"A Clean Well-Lighted Place" shows use the contrast between young and old. The difference between a nice, bright café and the not so clean bar for a man to spend his long nights. In the short story by Ernest Hemingway, an old man is trying to have a drink at a café. One of the waiters is young and it anchus to go home to his wife, while the other waiter, an older man, understands the gentleman who is drinking. The old man in the café comes in often for drink. He tries to pass the night in the clean well-lighted place, where he "liked to sit late because he was deaf and now at night it was quiet and he felt the difference" (Hemingway 173). The young waiter does not realize the importance of the café to the old man.
The young waiter states that the old man has tried to commit suicide before. He cannot seem to figure why because "he had plenty of money" (Hemingway 173). For the young man does not see any other reason for someone to kill himself or herself for any other reason besides money. This old man has not been cared for. The only reason that the old man was not successful in the suicide was because his niece saved him in "fear for his soul." Not for love or because she valued him.
The young waiter thinks that the old man "has no regard for those that work" (Hemingway 174), knowing that he a lot of money. The old man is lonely unlike the young waiter who wanted to go home to his wife. The young waiter pours the drink carelessly with no regard for the old man not realizing the value of the café to the old man. The old man has nowhere to go after dark.
The older waiter can relate to this man, for he has nowhere to go after work. The waiter himself cannot find a clean well-lighted café of his own to pass the night. The old waiter is offended by how the young waiter has treated the old man. "Why didn't you let him stay and drink?"( Hemingway 174) the old waiter says. The old waiter tells the young waiter the he has `youth, confidence and a job, you have everything"(Hemingway 175).
Ludvigson imagines her parents are the man and woman in the painting and she creates a dialogue between them. "They sit in a bright café, discussing Hemingway and how this war will change them" (Ludvigson 1- 3). They seem to be suspended in the glow of the light from the diner and framed in a sheet of glass that divides them from the street. There is no rhyming, except between café and Hemingway, which establishes a cheery tone, despite the dark subject matter of war. During this defining time in America, the poem seems to be lighthearted and playful. "Their coffee's getting cold but they hardly notice. My mother's face is lit by ideas. My father's gestures are a Frenchman's" (Ludvigson 11-14). The rest of the imaginary conversation goes on about novelists and poets and they joke in a loving manner. "They decide, though the car is parked nearby, to walk the few blocks home, savoring the fragrant night, their being alone together" (Ludvigson 20-23). Her parents are depicted as equals and speak to each other as equals, unlike the other poems where the male is superior. Her parents seem to remain fully engaged in a conversation about what it means to be in America. Whatever the fascination is, these four people and a diner scene have led to the retelling of a possible storyline and the life these people
The main focus of A Clean, Well-Lighted Place is on the pain of old age suffered by a man that we meet in a cafe late one night. Hemingway contrasts light and dark to show the difference between this man and the young people around him, and uses his deafness as an image of his separation from the rest of the world.
The apartment is contrasted by both the bar and their new home. The bar is clearly seen as a symbol of the vices that keep us from taking hold of our dreams. In contrast, the new home is seen as a symbol of the fulfillment of those dreams. I am very pleased that the director was very thoughtful on navigating the restrictions that he faced in the use of different settings in the film to drive home the motifs that the original play alluded to so well.
In his story, Hemingway does not tell the reader why Krebs is insistent on a smooth uncomplicated life. Yet, the idea of an easy life is one that is universal but unobtainable. Is it so strange that one man would try to achieve such a life? No, but the sacrifice for such a life is not worth the effort. In his fight for a smooth life, Krebs gives up his emotions to make sure that “none of it had touched him”. His emotions of a fraternity brother joined him with a group; as a soldier, he preformed under a role. As a young man at home, he finds no pattern to steer him towards an uncomplicated life. In order to achieve the pattern, he shuts himself down from everybody, including himself.
In Tobias Wolff’s novel Old School, the narrator, a young and aspiring writer, plagiarizes a story that he views as his own in order to win his high school writing competition and impress his hero, Ernest Hemingway. “Summer Dance,” the story that he plagiarized—where “nothing was okay”—ends with the words, “Everything’s okay” (p. 125). The narrator’s truth, complicated and elusive, proves a challenge to admit as his own. As he considers writing someone else’s story, the narrator realizes how concealing his identity compromises the value of his writing and places his personal truth in question. The narrator uses others’ stories as an outlet for personal reflection, self-expression, and self-discovery without realizing
The characters of The Sun Also Rises have difficulty coping with the changing world just as the Hollow Men cannot deal with change in the situation they face. The narrator of The Hollow Men end the poem on a depressing note, “This is the way the world ends not with a bang but a whimper” (840 THM). Through his description of the world’s end with a whimper, the narrator presents a metaphor for his life which he feels is insignificant. With this he shows his thought of inability to face his issue, showing a feeling of incompetence which is very much how the characters of The Sun Also Rises feel. For instance, Jake has an encounter with a waiter in France, but finds a simple solution, “Everything is on such a clear financial basis in France. It is the simplest country to live in. No one makes things complicated by becoming your friend for any obscure reason. If you want people to like you you have only to spend a little money” (237 SAR). Here, Ja...
With different historical and personal experiences, Hemingway holds the view that all the people end up in this existential angst and incertainty about the existence or meaning of life, while Carver illustrates the establishment and transformation of self-awareness with connection to the world in promoting the significance of life and human existence.
