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themes and symbols of beowulf
example of symbolism in beowulf hrothgar
example of symbolism in beowulf hrothgar
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The author of Beowulf cleverly uses digressions throughout the work in order to foreshadow events or give more insight on a situation. Some digressions may be used as guidance in how to live one’s life. The digression on page fifty-two in lines 884 through 914 of Beowulf in The Norton Anthology: English Literature Volume A, the entertainer who is singing in Beowulf’s honor after he slew the monster Grendel. To the characters of Beowulf, the song is simply entertainment, but to the reader it is foreknowledge of future events that will unfold as the story continues. The digression is used to hint to Beowulf’s fight with the dragon, becoming king, and tell what kind of king Beowulf will not be in the future.
The digression begins as a story of a legendary king named Sigemund who is very similar to Beowulf. Sigemund and Beowulf have the same characteristics that earn them glory and fame; both of the men are admirable warriors known for bravery, high moral values and leadership qualities. The digression also is foreshadowing Beowulf’s destiny to become king of his people and his future battle with a dragon; the details of Sigemund’s fight with the dragon and Beowulf’s match up almost perfectly. The dragons are massive beings that guard an enormous hoard of treasures and valuable metals; the Kings feel fight honorably to protect the people and defeat the beast. Sigemund enters the dragon’s lair by himself in hopes of killing the dragon and winning the hoard for his people. Similarly, Beowulf will go into the dragon’s den by himself because his warriors are cowardly and hide behind a rock.
Moreover, this move will be the beginning of Beowulf’s downfall. Beowulf had a difficult time transitioning from a dedicated warrior to a king; h...
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... page fifty-two allows the reader to understand Beowulf’s personality through the tale of another person who has similar destiny as Beowulf. By the end of the digression the reader should also understand more of what Beowulf’s personality is not like and how he will not fall to the same faith of many men of power. This digression also highlights respectable social values that every person, king or not, should have in their character. Multiply digressions throughout the poem warn against the evil affects power and greed can have on once honorable men.
Works Cited
1. Tolkien, J. R. R., and Christopher Tolkien. The Legend of Sigurd and Gudrún. Boston: Houghton Mifflin Harcourt, 2009. Print.
2. Christ, Carol T., Catherine Robson, Stephen Greenblatt, and M. H. Abrams. "Beowulf." The Norton Anthology of English Literature. New York, NY: W.W. Norton &, 2006. Web.
In the length of the poem, Beowulf goes from abandoned child to gallant warrior to King. This transformation, expressed in the tone and content of the poem, shows the importance of the relationship between lord and thane and expresses the ultimate value of that connection. From the difference in battle scenes to Beowulf’s speeches, it is clear that he has gone from a somewhat self-loving hero to a selfless king. Within this change he also goes from serving a lord to becoming a lord, and in that way the poem shows us the importance of both sides of the relationship.
This final battle proves to be the most difficult for Beowulf; he is pushed to the brink, but, “inspired again by the thought of glory”, he musters just enough strength to strike down the dragon (Heaney 19). This language proposes that Beowulf’s chief motive for fighting the dragon is “the thought of glory”. Additionally, this depicts Beowulf as selfish, as he seemingly neglects his people. Niles opposes this viewpoint, stating that “nothing suggests that the king enters [the fight] as a way of winning personal glory”(Niles 94). Rather than for solely personal gain, Niles correctly asserts that Beowulf is focused on saving his people, as that is his first duty as an Anglo Saxon king. However, Beowulf accomplishes this very goal by carrying out his desire to uphold his heroic image. It was Beowulf’s own “thought of glory” that spurred his rally to kill off the dragon; in effect, Beowulf’s desire to preserve his image saved his people. Even though the narrator uses the story of the dragon to emphasize Beowulf’s greediness and lust for glory, it is the outcome of the fight reveals the true reason for Beowulf’s bravery. By striving to retain his honorous reputation, Beowulf simultaneously protects his people, effectively fulfilling his role as king as both a servant and an esteemed
Tolkien, J.R.R.. “Beowulf: The Monsters and the Critics.” In TheBeowulf Poet, edited byDonald K. fry. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1968.
Beowulf's deeds and actions toward others reflect his heroic personality. He is described as "…greater/And stronger than anyone anywhere in this world," although there is no information as to how he has received this reputation. We learn about the main character more through the eyes of the Danish soldier patrolling the cliffs. Beowulf's appearance, size and armor command immediate respect and attention. Beowulf is also very courteous, patient, and diplomatic when he meets with Hrothgar, from whom he hopes to receive permission to battle Grendel. His good manner shows that his previous accomplishments have not gone to his head. Beowulf's heroic personality is reflected by his willingness to risk his life for his ideals, especially in his fight with the dragon. Even when he fights the dragon, when old age has robbed him of his physical strength; his courage is truly heroic. Reading the poem, we can see that the main character is a person with a definite purpose.
