Ruggero Deodato’s 1980 Cannibal Holocaust is arguably the most controversial film to date. The film’s plot consists of two distinct stories that are continually presented differently than their actual timeline; however, directly influence each other. The movie follows the demise of four ruthless documentary filmmakers: Alan Yates, Faye Daniels, Jack Anders and Mark Tomaso, as they adventure into the Amazon Rainforest in order to capture footage of primitive cannibal tribes. As the audience finds
Next on the list of heroes to analyze is Dr. Bruce Banner or, as he is called when in hero form, The Incredible Hulk. Dr. Banner is a man victimized by something living in his own psyche. He has a monster that his must mentally, and often times physically, control; otherwise it will escape and wreak havoc on anything or anyone nearby and pave a path of destruction in its wake. Whether one uses the comics, the TV show, or the movies, the back-story is always the same. Dr. Banner has a lab accident
and passed, impressionistic music was well into its lifespan, but arising from amid the rubble of the romantic era was the Verismo movement! Verismo was a movement or new school of thought embodied in the operas of composers like Pietro Mascagni, Ruggero Leoncavallo, Umberto Giordani, Giacomo Puccini. Verismo is virtually synonymous with ‘realism.’ It was an attempt made by composers to inject into opera, the real-life pains and experiences that so easily worked their way into drama, poetry and the