Throughout history man has always felt the need to envision and design ‘the future city’, whether it being one inspired by the concept of Utopia, ruled by technology or one that would go beyond the terrestrial limit of the earth. For a long time in western architecture there has been a fixed connection between utopia and architecture, in particular within the idealization of a ‘The Future City’. Its tradition to consider the Platonic discourse which treats of the idyllic city (the republic) as the first Utopia in this cultural thread. Thomas More nonetheless introduced far after the tangible term; who presented his ideal society as something constructed on a far away utopic island.
From the paintings of the Italian Renaissance, which idealized an antique utopic city (in the past), such as Raffeallo’s ‘The Virgins Wedding’ to the envisioning of a futuristic utopia as in the case of ‘La Citta Ideale’ one can trace the struggle humanity has endeavored in trying to envision such a detached and different world. Fast forward to a few centuries and we see that this obsession with planning for a future city still lives through Le Corbusier’s Radiant City master-plan. A master-plan where the rational and emotional merge through the concept of repetition as a standard, where a true geometrical layout is repetition and subsequently where the result of repetition is the standard, a perfect form. Nonetheless this feeling of optimism embedded in such projects and visions is now long and, with the turn of the century, instead of envisioning and seeking perfection, writers and artists now foresee the future city as something decadent. This sentiment is clearly portrayed through Deeley’s Blade Runner movie where the picture delves into the ...
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... the outcome of 3d modeling of Le Corbusier’s radiant City where the idealized utopic city of the future is doomed to become a dystopia due to the rebellion of the people to the government.
Bibliograpohy
Books
1. Iverson, Margaret. Alois Riegl: Art History and Theory. Boston: MIT Press 1993
2. Le Corbusier. The City of Tomorrow and Its Planning. New York: Dover Publications, Inc., 1987
3. Meyerson, Martin. Utopian Traditions and the Planning of Cities. Boston: MIT Press 1961
4. Nietzche, Friedrich. The Gay Science, from Kaufaman's translation, Penguin Books, NYC 1968
5. Richard T. LeGates and States Frederic. The City Reader. London: Routledge: 5th edition 2011
Web Sources
http://www.architectureink.com/09-2000/afterthefall.htm
https://sites.google.com/site/hscadvancedenglish/franken-runner/scene-analysis/blade-runner-scene-analysis
“Utopian" describes a society that's conceived to be perfect. However, “Idiocracy” and “WALL-E” portray the exact opposite reality, a dystopian society that is as dehumanizing and as unpleasant as possible. This type of society is often characterized by environmental problems or other characteristics associated with a cataclysmic decline in the future society. In both movies, we see different interpretations of Earth’s future caused by numerous factors (corporatism, technology, consumerism), but mostly by environmental problems. The authors use both movies to refer to actually-existing societies, in an advanced state of collapse and disintegration. When it comes to passing a message to the audience about these concerning themes, “WALL-E” was definitely more successful since it is a computer animated film that is designed to children, so it’s created in a way to transmit the idea in a simple but memorable and significant way.
He suggests that the use of “electronic imaging prevents imagining and promotes thinking about architecture rather than bring architects, contractors, clients and critics to think within architecture” (275). Inspired by Frascari, the strategy of technography is encouraged (278). This is a “different way of thinking about the relationship between a [working] drawing and a future building. Rather than “simply Cartesian, technical lines showing edges, corners and joints these technographic drawings reveal both the symbolic and instrumental representations of the future building.. it is to make visible what is invisible”. Ridgway remarks, “The fact that any of this could be considered contentious indicates that extent to which architects have become alienated from the heart of their profession” (279). He asserts, “Part of any technography must be an acknowledgement of the historical context of construction knowledge. This is not only so we can better understand our rich architectural ancestry, but because it re-establishes a connection with the origins of our profession in building” (279). Rather than a “miniature projected representation of an imagined building, details are drawn as poetic constructions themselves, following the logic of drawing and not building and representing the “built detail symbolically, in addition to instrumentally. The symbolic and practical are one and the same thing” (280). “What are the symbolic qualities we are trying to embody in our buildings and how would we represent them in drawings?” becomes the question (278). These drawing “may not be easy or straightforward to understand or interpret.
Dell Upton is a historian and renowned professor of architecture and Urbanism at the University of California. He has published several books on architecture; one of them is “Architecture in the United States”, published in 1998. In this book, Upton analyzes the architecture of the United States in different aspects, such as nature, money and art, thus depicting the great variety in architectural forms, and how throughout the decades, different interests have lead communities to different ways of building, different purposes and materials, thus reflecting their way of thinking and their relationship with the environment. By exploring so many different architectural styles, Upton reveals the great diversity and richness that has always, and continues to characterize American architecture.
Le Corbusier was a Swiss-French artist mostly known for his work in architecture, but also practiced some in painting, design, and writing. He was closely associated with the new “modern” architecture movement and was a leader in the new field of urban planning in the mid 20th century. The works he produced can be found in Europe, the United State, and India. His work was both widely praised and criticized throughout his life and after his death. In addition to producing many great works of architecture, Le Corbusier led a full and very interesting personal life.
It is the new decade after the end of world war two and modernism is a well-established practice. Its pioneers and spearheads are prevalent figures looming over the new architects and designers who are trying to make their mark in the shadows of such historically influential people. With new technologies and materials emerging from the world wars the next era of modernism had started to evolved, bringing with it philosophies and ideas which seemed far removed from those of the pioneers of modernism “What emerged in the late 1940s and 1950s was an expanding synthesis of questions utterly removed from the confident statements of the pioneers.”(Spade 1971,10) Two significant buildings were designed in the 50's, both of them for educational institutes and to house students of architecture, there were both designed in completely different styles and methods. The first is Ludwig Mies van der Rohes' Crown Hall, finished in 1956 and designed as a part of a campus master plan for the Illinois Institute of technology in Chicago. Mies' design for Crown Hall is one of his most realised expressio...