First, I will start off with the tale of Beowulf. The poem opens up with a description of the genealogy of the high King Hrothgar of Denmark. This king builds a great mead-hall named Heorot, a place where warriors from all over can gather for a night of drinking and eating. This time of prosperity though soon came to the end. Grendel, a fierce monster with mighty strength, started killing the Danes, some sort of complaint about the noise. Once word gets out of how these warriors are being killed off ruthlessly without any successful attempts at retaliation against this demon, a Geatish warrior named Beowulf steps into the scene. Once Beowulf arrives, he is welcomed warmly by king Hrothgar into his mead-hall. Beowulf’s men were treated to a feast, but during the event, Beowulf was taunted...
In Tolkien’s lecture, “Beowulf: The monsters and the Critics,” he argues that Beowulf has been over analyzed for its historical content, and it is not being studied as a piece of art as it should be. He discusses what he perceives the poet of Beowulf intended to do, and why he wrote the poem the way he did. Tolkien’s main proposition, “it was plainly only in the consideration of Beowulf as a poem, with an inherent poetic significance, that any view or conviction can be reached or steadily held” (Tolkien). He evaluates why the author centers the monsters throughout the entire poem, why the poem has a non-harmonic structure, why and how the author fusses together Christianity and Paganism, and how the author uses time to make his fictional poem seem real. He also discusses the overall theme of Beowulf and other assumptions of the text. To support his viewpoints, Tolkien uses quotations and examples from the poem, quotations from other critics, and compares Beowulf to other works of art. Tolkien discusses several statements in interpreting Beowulf as a poem.
Bloom, Harold. “Introduction.” In Modern Critical Interpretations: Beowulf, edited by Harold Bloom. New York: Chelsea House Publishers, 1987.
(P) Beowulf humbly gave everything to his people, and shared his wealth and wisdom to help his people prosper. His fatal flaw was more fatal than it was a flaw, and because of it he lost his life to protect those who were not willing protect him. (Q) Listening to the advice of others, rather than ruling alone, is what made Beowulf so great in the end. He may have been boastful when he was young but as he matured he became wise and humble. When Beowulf became king, he did not live through past actions, instead he continued to give his people reasons to serve him. (R) A lesson from this is that the past does not make the future, people can go from bad to good and from good to great if they take the help given, by those who want to see the great in
Beowulf is a poem about strength and courage. This is illustrated in the eighth section of the story called “Beowulf and the Dragon.” A slave, a hero and a dragon play a big role in this section. The characters are well developed, as is the setup for the conclusion of the poem.
Anonymous. “Beowulf.” Beowulf: A New Verse Translation. Seamus Heaney, trans. New York: W.W. Norton &Company Ltd. 2001. 2-213. Print.
...e failed his people. His choice to conquer this dragon seems to be the obvious choice for a warrior. He must protect his people. But Beowulf seems so caught up in the surreal threats such as, monsters and dragons, he fails to realize the real peril he has left his people in. Beowulf is aware of his age and uneasy feeling toward his success yet he chooses to take on the dragon anyways. Although the dragon is defeated the Geat people are presented with even greater danger of the Sweds who will surely pounce on their nation.
Author unknown “Beowulf.” The Norton Anthology Of Poetry. shorter fifth edition. Ferguson, Margaret W. , Mary Jo Salter, and Jon Stallworthy. New York, New York: W W Norton , 2005. 2-9. Print.
Wright, David. “The Digressions in Beowulf.” In Readings on Beowulf, edited by Stephen P. Thompson. San Diego: Greenhaven Press,1998.
Beowulf is a complex character that is cast as the ultimate hero and champion, whose greatest strength is also his greatest weakness. Though his obsession with power yield him courage and strength that allow him to defeat enemies most other warriors cannot bring themselves to fight, his unilateral quest for glory leaves his citizens and kingdom desolate and unprepared for the difficulties they face. Beowulf may be the greatest warrior of one of the greatest epics written, but as is said in the last words about him in the book, his most notable trait is not his greatness as a leader and king but that he is the “keenest to win fame”.
Beowulf displays vulnerability and regret during his dying moments, allowing the reader to form connections to him. The forces between pagan and Christian elements are balanced in the conclusion, which clarifies which aspects of Christian beliefs Beowulf has adapted throughout the poem and which pagan beliefs he still holds on to, leaving the reader more satisfied. Furthermore, the ending includes some uncertainty which enables the reader to create their own hypothesis after the poem’s final pages. By using these techniques to create a meaningful ending, the Beowulf poet has produced an epic that has survived thousands of years through oral retellings and printed texts which continue to be read, studied, and translated making Beowulf accessible to an even larger