Comparing Pieter Bruegel and Wislawa Szymborska How could the painter Pieter Bruegel and writer Wislawa Szymborska have anything remotely in common, when the fact is that four hundred years separate their works? A painting by Pieter Bruegel connects these two artists over four hundred years of time. Pieter Bruegel the Elder was born sometime between 1525 and 1530. Originally a student of Pieter Coecke van Alost, he was later accepted into the Antwerp painters' guild in 1551. In 1563
art. Pieter Bruegel the elder, aka Peasant Bruegel, because he would dress as a peasant to mingle at weddings and parties. That way he could find information about the life of peasants for his paintings. Pieter Bruegel was born on September 9th. No one knows for sure what year but is said to be between 1525-30. Bruegel was born in Netherlands. He is the only member in his family that is artistic. Living in the Brueghel dynasty he dropped the “h” and signed his paintings with Brugel. Pieter worked
The Triumph of Death by Pieter Bruegel the Elder Pieter Bruegel’s The Triumph of Death depicts a hell on earth scenario that many would find difficult to look at. Believed to have been painted around 1592 (Woodward, 2009), Bruegel’s brush strokes illustrate peasants and nobles alike being tortured or killed by an army of skeletons. However the greater detail of this oil on panel painting lays out much of what is considered on one hand a parody of life and on the other an ominous reminder that
Art in the Renaissance “Known as the Renaissance, the period immediately following the Middle Ages in Europe saw a great revival of interest in the classical learning and values of ancient Greece and Rome” (History). The word Renaissance is French for rebirth (Sachs 7). The origins can be traced back to Italy in the 14th century (History). Florence, Venice, and Rome grew into major centers in art, due to the changes that were occurring during this time (Sachs 7.) Artists across the country
As medieval historian William Tyler puts it: “Magnificent as decoration, tapestries reflected the taste and preference in the subject matter of the most wealthy and powerful elements in the land. In turn they influenced the ideas and values of those who lived among them and saw them day after day.” The Unicorn Tapestries in Metropolitan Museum in New York are finest artworks of late middle ages. With the liveliness of the figures, individualization of faces and the texture of costumes, and the refined