She also introducing new urban building standards. This this article she talks about, the idea some people have of tearing it down and rebuilding. She also talks about ideas people have about some parts of towns. In Boston, she talks about the area of North End, and the change that it was over gone. During her second visit to this area, she discovered that it had changed. She talked to other about it, although the statistic were higher than the city, the people still saw it as a slum. They felt that they needed to tear it down in order to build something better. This leads to the conclusion that the urban planners to do understand that the people of the city need. They have ideas that were developed years ago that they are still using. These ideas do not take account what the people want. The author also introducing new ideas of a perfect city to live in and what it would look like. The idea of a garden city was introduced. This city would be built around a park. Although the new ideas sounded great they could not be put into place today. The idea of a Garden City is something that sounds nice, but it is not possible in society today. Today a city should reflect economic status, and in order to achieve this the city should be big, and convey an image of power. A city that has aspects of nature in it would not convey that image. That upkeep of a city of that kind would also be difficult. The do understand the author's point of view. The planners often times do not take into account the desires of the people. The town that I grow up in want to become more urbanized. In order to do this, they are building a large shopping center. This shopping center is located in the canyon rim. This canyon rim has been important the people for many years. We come to the area to walk, what bass jumpers, and enjoy the scenic views. This new shopping center took away this area. Many of the people
From the silent epic of Fritz Lang Metropolis (1927) to Ridley’s Scott’s spectacular Blade Runner (1982) the connection between architecture and film has always been intimate. The most apparent concepts that connect these two films are the overall visuals of both films and their vision of city of the future. The futuristic city of both Scott and Lang are distinct in their landscapes, geography, and social structure. These two films sought to envision a future where technology was the basis by which society functioned. Technology was the culture and the cities would crumble without it (Will Brooker). Metropolis and Blade Runner uses the themes relationships among female sexuality and male vision, and technology. However, Gender roles and technology seems to be the most important part in both films.
It’s been shown that “Nearly two-thirds of adult Americans are overweight or obese. Despite the attention of the health profession, the media, and the public, and mass educational campaigns about the benefits of healthier diets and increased physical activity, the prevalence of obesity in the United States has more than doubled over the past four decades” (Marks). These alarming statistics are increasing exponentially as individuals all over the globe continue to adopt unhealthy lifestyles that can lead to detrimental, and many times, irreversible, health issues. As a result, my discussion section chose to design our utopian society, named Troytopia, with the founding main vision of adhering to strict, healthy lifestyles for the betterment
(Image taken from Tranchtenberg, Marvin, Isabelle Hyman. Architecture: From Prehistory to Postmodernity. Second Edition. Prentice Hall, Inc. New Jersey: 2002.)
The essence of modern architecture lays in a remarkable strives to reconcile the core principles of architectural design with rapid technological advancement and the modernization of society. However, it took “the form of numerous movements, schools of design, and architectural styles, some in tension with one another, and often equally defying such classification, to establish modernism as a distinctive architectural movement” (Robinson and Foell). Although, the narrower concept of modernism in architecture is broadly characterized by simplification of form and subtraction of ornament from the structure and theme of the building, meaning that the result of design should derive directly from its purpose; the visual expression of the structure, particularly the visual importance of the horizontal and vertical lines typical for the International Style modernism, the use of industrially-produced materials and adaptation of the machine aesthetic, as well as the truth to materials concept, meaning that the true nat...
Le Corbusier. The City of Tomorrow and Its Planning. New York: Dover Publications, Inc., 1987
Buildings reflect the values and ideas of society within periods. The role of architecture in shaping society and vice versa largely depends on the period in question and who or what affects first. The Enlightenment, and the subsequent period the Post-Enlightenment, reflect the biggest change for current ideas regarding architecture and society and current theories. At the same time, individual identities and understanding of society, progress and truth all follow a similar evolving path. It is during this dramatic shift in thinking that the role of architecture to society and the idea of progress and truth becomes a more complex relationship. How this relationship works and its implications is based on the theory that there is a direct link between the two. One cannot develop without the other. Who leads whom and to what extent they influence each other is evident in architectural trends and pioneering works by architects such as Robert Venturi, Frank Gehry amongst others.
The book as a description of modern architecture, its styles and influence succeeds but falls short as a prescriptive methodology. His work is still recalled for the need by modernists to categorize everything into neat little boxes, not necessarily for the sake of uniformity, but for sake of some ambiguity. The ambiguity may be the triumph of this book as post modern architecture era is supposed to create more questions than the answers.
However, architecture is not just the future, after all, buildings are intended to be viewed, traversed and lived by us, people. Despite this, many architects today rarely think deeply about human nature, disregarding their main subject matter in favour for efficiency and an architecture of spectacle. In this there seems to be a misconception that underlies much of architecture, that is, human’s relationship with the city, the building and nature. In much of today’s architecture, people are treated with as much concern much as we treat cars, purely mechanically. The post-modern search for the ‘new’ and ‘novel’ has come to disregard the profound affect design has on our lives, impacting our senses, shaping our psyche and disposition.
In this essay I will discuss how concrete regionalism was presented in the work of Le Corbusier who is the most classic example of this movement, Oscar Niemeyer, and Antoine Predock . With each architect having a highly individual vision that has created unique buildings for people and their environment. These architects each has combined vernacular buildi...