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character portrayal in the streetcar named desire
compare and contrast the major characters in the streetcar name desire
compare and contrast the major characters in the streetcar name desire
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One of the main themes expressed by Tennessee Williams in his play, A Streetcar
Named Desire, is to condemn those who display cruelty and harshness in their
treatment of others, especially those who are weak and vulnerable. Three
characters who demonstrate these insensitive qualities are Blanche, Mitch, and
Stanley. Whether the cruelty is deliberate or not, it results in the
destruction of others, both physically and mentally.
Blanche Dubois, the central victim of mistreatment in the play, was herself,
dealing out her share of insensitivities during her younger days. When Blanche
was 16, she had a very handsome lover named Allan Gray. She was very much in
love with him and decided to marry him. But by total surprise one night,
Blanche found her lover in bed with another man. She tried to pretend that
nothing had happened. However, she was unable to hold what she saw inside, and
told Allan "I saw, I know, you disgust me…"( p.96). To Allan, Blanche seemed to
be a person who accepted him for who he was in a society where homosexuals are
discriminated against. What Blanche said completely devastated Allan and he
found no reason to continue living. Although Blanche had no intentions of
hurting Allan, enough damage was done to prompt Allan to shoot himself, his mind
and body destroyed.
The harsh treatment dealt by Mitch to Blanche near the end of the play is
strikingly similar to Blanche's treatment of Allan Gray. Mitch is a friend of
Stanley's whom Blanche falls for during her visit to New Orleans. The
relationship between Blanche and Mitch had been developing steadily. Both
characters felt the need to settle down in life and both saw the image of
marriage at the outcome of their relationship. It did seem as though the image
would become reality, until Stan interfered. Stan filled Mitch's mind with
unfavourable stories of Blanche's checkered past and the relationship quickly
turned sour. Mitch had not believed Stan at first, but when he received
confirmation of the truth to Stan's accusations, he became heart-broken and
enraged. Mitch goes to confront Blanche personally and accuses her of being a
prostitute and lying to him. Mitch also says that Blanche is hiding something,
as he has never seen her in broad daylight. He then tears the paper lantern off
the light bulb, representing a tearing away of Blanche's shield from realism.
Blanche admits to the accusations but reasons that she has changed her ways and
never did lie in her heart. Mitch appears to forgive her as he goes to kiss
Blanche. But in the midst of the embrace, Mitch blurts out, "You're not clean
The diet coke commercial uses pathos to persuade us. It's using pathos by showing a famous person to convince you. But in reality, Taylor swift doesn't drink diet coke when writing one of her songs. Sensodyne toothpaste commercial uses logos to make you think a little more logical. It makes you think more by showing a ¨dentist¨ to convince you that what he's saying is really true. The commercial wants you to think its trustable just because its a dentist so you could buy it to cure sensitive teeth.
As Stanley continues torturing Blanche and draws Stella and Mitch away from her, Blanche’s sanity slowly dwindles. Even though she lied throughout the play, her dishonesty becomes more noticeable and irrational due to Stanley's torment about her horrible past. After dealing with the deaths of her whole family, she loses Belle Reve, the estate on which her and her sister grew up. This is too much for Blanche to handle causing her moral vision to be blurred by “her desperate need to be with someone, with ancestors for models who indulged in “epic fornications” with impunity, [Blanche] moves through the world filling the void in her life with lust” (Kataria 2). She also loses a young husband who killed himself after she found out he was gay when she caught him with another man. After that traumatic experience she needed “a cosy nook to squirm herself into because ...
Tennessee Williams has mastered the idea of plastic theater throughout the plays he was written and “A Streetcar Named Desire” is no different. He incorporates many elements of plastic theater throughout this play to take you through a journey unlike any other. One of the main elements of plastic theater that is heavily used is the music. The music plays a vital role in this play in setting the moods for each scene. The “Blue Piano” and The “Varsouviana Polka” are prime examples for playing major roles in the scenes Williams used them in.
