008). Religion in American Life : A Short History. Oxford: Oxford University Press.
Cyberpunk has been present on the literary scene for almost twenty years now, being the most trendy and mainstream sub-genre of science-fiction and, although announced dead by some critics, has not been replaced by any other science-fiction movement so far. But how should we define what cyberpunk is and distinguish it from what is merely cyberpunkish? Appignanesi points out that the major feature of the cyberpunk world is a "total intrusion of technology into human lives" (129) and this may be used as a sufficient...
In Bruce Sterling's article, "Cyberpunk in the Nineties," he explained how public opinion had defined himself, Rucker, Shiner, Shirley, and Gibson as the cyberpunk "gurus" in the 1980's. Because of being labeled cyberpunk "gurus," the public had come to understand the definition of cyberpunk as "anything that cyberpunks write." To break this definition of cyberpunk established by popular public opinion, I will pursue giving cyberpunk a more definite definition. After reading numerous cyberpunk fiction stories, I noticed reoccurring themes in these stories. I believe these themes can form a criteria under which a story can be defined as cyberpunk. These criteria are total enhancement and integration of everyday life by technology, some degree of pleasure (by the author) in explaining this technology, cyber-lingo, and some degree of global connectiveness.
Over the course of approximately one-hundred years there has been a discernible metamorphosis within the realm of African-American cinema. African-Americans have overcome the heavy weight of oppression in forms such as of politics, citizenship and most importantly equal human rights. One of the most evident forms that were withheld from African-Americans came in the structure of the performing arts; specifically film. The common population did not allow blacks to drink from the same water fountain let alone share the same television waves or stage. But over time the strength of the expectant black actors and actresses overwhelmed the majority force to stop blacks from appearing on film. For the longest time the performing arts were the only way for African-Americans to express the deep pain that the white population placed in front of them. Singing, dancing and acting took many African-Americans to a place that no oppressor could reach; considering the exploitation of their character during the 1930's-1960's acting' was an essential technique to African American survival.
"The Heart of the Well" " Composing Cyberspace Edited by Rich Holeton, San Fransisco: McGraw Hill, 1998, 151-163
Once this contextualising research is complete and it is understood exactly what happens to circus animals, and how this happens, the essay will then focus on the ethics that underlie these practices, posing the poignant question ‘why is this allowed to occur?’ Thus, human attitudes and behaviours towards circus animals will be analysed to determine what the ethical obligations to circus animals are, and to what degree these are fulfilled or breached in contemporary times. Therefore, the divergence between the current and the ‘ideal’ treatments of circus animals will be examined. In doing so, the sentience and morality of animals will be investigated, by considering wh...
(United Nations Children's Fund [UNICF], n.d.)The United Nations Children’s Fund (UNICEF) is a leading advocate for women and children rights. Founded in 1946 and active in 157 countries and territories around the world. The UNICEF has committed it resources to achieve results for children in five major areas:
Wilson, D. A., 2009. Racial Prejudice and the Performing Animals Controversy in early Twentieth-Century Britain. Society and animals , Issue 17, pp. 149-165.
Smith, RaeLeann. "Circus Animals: Abused and Dangerous." Encyclopedia Britannica Online. Encyclopedia Britannica, 6 Nov. 2007. Web. 6 Apr. 2014.
History has evolved through a series of counter-cultures, contraries to a community's subjective, shared system of beliefs that provide meaning to objective reality. Timothy Leary has defined the evolution of countercultures that range from the beatniks of the early fifties, the hippies of the sixties and seventies to the present day cyberpunks and new breeds (Vitanza 365). These groups have been met with resistance over the years as a result of their expressive attitudes and tendencies to break the molds of conformity which their culture had previously set. I will focus of the latest stage of evolution, the cyberpunk. The cyberpunk counterculture has encountered mixed reviews over the years. Many people feel as though it is a movement that is made up of no good troublemakers who pose a threat to the computer world. On the contrary, I feel that cyberpunks are taking a lot of heat from a small number of hell raisers who roam the data-highways looking to cause havoc. For the most part, cyberpunks have contributed to society in beneficial ways. As computer technology is rapidly increasing everyday, the issue is becoming relevant to society as a whole. We are all affected by its presence and therefore should become more aware of what lurks in the cyberworld.