“A Streetcar Named Desire'; and “The Glass Menageries were written by Tennessee William in the late Thirties, where the depression made countless of people struggled in poverty. Both of the plays used the typical American family during the Thirties as the background setting. There were many similarities between the plays: including characters and events. Did Tennessee William write the same play twice? Or, did the plays each hold a different meaning underneath? Before analyzing the two
Streetcar Named Desire Tennessee Williams's play A Streetcar Named Desire contains more within it's characters, situations, and story than appears on its surface. Joseph Krutch, author of Twentieth Century Interpretations of A Streetcar Named Desire wrote, “The authors perceptions remain subtle and delicate… The final impression left is, surprisingly enough not of sensationalism but of subtlety” (38.) As in many of Williams's plays deeper meanings are understood only through close examination
Themes in A Streetcar Named Desire A Streetcar Named Desire is a pessimistic work that is the “culmination of a view of life in which evil, or at least undiminished insensitivity, conquers throughout no matter what the protagonistic forces do”(Szeliski 69). In other words, sensitive individuals all meet a similar fate-crushed under the heels of those who lack sensitivity. This play is about Blanche DuBois; therefore, the main themes of the drama concern her directly. In Blanche is seen the
In A Streetcar Named Desire, Tennessee Williams argues that escape from one’s true identity is unattainable and unrealistic. He explores this topic through Blanche’s pathological lying, the repetition of the Varsouviana polka, and the juxtaposition between Blanche’s and Stanley’s societal customs. Williams uses Blanche’s uncontrollable lying habits to prevent her from leaving her old identity and forming a new one due to constant guilt. Upon arrival at Stella and Stanley’s, Blanche immediately lies
“All the characters in “A Streetcar Named Desire” are to some extent living an unreal existence”. Agree or disagree with this statement about the characters and be sure to use quotes to support your comments. Not all the characters in “A Streetcar Named Desire” are living an unreal existence, however some are, in particular Blanche, Stella and Stanley. Blanch to some extent is living in her own fantasy world plagued with delusions and outbursts. It is quite obvious that she is living an illusion
It is the complexity of the main characters and their interactions that make A Streetcar Named Desire such a successful and challenging play. The play A Streetcar Named Desire made playwright Tennessee William's name and has deservedly since had over half a century of success. This remarkable success can be credited to the intricate characters and their interactions with each other. Sisters, Stella and Blanche have had an enjoyable upbringing on the family plantation, "Belle Reve". As the name suggests
Annotated Bibliography Henthorne, Susan. "A Streetcar Named Desire." Masterplots, Fourth Edition (2010): 1-4. Literary Reference Center. Web 2 Dec. 2013. William Portrays in this play the reality of people's lives. It has a frank presentation of sexual issues. It was not meant to foresee the autobiographical elements of his life, but to show the reality of people's everyday lives. Dramatic devices are often used in this play to refine meaning. As when Blanche DuBois pointed herself out “ Like an
The Charater of Blanche in A Streetcar Named Desire In 'A Streetcar Named Desire' we focus on three main characters. One of these characters is a lady called Blanche. As the play progresses, we gradually get to know more about Blanche and the type of person she really is in contrast to the type of person that she would like everybody else to think she is. Using four main mediums, symbolism and imagery, Blanche's action when by herself, Blanche's past and her dialogue with others such as
The play A Streetcar Named Desire revolves around Blanche DuBois; therefore, the main theme of the drama concerns her directly. In Blanche is seen the tragedy of an individual caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present. The final result is her destruction. This process began long before her clash with Stanley Kowalski. It started with the death of her
One of the main themes expressed by Tennessee Williams in his play, A Streetcar Named Desire, is to condemn those who display cruelty and harshness in their treatment of others, especially those who are weak and vulnerable. Three characters who demonstrate these insensitive qualities are Blanche, Mitch, and Stanley. Whether the cruelty is deliberate or not, it results in the destruction of others, both physically and mentally. Blanche Dubois, the central victim of mistreatment in the play
