Noir Essays

  • Essay On Pit Noir

    529 Words  | 2 Pages

    Pinot Noir One of the oldest grapes grown to make wine, Pinot Noir is considered the great wine grape. Its origin dates back to the Ancient Romans calling this grape Helvenacia Minor. They cultivated this grape as early as the first century AD. It is very delicate and many wine experts favor its taste. In the recently released movie Sideways they talked about the grapes superior flavor to merlot or any other grape. The movie went on and on about the complexity of the grape. The movie itself boosted

  • Film Noir

    893 Words  | 2 Pages

    term ‘Film Noir’ is often used to describe films that reflect cynicism towards certain aspects of the society. The definition of the term is predicated on the cinematic belief, that style provides the major feature of films. Thus, film noir is an “invention of movie critics who hold the opinion that style is the sole vicinity in which meaning can be found in the cinema” (Ewing Jr. 61). Film noirs employ several elements of modern art to convey relevant messages. The majority of film noirs borrow their

  • Chinatown as Film Noir

    853 Words  | 2 Pages

    'Chinatown' as Film Noir Films that are classified as being in the film noir genre all share some basic characteristics. There is generally a voice-over throughout the film in order to guide the audience's perceptions. These movies also involve a crime and a detective who is trying to figure out the truth in the situation. This detective usually encounters a femme fatale who seduces him. However, the most distinctive feature of the film noir genre is the abundance of darkness. Roman Polanski's

  • Film Noir

    1014 Words  | 3 Pages

    Film Noir is a French term meaning “black film,” or film of the night, and is inspired by the Series Noir, a line of cheap paperbacks that translated hard-boiled American crime authors and had a popular audience. It is a cinematic term used primarily to describe stylish Hollywood crime dramas particularly those that empathize cynic attitudes and sexual motivations. It began in the early 1940s and has a certain storytelling sensibility of being over stylized, over theatrical, and overly emotional

  • No More Noir Analysis

    546 Words  | 2 Pages

    the “No More Noir” belief as I’ve continued to see the noir genre within several hit TV series, novels and films. To list a few: Dexter, the TV series revolving around the life of a serial-killer, and I’ve even seen reference to two noir films: Rear Window and Psycho in one episode of a stop-motion animated sketch-comedy TV series called Robot Chicken. However, to get down to the nitty-gritty of it, two strong examples that I believe are able to go against the belief of no more noir would have to

  • Film Noir Analysis

    743 Words  | 2 Pages

    Film noir encapsulates a two decade cycle of formalistic style Hollywood film making; mass producing detective crime movies with seedy themes that reflect the depressed mood of post World War II America. Billy Wilder's 1944 classic, “Double Indemnity” epitomizes this cinematic cultural genre and mirrors the modernist crisis of cultural alienation, disorientation and disengagement articulated in both artistic narrative and film form. Others view film noir more as a movement in film rather than a

  • Chinatown Film Noir

    613 Words  | 2 Pages

    The genre film noir has some classical elements that make these films easily identifiable. These elements are displayed in the prototypical film noir, Billy Wilder’s Double Indemnity. These elements include being filmed in black and white, a morally ambiguous protagonist, and a prominent darkness. However, the most striking part of a film noir is the femme fatale, a woman who craves independence through sexual and economic liberation. In his film, Chinatown, Roman Polanski uses many of the classic

  • Film Noir Essay

    530 Words  | 2 Pages

    As the 1940s and 50s phenomena that was Film Noir grew in size, so did its audience base. People during the 1940s and 50s use to go to the movies just to watch crime pack Film Noir, but these film required an intense plot line, an intricate lighting process, perfect camera angles, and most importantly, great characterization. With out these four aspects of Film Noir, it would not have been as popular with the masses as it was. In Film Noir, the plot line in this type of movie are generally the same

  • Miami Film Noir

    1033 Words  | 3 Pages

    MIAMI NOIR We have much to learn from Mike Davis, CITY OF QUARTZ (Vintage, 1992) who discusses the paradoxical effects that the representations of Los Angeles in hardboiled novels and their translation into film noir cinema had on the image and myth of that city. Together they radically reworked the metaphorical figure of the city, using the crisis of the middle class (rarely the workers or the poor) to expose how the dream had become nightmare. . . . It is hard to exaggerate the damage which

  • Film Noir Genre

    1774 Words  | 4 Pages

    I would like to start my writing with short definition about film noir genre. Film noir genre first was used to describe Hollywood crime dramas. It’s correct if we see the big visual influence of German expressionist movement which was started in 1910s and 1920s on film noir genre. And during that time a lot of artists in Europe were attracted to this movement to show inner feelings and psychological tensions; As even surrealism movement which it’s a kind of movement focusing on dreams and fantasies

