“Defamiliarization”, “alienation effect”, “making strange”, and “denaturalization” that has hitherto concerned many thinkers, underwent so many changes throughout history. This thesis aims to study the evolution of the term defamiliarization up to the field of postmodernism, and to reveal the fact that defamiliarization in its anti-illusionistic manner has turned to be indispensable spirit of the second half of the twentieth century. The analysis of the two works written by two authors from different
The subject of art conservation and restoration has long been debated in the art world. Experts and historians have never agreed that all art must be salvaged at any cost. This paper will examine what art conservation and restoration is, what is involved in these endeavors, and what has been done over the centuries to many of history’s cherished art pieces. To begin this discussion, it is crucial to understand what exactly art conservation and restoration is and what it entails. Art Conservation/Restoration
In “The Theory of the ’Formal Method”’, written in 1925, the author Boris Eichenbaum outlines and explains the evolution of the Russian For- malist movement and, by that, elucidates it’s main arguments. He states that there is no fixed theory or ready-made system which can be described as the Formalist’s theory. The basis of the formalist position is that the ob- ject of literary science, as such, must be the study of those specifics which distinguish it from any other material. For the Formalists
Bethany Thomas 16 January 2014 Critical Response Essay #1 Morelli, Giovanni. Exerpts from “Principles and Method”, in Italian Painters: Critical Studies of their Work, 1890: Preface written in 1889, translated by C.J. Ffoulkes, London, 1892. Fernie, Eric. Art History and Its Methods: A critical Anthology, Phaidon. 1995. Berenson, Bernard. “Rudiments of Connoisseurship.” In The Study and Criticism of Italian Art,. London: G. Bell and Sons, LTD., 1931. Throughout the Morelli reading, we are shown
In the section, Words of Honor: Contributions of a Feminist Art Critic, Arlene Raven outlines the events in her life that have led her to be an art critic for artists who were not as “bankable” as other artists. In this excerpt, she discusses how her experiences of being raped exposed her to a cruel reality about the oppression women faced despite equal education acquirement. Consequently, she increasingly got more involved in the feminist/political work, creating iconic associations like the Women’s
AA theory by Clive Bell suggests the pinpoints the exact characteristic which makes a work true art. According to Bell, an artwork must produce “aesthetic emotion” (365). This aesthetic emotion is drawn from the form and formality of an artwork rather than whether or not it is aesthetically pleasing or how well it imitates what it is trying to depict. The relation of objects to each other, the colors used, and the qualities of the lines are seemingly more important than what emotion or idea the artwork
Stolen and Forged Artwork Since the beginning of its existence, art collecting has been a rather dangerous endeavor. Artwork fakes and even stolen art have been documented since the days of ancient Rome. Even then, the Romans often sought classical Greek artwork and sculptures, and more often than not, works purchased were by Roman artists trying to imitate classic Greek works (Kaufman 36). Today, modern day forgers are still trying to fool art enthusiasts and are becoming increasingly sophisticated
I am sure that we have all, at one time or another, noticed that almost any discussion concerning the merits and demerits of art, if it goes on long enough will come to the qualities of innovation and traditionalism in regards to aesthetic value. As soon as these two qualities are mentioned, there comes an inevitable forming up of those who favor innovation and deride tradition and those who favor tradition and deride innovation. Either side usually admits only enough merit to their opposition, and
In the Wallach Gallery exhibition of Anna Hyatt Huntington’s sculpture (1876-1973), the viewer gets to discover different versions of the emblematic figure that is Joan of Arc, from small bronze medals, to much bigger works of art. A digital replication of the initial statue that was unveiled at Riverside Drive and 93rd Street in December 1915 is also available the public in the gallery. The success of the Joan of Arc – or The Maid of Orleans’s depictions results from the symbol that she fosters
Georges Didi-Huberman is critical of the conventional approaches towards the study of art history. Didi-Huberman takes the view that art history is grounded in the primacy of knowledge, particularly in the vein of Kant, or what he calls a ‘spontaneous philosophy’. While art historians claim to be looking at images across the sweep of time, what they actually do might be described as a sort of forensics process, one in which they analyze, decode and deconstruct works of art in attempt to better