Grief is an element of life that no one truly learns how to master, people just learn how to cope. However, in Tennessee Williams’ play, A Streetcar Named Desire, the Character Blanche has succumbed to grief, and has lost touch with reality. As the play progresses, you find out a key factor in Blanche’s awkward nature and you learn about the circumstances to her husband Allan’s death. It is discovered that she finds her husband in a homosexual relationship and she calls him disgusting. In the end
The Character of Stanley in A Streetcar Named Desire Animals are, by nature, passionately instinctive; that is, when reacting to a situation, they do so forcefully and spontaneously. Therefore, we can think of passionate instinct as an intense, innate reaction to a particular situation. Animals also lack what we call ‘inhibition’ -- the suppression of a natural drive, instinct or feeling. For instance, when a skunk senses danger, it will not restrain its natural, defensive reaction and will
" What do these all have to do with each other? Paper and A Streetcar Named Desire. Philip C. Kolin points out this metaphor in his article " 'It's only a paper moon': The Paper Ontology' in Tennessee Williams' A Streetcar Named Desire.'" Kolin has found that Williams has used paper as a metaphor to describe Blanche's and Stanley's faults and desires. Kolin finds this to be a common thread in Williams' work but mainly focuses on Streetcar. Williams himself finds paper to be an interesting creation:
and gender roles which are all strongly present in the world today and Williams encourages discussion about these topics through the text To be called good literature books and texts need to deal with issues that are relevant to the audiences. ‘A streetcar named desire” deals with the issue that desire leads to death through its use of several techniques such as metaphors and symbols and repetition. The issue of desire leading to death
Though the “primitive,” rituals described in Schechner’s article diverge from the realism found in Tennessee Williams’ A Streetcar Named Desire, the same “reactualization” process exists in his work. Williams’ Streetcar focuses on the “mock battle” or complete contest between the generational cultures symbolized by Blanche Dubois and Stanley Kowalski’s characters. Blanche, representative of the fallen southern aristocracy, searches for sensitivity and kindness in the new world of Stanley Kowalski
Tragedy of A Streetcar Named Desire and The Master Builder It has been said that the world is a comedy to those that think, and a tragedy to those who feel. This philosophy is supported by two important literary works, A Streetcar Named Desire by Tennessee Williams and The Master Builder by Henrik Ibsen. In each piece, the sensitive and emotional characters experience tremendous pain, while the cold and unfeeling characters are simply amused by the pain of others. In A Streetcar Named Desire,
duction A Streetcar Named Desire, written by Tennesse Williams (1947), is often characterized as the most extraordinary play that portrays the authentic South American life in the late 40`s and reflects the psychological interactions between the realistic inhabitants of the crowded Elysian Street, a home for the working labor class. Also, the narrative discourse of the play, in a sensitive manner, reveals more profound psychological characterizations of the main protagonists and the background topics
sister I’d get ideas about you!” and Blanche’s “Yes, I was flirting with your husband” (source). As George Jean Nathan states in his review of A Streetcar Named Desire, the penultimate scene of the play commands the readers interest as everything rushes at once and then comes to an abrupt stop to give the reader time to understand the destination that the streetcar has been hurdling towards this whole time. After understanding the implications of this scene, the reader is able to piece together the moments
Role of Masculinity in Shiloh and A Streetcar Named Desire A Truckdriver Named Shiloh Have you ever felt that men always screw things up? Perhaps it is not men themselves that cause destruction; maybe it is merely the result of the presence of a masculine character. The role of masculinity is an essential aspect in both Bobbie Ann Mason's short story entitled, Shiloh, and in Tennessee Williams' play, A Streetcar Named Desire, although it functions very differently in each story. In Shiloh
Symbolism in A Streetcar Named Desire by Tennessee Williams In Tennessee Williams’ play, A Streetcar Named Desire, the character of Blanche Dubois is a vivid example of the use of symbolism throughout the play. Blanche wants to view things in an unrealistic way. “I don’t want realism. I want magic…I try to give that to people. I misrepresent things to them. I don’t tell truth, I tell what ought to be truth…” (Blanche p.117). She doesn’t want reality; instead she wishes to view a rose-colored