  • l.a confidential film noir

    961 Words  | 2 Pages

    The Key Conventions Of Film Noir In L.A Confidential L.A Confidential (Curtis Hanson, 1997) is a neo-noir film about a shooting at an all night diner and the three Las Angeles policeman who investigate in their own unique ways. It is based on the book by James Ellroy and after a very well adapted screenplay, won nine academy awards. It starred actors with big names like Russell Crowe, Guy Pearce and Danny Devito, which made it a very high earning film. The Narrative or storyline is much the same

  • Women In Film Noir

    810 Words  | 2 Pages

    Hollywood’s film noir represents a hard-boiled and cynical portrayal of American life that is mostly about a male-dominated world. Attractive male characters lead the film’s storyline, and female characters such as a femme fatale take their positions that indicate in relation to the male protagonists. Also, in general, the world of dark, corruption and crime are usually described in film noir, and thus it shows a strong sense of social contradictions. “Outrage,” directed by Ida Lupino, strongly criticizes

  • Film Style Of Neo Noir Film: Neo Noir Film

    1159 Words  | 3 Pages

    Neo Noir Film Neo noir genre of film production is a style that has existed in the world of film production since the 1940s. Neo is a French word for new while noir means black. Noir film means black film although it does not literally incorporate the racial orientation of the black people. Rather it is the mood and attitude of the film in terms of different styles. Neo noir is an updated version of noir films of the 1940s. Noir films today have updated content, visual elements, style, themes or

  • Film Noir Counterpart

    1714 Words  | 4 Pages

    Davide Horn Com 210DC Neil Goldstein Term Paper Film Noir and its Modern Counterpart Film Noir, literally meaning black cinema or film. It was introduced in the 1940's being one of the most influential genres of film. It was a very creative period in Hollywood, if not the most creative period. As Paul Schrader says “Film Noir seemed to bring out the best in everyone: directors, cameramen, screenwriters, actors. Again and again, a film Noir will make the high point on an artist’s career graph.

  • The History of Film Noir

    1010 Words  | 3 Pages

    The History of Film Noir Film Noir literally means ‘Black Film’. This term was first coined by French film critic Nino Frank, who noticed a trend in the darkness of themes in many American films that constituted wartime cinema. Classic film noir developed during the 1940’s during and after World War two, taking advantage of the post war zeitgeist of anxiety, pessimism and suspicion. Mistrust, fear, paranoia, and bleakness is obvious in noir, it reflects the cold war period when the threat

  • Film Noir Compare And Contrast

    2597 Words  | 6 Pages

    Film Noir and neo-noir are two famous movie categories that come stem from the early 1900s. While film noir was created in the 1900s, neo-noir is a more modern version of film noir. Each type of film can be seen in popular movies from the last century. An example of film noir is The Big Sleep, directed by Howard Hawks in 1946. The Dark Knight is an example of neo-noir. It was directed by Christopher Nolan in 2008. Both film noir and neo-noir are very similar, but do have some very large differences

  • Film Weir Neo Noir

    1169 Words  | 3 Pages

    Film noir or “dark film” is a term French New Wave critics gave to American films from the 1940s and 1950s that showed a harsh, cynical America. One of the biggest elements that led to its development was World War I and post war disillusionment. Before the war, there was a necessary drive to paint the default for American society as a strong, patriarchal family unit that owned a white, picket fence house. After the war, soldiers came home traumatized from their time in the military, and they often

  • Film Noir Cinematography Analysis

    591 Words  | 2 Pages

    Beside that, Cinematography is also one of the element that play important roles in film noir. This can be seen when Dixon (2005) explained that in film noir shot in black and white, interior setting is always suffused with shadows and exterior settings are usually at night, with wet streets and rain. It is true because most of the film noir are shot in night with wet streets and rain, night scenes are able to create the ‘ darkness ’ mood and feeling while wet streets and rain can create the fear

  • Film Noir: The Maltese falcon

    973 Words  | 2 Pages

    Film Noir was extremely trendy during the 1940’s. People were captivated by the way it expresses a mood of disillusionment and indistinctness between good and evil. Film Noir have key elements; crime, mystery, an anti-hero, femme fatale, and chiaroscuro lighting and camera angles. The Maltese Falcon is an example of film noir because of the usage of camera angles, lighting and ominous settings, as well as sinister characters as Samuel Spade, the anti-hero on a quest for meaning, who encounters the

  • Double Indemnity Film Noir

    572 Words  | 2 Pages

    In the American Cinema / American Culture book by John Belton expresses film noir as an American Expressionist movement. Film Noir differs from the Classical Hollywood Cinema with specific elements. Belton explains this differences as “[…] the same old familiar classical Hollywood cinema possessed by a new, recognizably alien spirit […]” (Chapter 10, p. 229). The “possessed” and “alien spirit” refer to the stylistic elements of Film Noir’s. Extreme camera angles of low and high angle perspectives