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free essays on the second great awakening
free essays on the second great awakening
free essays on the second great awakening
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The Controlling Men of The Awakening
In The Awakening, the male characters attempt to exert control over the character of Edna. None of the men understand her need for independence. Edna thinks she will find true love with Robert but realizes that he will never understand her needs to be an independent woman. Edna's father and husband control her and they feel she has a specific duty as a woman. Alcee Arobin, also attempts to control Edna in his own way. Edna knows she wants freedom. She realizes this at the beginning of the book. "Mrs. Pontellier was beginning to realize her position in the universe as a human being, and to recognize her relations as an individual to the world within and about her (Pg. 642). Throughout The Awakening she is trying to gain that independence that she wants so bad.
The Colonel, Edna's father, is very strict. He thinks very highly of discipline. At the end of The Awakening, Edna feels the struggle she has with her father. "Edna heard her father's voice and her sister Margaret's" (Pg 723). At this moment, Edna wants freedom. She wants freedom from the life that has her trapped to be someone she isn't. The Colonel thought that Mr. Pontellier should be more controlling over Edna. "You are too lenient, too lenient by far, Leonce. Authority and coercion are what is needed. Put your foot down good and hard; the only way to manage a wife. Take my word for it" (Pg. 688). Edna does everything around the house when the Colonel comes to visit because she doesn't want him to think she isn't playing her role as a woman in the family. "She would not permit a servant or one of the children to do anything for him which she might do herself" (Pg. 687).
Leonce Pontellier believes women should live only for their families' well-being. "He reproached his wife with her inattention, her habitual neglect of the children. If it was not a mother's place to look after children, whose on earth was it? He himself had his hands full with his brokerage business" (Pg. 637). Mr. Pontellier never thinks for a minute that it is also his responsibility to take care of the children.
The Awakening is a novel about the growth of a woman becoming her own person; in spite of the expectations society has for her. The book follows Edna Pontellier as she struggles to find her identity. Edna knows that she cannot be happy filling the role that society has created for her. She did not believe that she could break from this pattern because of the pressures of society. As a result she ends up taking her own life. However, readers should not sympathize with her for taking her own life.
In The Awakening, Edna is constrained culturally by the gender roles of 1890’s New Orleans, and throughout the book, she makes advances towards becoming free of these gender roles, and consequently, her constraints. Chopin writes, “Even as a child she had lived her own small life all within herself. At a very early period she had apprehended instinctively the dual life—that outward existence which conforms, the inward life which questions” (Chopin 18). The excerpt above is a direct example of Edna’s dual life. The duality of Edna’s life is extremely constraining because the gender roles of being a woman in southern society in 1890 force her into submission: she has to carry herself a certain way on the outside, or risk being excluded from “polite society”. Edna is aware of this, and in result, her inner personality is much more stifled in relative to her outward personality. Throughout the book, the way people view her changes greatly, as her deviant inward personality starts to triumph over
The speaker is supposed to be writing a love poem to his wife, but the unmistakable criticism he places on her makes one wonder if this is really love he speaks of. It may not be a "traditional" love story, but he does not need to degrade his wife in this manner. Reading through this poem the first time made us feel defensive and almost angry at the speaker for criticizing his wife so badly. Although it is flattering to be the subject of a poem, we do not think many women would like to be written about in this way.
In Chapter III Mr. Pontellier enters their room in Grand Isle late one night, waking Edna. He is full of self-importance as he talks to her while he begins to ready himself for bed. Since she has just been awakened, Edna does not respond with the enthusiasm Mr. Pontellier deems acceptable. "He thought it very discouraging that his wife … evinced so little interest in things which concerned him, and valued so little his conversation." (12) To assert his dominance, Leonce demands that E...
Throughout The Awakening, Edna faces oppression from her husband, children, and society. It is her duty, as a women, to get married and have children with her husband. Edna’s
She desperately wanted a voice and independence. Edna’s realization of her situation occurred progressively. It was a journey in which she slowly discovered what she was lacking emotionally. Edna’s first major disappointment in the novel was after her husband, Leonce Pontellier, lashed out at her and criticized her as a mother after she insisted her child was not sick. This sparked a realization in Edna that made here realize she was unhappy with her marriage. This was a triggering event in her self discovery. This event sparked a change in her behavior. She began disobeying her husband and she began interacting inappropriately with for a married woman. Edna increasingly flirted with Robert LeBrun and almost instantly became attracted to him. These feelings only grew with each interaction. Moreover, when it was revealed to Edna that Robert would be leaving for Mexico she was deeply hurt not only because he didn’t tell her, but she was also losing his company. Although Edna’s and Robert’s relationship may have only appeared as friendship to others, they both secretly desired a romantic relationship. Edna was not sure why she was feeling the way she was “She could only realize that she herself-her present self-was in some way different from the other self. That she was seeing with different eyes and making the acquaintance of new conditions in herself that colored
Life of Malvolio in the Twelfth Night Play - Original Writing Twelfth night is a comedy which meets the audience’s expectations. are for a light hearted, humorous, funny play. Usually in a comedy there is bawdy, lewd language and romantic liaisons. In the play there are also a lot of ridiculous and improbable coincidences which the audience only believe because of a willing suspension of disbelief. The Title Twelfth Night refers to the Christian feast of Epiphany which occurs twelve nights after Christmas.