Ernest Hemingway does not feel the need to give much detail on the setting. The reader knows that it is late and that these men are in a café. The main character is sitting in the shadow and he is drinking brandy. Hemingway leaves out details from the setting but does make it clear that this café is, like the title suggest, clean and well-lighted. He only states important aspects of the setting demonstrating that details are nothing: nada. Through his writing Hemingway implies that this old man feels that little details in the world mean nothing. When the older waiter asks the younger waiter why this drunken man had tried to commit suicide a week before, the younger waiter simply answers “Nothing. He has plenty of money.” In the young waiters mind this old man has everything. Obviously, this old man feels that things like money are nothing and thus not worth living over. Ernest Hemingway, through the lack of deta...
Hemingway has created a situation where she is forced to depend on him because she is a young, immature, girl in an adult situation. It is when the American tells jig that “we will be fine afterward. Just like we were before, it is the only thing that bothers us. It’s the only thing that’s made us unhappy” that she realizes nothing will ever be the same no matter what he says. During one discussion she says “we could have everything” the man agrees, then she says “no we can’t it isn’t ours anymore and once they take it away, you can never get it back.” He says “But they haven’t taken it away” and her response is “we’ll wait and see.” The American doesn’t realize that at this point she has discovered that if he cannot love her and be happy while she is pregnant how he will ever truly love her as much as she loves him. According to Robert Barron many critics believe that the couple’s relationship has a bleak and ultimately poor ending (Barron). The older waiter in “A clean, Well-Lighted Place” is dealing with a similar situation when a wealthy old man who is a regular at the café he works at comes in after a failed suicide
Stories about youth and the transition from that stage of life into adulthood form a very solidly populated segment of literature. In three such stories, John Updike’s “A & P,” Richard Wright’s “The Man Who Was Almost a Man,” and James Joyce’s “Araby”, young men face their transitions into adulthood. Each of these boys faces a different element of youth that requires a fundamental shift in their attitudes. Sammy, in “A&P”, must make a moral decision about his associations with adult institutions that mistreat others. Dave, in “The Man Who Was Almost a Man,” struggles with the idea that what defines a man is physical power. The narrator of “Araby,” struggles with the mistaken belief that the world can be easily categorized and kept within only one limited framework of thought. Each of these stories gives us a surprise ending, a view of ourselves as young people, and a confirmation that the fears of youth are but the foundation of our adulthood.
From the short story, ‘A clean, well-lighted place’, Hemingway has comprehensively used his theory of omission. The first part where this theory is used is in the definition of the characters present in the story. The old man, who is the first character, is brought out with lots of omissions regarding his details (Hemingway 1). The old man is only described as old and deaf. In addition, it is stated that he enjoyed coming out at night when it was quieter and could drink until the waiters became restless and ordered him out.
Throughout Mr. Duffy’s life he has never found a satisfactory choice with anything, which explains why he sticks to a simple, plain, and routine life. He also never gave much thought to his own feelings or wrote them down most likely to assert his decision of being alone, so he wouldn’t start to rethink his decisions. But when he met Mrs. Sinico, they’re intimate discussions slowly led him into breaking down that wall that kept out all people from getting close to him. He was starting to unconsciously enjoy the company of an intimate friendship, but he couldn’t let it last for long so he pushed her away. For the longest time he didn’t realize that he missed that company until he was informed of her suicide. As he walked around the city listening for her voice to come and comfort him in his moment of shame and sorrow he finally understood for the first time in his life that he didn’t want to be alone.
The man, whose face we cannot see, is almost completely hidden in the dark shadows. Like the bird, this “night hawk” is camouflaged by the low light and shadows in such a way that he almost vanishes into the night. With his distance from the couple, the impression is that the man is mysterious, bad or even sinister. With the absence of a door, to the outside, the people seem to be trapped or isolated. The other buildings and sidewalks are also examples of subordination by the artist, de-emphasizing the importance of the surroundings so that the diner becomes the strongest focal point in the
Willy's sense of pride is a very big issue in his life; he doesn't like people to give him handouts, although he may need them. But the feeling of failure overrides him when he learns about the loss of his job. "But I got to be in 10-12 hours a day. Other men-I don't know-they do it easier. I don't know why-I can't stop myself I talk to much." (p.37) Willy being a hard working man that tries his best realizes times have changed. His youthfulness and life have begun to fade. A man his age working ten to twelve hours a day is very unlikely. "I don't want you to represent us. I've been meaning to tell you a long time now!" (p.83) When Willy first heard this from his boss, that is a man younger than him begins to cry. A man his age working in a company that long doesn't really deserve to be fired. It makes his life seem a waste, and makes him imagine himself as a failure. "I was fired and I am looking for a little good news to tell your mother, because the woman has waited and suffered." (p.107) Willy is clueless of what is to come of his family and feels he has let everyone down. He failed to support his wife along with his sons. His life was basically devoted to impressing others and the one job he had led him to failure.
At first glance “A Clean, Well-Lighted Place” by Ernest Hemingway is an unemotional, unfinished and simplistic narration of two waiters and an old man. However, when readers dig a little deeper for insight, they can truly see how meaningful this story actually is as Hemingway captures the source and essence of nihilistic thought, in a time of moral and religious confusion after the World War I. The post World War thinking of Hemingway and the Lost Generation in Paris was expressed and represented through his ideas, which were influenced by the ordeals of war. Due to Hemingway’s disturbing and unsettling experiences while serving in the military, he portrays the idea that all humans await an inevitable fate of eternal nothingness and everything that we value is worthless. He states that all humans will die alone and will be “in despair” about “nothing” (Hemingway 494), also that people will look for a “calm and pleasant café” (Hemingway 496) to escape from his misery. Hemingway goes on to say “[Life is] all a nothing, and a man [is] nothing too” (Hemingway, 496), undoubtedly abolishing any existence of a higher being. After observing the actions of individuals in the past three decades, Hemingway attempts to elaborate in “A Clean, Well-Lighted Place” that life is about gradual despair and not continual enlightenment and that we all will eventually fade into “nada” (Hemingway 497).