This photo is of a Washington State Cheerleader performing a full basket. To perform this stunt, 3 or 4 bases interlock their arms while the flyer stands crouched down on their arms. The bases dip down then quickly raise their interlocked arms, which are a platform for the flyer, and throw the flyer as high as they can into the air in a straight line as the flyer stands up. She performs a skill when she feels weightless at the top of the throw. In this photo, you can see that she is twisting her
inhabit it, but what you experience from it. These experiences essentially become stories of events that are eventually retold events. Tschumi argues that these events or in other words sequences that establish a memory of the proceeding frame or space. These sequences often tell a story or follow a scenario. The architecture itself becomes part of the experience and therefore, becomes a script and tells a narrative. Architects often find themselves telling a story within the design concept as well
remote objects, the scope of our demonstrative reference is severely restricted by intuitional immediacy. I wish to develop a global Kantian intuition in order to extend the scope of demonstrative reference. Kant's ontology of space entails that the global representability of space be given to an intuiting subject as a form of intuition. According to Melnick, Kantian intuition is a kinematic operation which involves directing attention and moving about. To make contact with the world, the subject must
supplemented with sheets of corrugated iron, its general shape suggested it's original design: square, with four tiny rooms opening onto a shotgun hall, the cabin rested uneasily upon four irregular lumps of limestone. Its windows were merely open spaces in the walls, which in the summer were covered with greasy strips of cheese cloth to keep out the varmints that feasted on Maycomb's refuse." This description paints a very vivid picture of the cabin and also tells a little bit about the Ewells
knowledge used as a means of imbricating the "presentation" of Islam within heterogeneous settings. The historical challenge for Islamic missions, armies, scholars, traders, and sojourners was how to maintain the coherence of the faith in foreign spaces simultaneously considered within and outside of the Islamic world. The question was how to maintain the absolute authority of Quranic guidance while propagating Islam and ruling Muslims in ways that were of necessity-if Islam was truly going to
disagreeable, oblivious husband, Edna Pontellier sees her home, her garden, her fashionable neighborhood as "an alien world which had suddenly become antagonistic" (76). When she is left alone in the house, she thrills to the sensation of free time and space, the chance to explore, investigate, to see her house in its own light. To eat in peace without her husband's trifling complaints, to read until sleepy, to rest is a luxury which convention, her husband and her own complicity had denied her. She slept
Dienst). 1973, marries a certain Michael Coey, who is referred to as a travelling companion in her last and final book, 1978 Superstitions. With all this information, she fills one page of my notebook. Then she disappears. Or rather, in the spaces between her poetry, she was never there in the first place. My obsession is with her absence, her absence in reviews, her absence in critical studies, her absence in official conversations about Singaporean poetry. On the inner book sleeve of her
in citrus fruit, with self-contained yet interdependent sections. The open rotunda affords viewers the unique possibility of seeing several bays of work on different levels simultaneously. The spiral design recalls a nautilus shell, with continuous spaces flowing freely one into another." At the coat check, I suddenly remembered my pen. (Afterwards, Claus because old school would jump ship, for the Guggenheim mostly contained non-objective, therefore abstract art. This thing called art, this
toward her husband. Addie’s depiction of words is very negative. She continually affirms, “words are no good; that words dont ever fit even what they are trying to say at” (171). Apparently, she doesn’t hold any truth in words and sees them as spaces of void. She states, “I knew that that word was like the others: just a shape to fill a lack; that when the right time came, you wouldn’...
appropriate time for some fast paced music to enhance her panic. The space on the stage could have been used a lot more effectively. The actors could use the whole of the stage, split certain parts of it up to represent different rooms and scenes, also the changing of space to create dramatic effect. A good example of a use of this changing space is in Scene Ten before Blanche gets raped by Stanley, the scene could start with the space room sized and then as he becomes more dominating over her it
dictionary defines cyberspace as “the online world of computer networks especially the internet”. The word “cyber” refers to cybernetics which means in Latin means to steer which represent the notion “to govern”. It emphasizes on the navigation through space of electro... ... middle of paper ... ...ation devices, the cyber world is increasingly being connected to the lives of not just the elite class but also of the countless millions of people. Today internet and social media is not a luxury but has
Many students suffer from anxiety right before a math test. Some students even become agitated whilst they are in the middle of their test, whether it be because of time shortages or lack of understanding. However, by enhancing your studying skills, prioritization skills and judgement calls, any math test becomes an easy task. Students who feel anxious about tests should not panic when it comes to taking math tests suggesting that with proper preparation, any math test can be aced. Mathematics is
In this essay through textual analysis I will be describing how the representation of time and space can either facilitate or hinder the clear presentation of a cause and effect narrative structure. Firstly, I would like to discuss the representation of time and space in the Tony Scott’s film True Romance (USA, 1993) written by Quentin Tarantino. The story of the film has a linear narrative structure. The events are presented in temporal order which facilitate the clear presentation of the cause
the first floor to the second floor is actually quite around 250 cm, provided that sufficient natural ventilation openings and to measure the space. Thus the cost of the wall, the structure of the column, and the ladder can save quite a lot. Effective placement of spaces in the house needs to be designed as efficiently as possible so that there are no spaces unused and circulation pathways in the house become shorter.
understanding of time and space continues to change as new technology and transportation advancements are made, what role will local and global space play within the new world order. Bridging the gap between the geopolitical theory of global governance and the human geography theory of Time-Space Compression, the affects of a continuously shrinking world can be analyzed from a cultural, economic, and political perspective. With those perspectives in mind, debate over whether local space has ceased to exist
at the same time. Thus, it does not affect the others time to do their work. Secondly, computerized filing system also can help the organization to save space. A manual filing system requires many spaces as they need space to store many data, information and records manually. Thus, a computerized filing system can help the organization to save space as it can store the records virtually. At the same time, it can cut costs as they don’t need any files, cabinet and box... ... middle of paper ...
of Berkeleyin “This Lime-Tree Bower My Prison” in three main ways: perceptions of light, the idea of a divine spirit in everything yet still separate and itself, and the idea that there are as many “minima visibilia” in an enclosed space as out in the wide-open spaces. According to Stephen Prickett, one of the main ideas that Berkeley had hoped to prove was that all reality is mental, but the idea that truly came through in his works is that each person does not perceive object, but instead qualities
of owning an automobile. In Europe, anti-auto policies are in effect and Europeans still buy cars. James Q. Wilson in "Cars and Their Enemies" gives the example, "Despite policies that penalize car use, make travel expensive, and restrict parking spaces, Europeans, once they can afford to do so, buy cars, and drive them" (306). Cars are just too convenient to get rid of. What are some of the reasons people are so against cars? They are so against cars... ... middle of paper ... ...loped to
Chisholm and the Doctrine of Temporal Parts In the appendix to Person and Object, Roderick Chisholm discusses the doctrine of temporal parts. Chisholm’s position is that the arguments commonly supplied in support of the doctrine are not successful. In this paper, I will consider Chisholm’s objections and then give my own responses in favor of the doctrine of temporal parts. The doctrine of temporal parts, commonly called four dimensionalism, is a metaphysical theory concerning how it is
activities. The wide open areas create almost endless possibilities for outdoor recreation, and the relatively small population decreases the clutter along lakes, trails, streams, and other venues for recreation. Also, the small population and large open spaces have a preserving effect on Montana's historical buildings, monuments, and other objects of historical significance and interest. Montana is able to keep these historical sites safe because demand for these sites both for industrialization and by