Characters, like the fruit that make a tree a fruit tree make a play, a novel, or even a sit-com. A characters personality can determine what path a story line might travel, or be used to guide a story down the correct path. Characters traits can also be called upon to give a story depth and meaning. Traits can be used to take away form the story or used to bring the story out like a bright shade of lip liner brings out a set of lips. I would like to look at the traits both good and bad, of Amanda in Tennessee Williams The Glass Menagerie. Amanda’s character is full of paradox, which supplies her with many good, and bad traits. All of her gains and falls play off of one another making her a good character that adds to the story, and if you ask the right person might even be the story her self.
Amanda is from Blue Mountain, where she lived on a time of gentlemen callers. She was a married woman, but was abandoned by her husband. Amanda is stuck between a world of illusion and reality, which is what causes most or at least the bad traits that I pick out to talk about. Amanda lives a very boring and empty life. She uses her alternate world to help make her life better. She slips back and forth through the whole story. She demonstrates one example of using her alternate world when she says to Laura “you be the lady this time and I’ll be the darky”. She plays games like this to make her life more exciting. However she is unable to live in her alternate world and she is forced into the pressures of everyday life, which she lives through her children.
Amanda lives through her children to help make her life more bearable. Amanda living through her children brings out the bad and the good. One of Amanda’s good traits is the fact that she gives all to her children. She shows this when she says “ I know so well what becomes of unmarried women who aren’t prepared to occupy a position.” That is her life’s main concern. She frets and worries about her children to no end. She wants the best for her children.
The typical plot format of literature and theater is comparable to an equation. Calculate the humble introduction of a hero plus the malicious obstacles set forth by a villain. Multiply this by a series mental and physical strife, such as the loss of an arm or respect. Once you have this product, add a suspenseful climax and subtract by a tension relieving resolution. For purposeful reason, this equation’s answer cannot be found within the plot of The Glass Menagerie. Tennessee Williams establishes a setting of familial dysfunction, free of heros and villians. Some argue that Laura’s disability grants her the label of the hero. However, the unhealable wound archetype in this case is not a symbol of a low point present in the “hero’s journey”,
Tennessee Williams allows the main characters in the plays, A Streetcar Named Desire and The Glass Menagerie, to live miserable lives, which they first try to deny and later try to change. The downfall and denial of the Southern gentlewoman is a common theme in both plays. The characters, Blanche DuBois from A Streetcar Named Desire and Amanda from The Glass Menagerie are prime examples. Blanche and Amanda have had, and continue to have, many struggles in their lives. The problem is that Williams never lets the two women work through these problems and move on. The two ladies are allowed to destroy themselves and Williams invites the audience to watch them in the process (Stine 474).
A character is simply a figurehead. In many works seen throughout history, dating from the poets of ancient Rome to the novelists of modernity, it is evident that there are numerous elements of reality that enter a character, a congregation of characteristics that come from a creator’s mind, life, or a combination of both. With this fact in mind, it is understood that a character is only human, no matter what role that character takes on, and just as any human, a character is a representation of its surroundings and the environment of the story, matching the plot in one way or another, and in one pivotal way, a character also matches the a human in that a character goes through development throughout a situation, and within any situation, a character interacts with other characters, just as humans do with other humans, and changes the development of those characters.
The Glass Menagerie closely parallels the life of the author. From the very job Tennessee held early in his life to the apartment he and his family lived in. Each of the characters presented, their actions taken and even the setting have been based on the past of Thomas Lanier Williams, better known as Tennessee Williams.
good times, in a time of hardship in her life, and trying to find a
In Williams, Tennessee’s play The Glass Menagerie, Amanda’s image of the southern lady is a very impressive. Facing the cruel reality, she depends on ever memories of the past as a powerful spiritual to look forward to the future, although her glory and beautiful time had become the past, she was the victim of the social change and the Great Depression, but she was a faithful of wife and a great mother’s image cannot be denied.
Tennessee Williams was born on March 26, 1911. He was the second child of Edwina and Cornelius Coffin Williams. His father was a shoe salesman who spent most of his time away from home. Edwina was a “southern belle” she was snobbish and her behavior was neurotic. As a child, Williams suffered from diphtheria which almost ended his life. Williams attended Soldan High School, a setting he referred to in The Glass Menagerie. Later, he attended University City High School. He then attended the University of Missouri. (Tennessee)
In the book, The Glass Menagerie, the main characters want to leave behind what they are
Authors develop characters’ personalities in order to add depth to their story and allow readers to feel more connected to the characters. Beyond this, characterization also allows authors to develop the themes of their stories in a more clear manner. A prime example of this would be in the poem Judith, where the author contrasts Judith and Holofernes’ personalities in order to develop the major themes of heroism and having faith in God.