Formalism - The Hershey Bar of Criticism Formalism means a lot of different things to a lot of different people and refers to many different types of critical work and analysis. But to make a complicated matter simple, we can say pretty safely that formalism refers to critics or criticism that, first and foremost, emphasize the form or structure of a work of art and assume that nothing in that form or structure is really accidental or insignificant. That is, the formal elements in a work of
language. The author did not have to use any glossaries of prison argot, although the translator must; Solzhenitsyn simply drew on his own 8-years' experience in corrective labor camps. Artistic Use Of Blunt Language Many "unprintable" Russian words turn up in One Day, as it was first published in Novy Mir. Words like khub kren, yebat', govno and der'mo, khui, pizda, etc., would make Beelzebub himself blush, but since they are part of a zek's vocabulary, they appear in the novella
World Literature Paper “Solzhenitsyn use of selected language in justifying the main essence of the story” Aleksandr Solzhenitsyn, a Russian writer of the emotional piece One Day in the Life of Ivan Denisovich uses Russian traditional oral style skaz ( from Russian ‘skazat’ - to say or tell) and it explains the author’s general skaz approach in One Day in the Life of Ivan Denisovich - Solzhenitsyn uses skaz to emphasize the experience of the camps and life as a prisoner. In order to attain gulag
would not have allowed the vulgarity, nudity, and controversial topics present throughout the film. In addition to being a product of the new system in place, the film comments on elements of the Russian people. The director of Sideburns uses satire in order to ridicule cultural norms peppered throughout Russian society at the time. For example, the rise to power of the Pushkin club sheds light on Russia’s habit of breeding tyrannical leaders in the midst of social instability. Thomas E. Billings explains
Being one of the greatest Russian writers of 20th century, Aleksander Solzhenitsyn had a unique talent that he used to truthfully depict the realities of life of ordinary people living in Soviet era. Unlike many other writers, instead of writing about “bright future of communism”, he chose to write about everyday hardships that common people had to endure in Soviet realm. In “Matryona’s Home”, the story focuses on life of an old peasant woman living in an impoverished collectivized village after
of RussiaSGT Davidson, Matthew R.Class 001-01711/04/2016SSG GreeneCulture of Russia What do we know about other cultures, does our knowledge extend to what we have seen in the movies? Are the majority of Russians burly commandos who consume a large quantity of vodka to keep warm in the Russian weather and dream about the day that the KGB and Stalin return? If you believe what you see in the movies, this could be the picture that comes to mind when thinking about Russia and their culture. Though
Ukraine is a recent political construction within last 20 years. Prior to that, the pieces of its territory were remnants of other empires, which essentially mark the current divisions within Ukraine. Southeastern Ukraine was settled during the Russian empire in the late 18th century and people in this area are very closely tied... ... middle of paper ... ...d into Russia while western Ukraine remain its own sovereign state left with the task of rebuilding its government and electing a new president
Russian Immigration In the 1990s the United States of America was marked with an incredible surge of immigration from the territories of former Soviet Union. “Liberated” émigrés decided to take a chance, leaving everything they had behind in pursuit of a better life. They brought with them education, numerous skills and talents. Their difficulties, however, including a foreign language, their age and inability to quickly adapt their social attitudes to new values, bogged down their feat to succeed
Values Of Russian Education ABSTRACT: The paper discloses changes in Russian education from a prospective which focuses on the culturology of education (Krylova 1994, 1995, 1996), a new trend in theories of education that is being constructed upon the established turf of philosophy of education. The culturology of education includes inquiry concerning both cultural values and pedagogical methodologies. It attempts to explain the whole complex of cultural, sociocultural, and multicultural problems
Causes of the Franco-Russian Alliance During the late 19th century many countries sought an alliance with other countries to guarantee their own safety, preserve peace and sometimes to help their economic position. this is highlighted by alliances and treaties such as the "Dual Alliance" of 1879, the "Dreikaiserbund" of 1881 and the "Reinsurance Treaty" This was also the case for both France and Russia, with them agreeing the "Franco-Russian Military Convention" on August 18th 1892 and later