History behind the appropriation of “Swing Low, Sweet Chariot” “Swing Low, Sweet chariot,” is an American Negro Spiritual originally sung by black slaves during their time working of the fields. Although performers in the 20th century acknowledged the historic significance of this piece, it has also been used as an instrument of cultural appropriation by white Americans and Europeans. The meaning of this song radiates in the words and exposes its purpose to those who study the music of slaves and
permitted to speak to each other. So, they resorted to their African tradition. They sang! Today, these lyrics have crossed barriers and are sung in many churches across America as spirituals. However, such songs as Wade in the Water, Swing Low, Sweet Chariot, and Follow the Drinking Gourd, were once used as an important tool of survival by the slaves of the antebellum era. The content of many Negro spirituals consisted of a religious theme. However, Negro spirituals were not intended to be religious
Art Form Selection - Music This week’s assignment has been quite challenging while I attempted to get the “gist of it”. The first topic I shall report on is (Perception Key: “Swing Low Sweet Chariot, Chapter 9, pg 256). 1. What is the proportion of tonic notes (F) to the rest of the notes in this composition? Can you make any judgments’ about the capacity of the piece to produce and release tension in the listener on the basis of the recurrence of F? There were: (33 F’s), (14 A‘s) (7 D’s), (12
fact that I should have worn the blue shirt, my hair looks horrible, and oh God everyone is watching me. I tried to hide the sheer gut-retching fear that was boiling in my stomach. I had to do this. I was in too deep to turn and run now. My sweet chariot of the night was a 1988 van. Rust covered the bumper and half of the door. The color of had once been maroon, however had now faded to a slight orange color. Alternative rock boomed from the less then quality speakers. There were at least 6 people
trance, and sending him tumbling off his hammock. “A chariot comes near! Get goin’, ya rascal!” Lysander was dragged up off the ground by his ear. He looked up to see another scraggly boy, with flaming red hair. Lysander hurried to follow the red-haired boy, keeping sight of his freckle splattered back as he rushed to lead the way through the brush. They ran for the main road that passed through their forest. Sure enough, there was a fancy chariot pulling up alongside them. Lysander and his friend
lover to feel secure and confident about having intercourse with him. In the second stanza, Marvell turns his attention to another “problem” that his lover might pose by not sleeping with him. He writes, “But at my back I always hear/ Times winged chariot hurrying near” (21-22). Marvell is concerned about death in this situation. He is now pleading to his woman because he feels threatened by time. He tells her that time is running out and that they had better sleep together before it is too late. Marvell
pieces of artwork, helping to carve his reputation as a superb sculptor. This piece was finished almost over-night in 1947. During the postwar period, this and many other pieces of his work such as "L'homme qui Marche"(The Man who Walks) and The Chariot gained popularity because his personal style reflected "Existentialism," which at that time struck a chord with the current philosophic views that were fashionable within society. Similar to several o...
The formalistic approach to an open text allows the reader to devour the poem or story and break down all the characteristics that make it unique. The reader is able to hear the text rather than read it, and can eventually derive a general understanding or gist of the text. "According to the Handbook of Critical Approaches to Literature "when all the words, phrases, metaphors, images, and symbols are examined in terms of each other and of the whole, any literary text worth our efforts will display
inherited the throne at age 24 when his father died. Even before he became Pharaoh, the young prince was known as a courageous warrior. At 22, he was sent to quell a minor revolt in Nubia. He brought along two little sons, and they took part in a chariot charge, according to a scene depicted in a carved relief on the walls of the Beit El-Wali Temple south of Aswan. After his ascent to the throne, the kingdom prospered and the young Pharaoh poured his energies and national treasures into building
prays to gods, especially Zeus, father of all gods, to punish Medea for her crimes. From the context of the quote, the chorus is addressing the audience about the unexpected and unbelievable end of the play. Medea then gets away to Athens with a chariot lent to her by Helios, the sun god and her grandfather. Euripides always uses this kind of conclusion to end most of his works. Euripides suggests that the general theme of the quote is gods are not like what we think they are supposed to be. In