Tennessee Williams’ play, The Glass Menagerie, depicts the Wingfield family in a naturalistic viewpoint that highlights the importance of a man in the life of a woman. Without a husband in the play, Amanda’s son Tom is rendered as “the man of the house.” Williams attributes the monetary stability of the Wingfields entirely to Tom. Williams stresses the necessity of a working man through Tom so that women and children can be financially stable. As a naturalist, Tennessee Williams illustrates the characters’ reactions to various events and circumstances in accordance with man’s natural instincts of survival. Williams reveals Amanda in this approach, and he portrays naturalistic tendencies in her personality and character, her relationship with her son, and her connection with her hopeless daughter, Laura. Amanda is trying to survive and raise her children without a husband to support her economically.
Generally when some one writes a play they try to elude some deeper meaning or insight in it. Meaning about one's self or about life as a whole. Tennessee Williams' "The Glass Menagerie" is no exception the insight Williams portrays is about himself. Being that this play establishes itself as a memory play Williams is giving the audience a look at his own life, but being that the play is memory some things are exaggerated and these exaggerations describe the extremity of how Williams felt during these moments (Kirszner and Mandell 1807). The play centers itself on three characters. These three characters are: Amanda Wingfield, the mother and a women of a great confusing nature; Laura Wingfield, one who is slightly crippled and lets that make her extremely self conscious; and Tom Wingfield, one who feels trapped and is looking for a way out (Kirszner and Mandell 1805-06). Williams' characters are all lost in a dreamy state of illusion or escape wishing for something that they don't have. As the play goes from start to finish, as the events take place and the play progresses each of the characters undergoes a process, a change, or better yet a transition. At the beginning of each characters role they are all in a state of mind which causes them to slightly confuse what is real with what is not, by failing to realize or refusing to see what is illusioned truth and what is whole truth. By the end of the play each character moves out of this state of dreamy not quite factual reality, and is better able to see and face facts as to the way things are, however not all the characters have completely emerged from illusion, but all have moved from the world of dreams to truth by a whole or lesser degree.
Tennessee Williams has a gift for character. Not many playwrights do, and even fewer possess the unique ability to craft a character as paradoxical and complex as Amanda Wingfield. In The Glass Menagerie, Amanda is a very difficult character to understand because of her psychological disposition. Williams realizes this and provides the reader with a character description in hopes of making the character more accessible to meticulous analysis.
Amanda is also well characterized by the glass menagerie. The glass sits in a case, open for display and inspection for all. Amanda try’s to portray herself as a loving mother, doing everything she can for her children, and caring nothing for herself, when in fact, she is quite selfish and demanding. Amanda claims that she devotes her life to her children, and that she would do anything for them, but is very suspicious of Tom’s activities, and continually pressures Tom, trying to force him in finding a gentleman caller for Laura, believing that Laura is lonely and needs a companion, perhaps to get married. Like the glass, her schemes are very transparent, and people can see straight through them to the other side, where ...
In many societies, women can be seen as inferior to men as some believe women symbolize weakness and vulnerability. In the book To Kill a Mockingbird, written by Harper Lee, portrays the child narrator, Scout Finch, as a bullheaded tomboy who is the daughter of a lawyer defending Tom Robinson, a black man, who was accused of raping Mayella Ewell, a white woman, in the 1930’s. Scout’s hardships are shown throughout her life, and without a mother figure she is left clueless on how to be a proper lady during these difficult times. Her Aunt Alexandra later becomes Scout’s necessary mother figure. Harper Lee uses Scout’s female perspective, Aunt Alexandra’s guidance, and the ideology that women should follow the etiquette of being a proper woman
At first glance, Amanda Wingfield from Tennessee Williams’s The Glass Menagerie seems like a selfish women stuck in her past. In some ways this observation is correct; however, she is much more than that. Her kind and caring nature, and her insatiable love for her children has been overshadowed by her brash and insensitive dialogue. Her character is extremely complex and each one her actions reveals more of her overwhelming personality. Amanda loves her children and tries her best to make sure they do not follow in her path to downfall. Unfortunately, while she is trying to push her children toward her ideals of success; she is also pushing them away. Amanda Wingfield is a kind women stuck the wrong place and time; she