One example of how Edna¡¦s immaturity allows her to mature is when she starts to cry when LeƒVonce, her husband, says she is not a good mother. ¡§He reproached his wife with her inattention, her habitual neglect of the children. If it was not a mother¡¦s place to look after children, whose on earth was it?¡¨(13). Edna, instead of telling her husband that she had taken care of her children, began to cry like a baby after her husband reprimanded her. ¡§Mrs. Pontellier was by that time thoroughly awake. She began to cry a little¡Kshe thrust her face, steaming and wet, into the bend of her arm, and she went on crying there, not caring any longer to dry her face, her eyes, her arms,¡¨(13,14). These tears made Edna look as if she was still a child and that she is tired of being treated as a child by her husband. These tears also showed her she did not like where she was, a sign of maturity. Her tears symbolize her first awakening.
...tionship she had until she was left with literally no reason to live. Throughout the novella, she breaks social conventions, which damages her reputation and her relationships with her friends, husband, and children. Through Edna’s thoughts and actions, numerous gender issues and expectations are displayed within The Awakening because she serves as a direct representation of feminist ideals, social changes, and a revolution to come.
greatly pained at the loss of his father. It is also clear that he is
In The Awakening, Edna Pontellier is a selfish character. She wishes to live her life the way she wants without anyone interfering. She did not start selfish, but grew selfish as her hidden desires were awakened. Her selfishness comes from her complete disregard for anyone’s happiness besides her own. Edna refuses to attend her sister’s wedding, describing the event as lamentable. Even if Edna did not want to attend, a wedding is for the bride and groom’s happiness. She is unable to compromise any of her own desires for the happiness of others. Edna’s own marriage was an act of rebellion for marrying outside of what was expected, and came with the titles of wife and mother. Edna abandoned her relationship without trying to resolve any difficulties with her husband before satisfying her needs. She does not discuss with him her unhappiness or seek his approval before moving to the pigeon house. She develops her relationship with Arobin only to fulfill her own physical needs.
writing the poem, to woo his love. Or maybe is the line was not meant
The sexual aspect of Edna’s awakening is formed through her relationship with a supporting character, Robert LeBrun. In the beginning of the novel, Robert assigns himself to become the helper of Mrs. Pontellier and his advances help to crack the barrier in which Edna is placed in due to her role as a woman of the Victorian era. Her feelings begin to manifest themselves as she intends to liberate herself from her husband and run away with Robert. He on the other hand has no intention of having a sexual affair because of the role placed upon him as a man of the Victorian era which is not to destroy families. Her quest for complete independence ultimately brings her to committing suicide at the end of the story. Her suicide does not represent a disappointment in how she cannot conform to the society around her but a final awakening and symbol for her liberation.
The interpretation of Hamlet’s, To Be or Not to Be soliloquy, from the Shakespearean classic of the same name, is an important part of the way that the audience understands an interpretation of the play. Although the words are the same, the scene is presented by the actors who portray Hamlet can vary between versions of the play. These differences no matter how seemingly miniscule affect the way in which someone watching the play connects with the title character.
Through the form of sonnet, Shakespeare and Petrarch both address the subject of love, yet there are key contrasts in their style, structure, and in the manner, each approaches their subjects. Moreover, in "Sonnet 130," Shakespeare, in fact, parodies Petrarch's style and thoughts as his storyteller describes his mistress, whose "eyes are in no way as the sun" (Shakespeare 1918). Through his English poem, Shakespeare seems to mock the exaggerated descriptions expanded throughout Petrarch’s work by portraying the speaker’s love in terms that are characteristic of a flawed woman not a goddess. On the other hand, upon a review of "Sonnet 292" from the Canzoniere, through “Introduction to Literature and Arts,” one quickly perceives that Petrarch's work is full of symbolism. However, Petrarch’s utilization of resemblance and the romanticizing of Petrarch's female subject are normal for the Petrarchan style.