The Universal Soul in The Parable of the Chariot, Katha Upanishad 3.3-3.12 The word “Atman” is translated into English as “soul” or “self.” Yet Atman in Hinduism has a much richer meaning than our standard western concept of soul. For example, Atman is understood as divine and equivalent to Brahman, the ultimate reality. Each person’s Atman is the same, and each is identical with Brahman. Therefore Atman could also be translated, “Universal Soul,” “Eternal Soul,” or “All-Soul.” The Katha Upanishad
human instinct of desire and the power of love. She pleads with her father to change her form and help her to escape. She is changed into a laurel tree, but that does not stop Apollo from claiming her as his property. Apollo's son Phaethon drives the chariot of the sun and spins out of control, another example of chaos. "Book One of Ovid's Metamorphoses establishes the book's theme of metamorphoses with a tale of creation that progresses into human stories leading to the current breed of man. The creation
happy, had I been, If Hampton-Court these Eyes had never seen! Yet am not I the first mistaken Maid, By Love of Courts to num'rous Ills betray'd. Oh had I rather unadmir'd remain'd In some long Isle, or distant Northern Land; Where the gilt Chariot never marks the Way, Where none learn Ombre, none e'er taste Bohea! There kept my Charms conceal'd from mortal Eye, Like Roses that in Desarts bloom and die. What mov'd my Mind with youthful Lords to rome? Oh had I stay'd, and said my Pray'rs
Greek Gods Welcome to my report on Greek gods and myths. You will learn about the gods and what they did. It is also about the myths and legends of Greece. greek gods The gods of Greece are alike many other types of gods. They were pictured a lot like human men and women. The Greeks didn't worship any animals. The gods, like people were endowed with many weaknesses. The gods could be jealous, envious, spiteful, and petty. The gods were held to be immortal, but they had a beginning. The rites
and how a big storm came causing a flood and animals dying. These hyperboles also include phrases like 'an hundred years,' 'two hundred,' and 'thirty thousand,' so that he can exaggerate his feelings and emotions. Metaphors used like 'winged chariot' which means to describe time, death hurrying near. 'Vegetable love' helps to expand the meaning and clarify his feeling and emotions that he has for his mistress. The idea of 'vegetable love' denotes the meaning about the ancient division of
in return, Oedipus wanted respect in return from King Laius and his men. They were both rightfully due the same amount of respect yet King Laius? and his men felt they were entitled to pass first. The first blow came from the driver of King Laius? chariot. This shows how Oedipus reacted in defense and feared for his life as well as his honor. Oedipus is an innocent man whose fate was also his destiny. There was no way to stop the prophecy no matter what action was taken. Throughout his life he ruled
Ancient Indian script. According to the teachings of the ancient scripture Bhagavad Gita, the brain (and the body in general) is only a mechanical device used by the spirit soul (the actual self). It is described that just as a passenger rides in a chariot, in the same way the spirit soul is riding in this vehicle of the body. The scriptures state that one who commits suicide will have to remain as a ghost for the period of time that one's body was supposed to exist. A ghost is nothing but a person
Today I found that some “great warrior” was killed. His name was Patroclus or something. Everyone was acting ridiculous in my opinion. First Achilles called everyone outside so we could drive our chariots around his body. Wow, what a great way to show we care for someone…not. While I was driving my chariot everyone around me was weeping and mourning for the loss of Patroclus. To tell you the truth I’ve never heard of Patroclus doing anything special for the Achean army. I think that Zeus probably commanded
because they were running the country by then.? Slaves and women were not even allowed to be spectators and women caught sneaking in were apparently thrown off a cliff!? The events included foot races, wrestling, discus, javelin, long-jump, horse and chariot racing, and a type of boxing called pancratium. Also unlike the Olympics of today, There were not only atheletic events but also writing, poetry and history readings, plus business transactions and treaties were made between leaders of city-states
emphasised further in the middle of the poem, as well as right at the end. At first he mentions that she shall not live for ever, and the day will come where she will die, and then they can no longer enjoy each others love. “Time’s winged chariot hur... ... middle of paper ... ...x lines of Andrew Marvell’s poem, he brings across a certain image. The imagine of time hurrying on, and there being nothing he can change about it. He tries to create an image of the two of them finding there