She looks for empathy in all the wrong places. She looks for it when with strangers, with Stanley, Mitch, and Stella. The tragedy of Alan’s death is a leading cause for Blanche’s desire for attention and empathy. After his death he becomes involved with the hotel “flamingo”. It is here where she mistakenly thinks that sex, is a form of empathy. This empathy causes her character to have a blackened image of how to gain empathy from others. Once she gets run out of the flamingo she attempts to gain attention from Stanley. “It 's mine, too. It 's hard to stay looking fresh. I haven 't washed or even powdered my face and here you are!” Blanche understands that Stanley is a man who can at least support his wife. She flirts with Stanley, in a desperate need to feel, safe and cared for. Stanley understands that Blanche is manipulative, and he does not give empathy towards her. The tragic Irony with Blanche is that she does not recognize true empathy when it is given to her, Mitch has a deep care for Blanche, to the extent that he is willing to marry her. “You need somebody. And I need somebody, too. Could it be—you and me, Blanche?” Mitch shows a great amount of compassion towards Blanche, but blanche cannot recognize this empathy and sees it more as an opportunity to manipulate him, which doesn’t turn out well in the end. Stella is the
The moment their eyes first meet, there seems to be an immediate attraction between Blanche and Mitch, causing them to take a “certain interest” in one another. After their first close encounter while the poker game is taking place, Blanche notices that Mitch is not like Stanley and the others. Telling Stella, “That one seems—superior to the others…I thought he had a sort of sensitive look” (Williams 52), Blanche takes interest in Mitch’s perceived sensitivity, and is immediately attracted
Stanley’s treatment of Blanche leaves her alone once again, with what little dreams of returning to her previous status destroyed like the paper lampshade that once gave her the shield from the real her she desperately craved. Stella, the one person Blanche believed she could rely on, sides against her husband after Blanche’s ordeal, leading Blanche to be taken away, relying on the “kindness of strangers”. This final image that Williams leaves us with fully demonstrates that Blanche has been cruelly and finally forced away from her “chosen image of what and who” she is, leaving an empty woman, once full of hope for her future.
Blanche also becomes disconnected from reality because of her delusions of music and gunshots from her husband’s death. She seeks relationships with strangers in the hopes of recreating the love she had for her husband. When the relationship fails to satisfy her craving for love, she sinks further into her fantasy. When Mitch rejects her, saying “I don 't think I want to marry you anymore.” (Williams 131) she once again finds comfort in her fantasy. She has sunk so far into her fantasy that she has a response to all of Stanley’s questions. She is no longer up holding the illusion for others. She truly believes her delusions enough to maintain the façade while she is
People will then associate the product with the positive feeling, making it easier to persuade the person to buy.Pathos is a tactic well used in the commercial because of the upbeat music and colors along with catchy phase “Reese's puffs, Reese's puff, peanut butter chocolate flavor” on repeat it stays in people's
In the end some people might blame the friar for the deaths of Romeo and Juliet, but the friar was some results of personal choice, because of “faith” they believed they were meant and nothing could stop them from being together in the end, choosing to do the things the friar said that would help the problem of Romeo’s exile. But it all was a matter of personal choice that lead up to these events, and this story is a very good example
...re her fake dead body is kept, and drinks the poison he brought with him, hastily, without giving it a second thought, assuming that Juliet was dead and that he might not be able to live without her. However, Juliet wakes up at the moment when Romeo falls dead on her lap and she exclaims, “Poison, I see, hath been his timeless end” (5.3.167), signifying the untimely death of Romeo that occurred due to his unnecessary haste.
To conclude, the author portrays Blanche’s deteriorating mental state throughout the play and by the end it has disappeared, she is in such a mental state that doctors take her away. Even at this stage she is still completely un-aware of her surroundings and the state she is in herself.
This essay will describe whether or not Blanches’ unfortunate eventual mental collapse was due to her being a victim of the society she went to seek comfort in, or if she was solely or at least partly responsible. The factors and issues that will be discussed include, Blanches’ deceitful behaviour and romantic delusions which may have lead to her eventual downfall, the role Stanley ended up playing with his relentless investigations of her past and the continuous revelations of it, the part society and ‘new America’ played in stifling her desires and throwing her into a world she could not relate to or abide by.
The essential conflict of the story is between Blanche, and her brother in-law Stanley. Stanley investigates Blanche’s life to find the truth of her promiscuity, ruining her relationships with Stella, and her possible future husband Mitch, which successfully obtain his goal of getting Blanche out of his house. Blanche attempts to convince Stella that she should leave Stanley because she witnessed a fight between the two. Despite these instances, there is an essence of sexual tension between the two, leading to a suspected rape scene in which one of their arguments ends with Stanley leading Blanche to the bed. Branching from that, Stella has an inner conflict because she does not know whether to side with her husband or her sister in each situation. Blanche and Mitch ha...
Blanche is driven by her sexual desire but also wishes for stability and a fresh start instead. Blanche states “It was the other little familiarity that I felt obliged to discourage, I didn’t resent it!.. I was somewhat flattered that you desired me” (Williams 87). For the first time she doesn’t succumb to her body’s physical needs for her wish to be able to settle down with Mitch. If Blanche answered her body’s need for sex she would have killed her act of being a Southern belle looking for a suitor. This again brings out the close line between death and
Happiness in marriage is entirely a matter of chance. If the disposition of the parties are ever so well known to each, or ever so similar before hand it does not advance their felicity in the least (Austen 23).