The story of how young Cassius Marcellus Clay wound up in boxing has been told time and time again. It reads as if it a movie script. However, this story is better than fiction. Clay was born on January 17, 1942 in Louisville, Ky. Growing up, Clay understood his place in the framework of the country he was a black child of the middle class. But Toni Morrison, who worked on Ali's autobiography as a young editor, noted that was not the best situation in which to be raised. Because not only was he
Discrimination Against Women in Male Dominated Sports Assume you are a screenwriter in the year 2010. You have been commissioned to write a movie script about women's sports and current society. What is the theme? Who are the protagonists? What are the issues and how does the movie end? Due to the nature of this course, most of the films that have been shown concerned the discrimination women face when they attempt to compete against men in athletic areas that have long been considered unfit
Bee Movie Script - Dialogue Transcript Voila! Finally, the Bee Movie script is here for all you fans of the Jerry Seinfeld animated movie. This puppy is a transcript that was painstakingly transcribed using the screenplay and/or viewings of the movie to get the dialogue. I know, I know, I still need to get the cast names in there and all that jazz, so if you have any corrections, feel free to drop me a line. At least you'll have some Bee Movie quotes (or even a monologue or two) to annoy your coworkers
My Sports Movie I believe that one of the most important things to keep in mind about sports/athletics is that no ones experience is the same. There are many different perspectives that complicate the subject and there is no real clear-cut answer or solution to any problem. But it is always important to bring the issues to the surface where they can be discussed and debated in the hopes of reaching better grounds with a compromise. So, in writing a movie script, I would try and include several
A Bat in the Wind Assume you are a screenwriter in the year 2010. You have been commissioned to write a movie script about women's sports and current society. What is the theme? Who are the protagonists? What are the issues and how does the movie end? "A Bat in the Wind" Timeless themes of equality, truth and perseverance are presented in this heartwarming tale of one courageous softball player and the wiffle bat that she adored. It all begins one summer day shortly after Tegan's sixth
Making a Movie on Haydn Middleton's The Lie of the Land To make a movie from any source takes a lot of people in the process. It's not just one or two people sitting down saying "let's make a movie." There are things to be considered, things to be done and people to contact. In this essay, I plan to make a movie of Haydn Middleton's novel The Lie of the Land, just to give a glimpse of the complications involved with making a movie. The first step in any movie would have to be a script. No script
setting takes place present day in Harlem, New York. The main character is a sixteen-year-old boy named Steve Harmon. Steve Harmon is on trial for a murder that he believes he did not commit. While he is in jail he is writing a script for a movie about the trial. The script helps Steve stay calm and not go crazy while he is in jail. Steve and his Defense Attorney, Kathy O’Brien, are trying to prove to the jury that Steve is innocent. Steve is thought to have been working with two other men, James
Ive had the script for CAST AWAY for quite a while now. I never reviewed it because I was asked not to. The person who handed it to me intoned, "Fox is being very secretive about this movie." I let the script sit and never gave it a second thought. Then two days ago I caught the trailer for the film and was a little shocked to see that they blatantly give away the entire movie. The ending of the movie is so explicitly ruined the thought process must have been: We have Hanks -- we have Zemeckis --
The job of a screenplay is to establish many different aspects of a movie, including tone, dialog and narrative structure. A screenplay is a constant juggling act that must keep all of these aspects in balance, obviously there are some films that do this better than others. A rather unique film that handles each of these aspects well is writer/director Steve De Jarnatt’s Miracle Mile (1988). This film is truly one of a kind and how it pulls it off is something of a miracle. It’s the story of a man
As Benjamin Franklin once said, “Many people die at 25 and aren’t buried until 75.” Guido Orefice, the main character in La Vita é Bella was not one of those people. In the movie, Guido is a man who lives every second, taking nothing for granted and leaving no opportunity wasted. In La Vita é Bella, Life is Beautiful, the main character Guido Orefice travels to Arezzo, Italy, with his friend Ferruccio, in hopes of eventually opening up a bookstore. On the journey to the city, Guido meets a schoolteacher
the book Medicine River, by Thomas King as well as the movie, which was based on the book. Although there were profound differences between the two, they were both pleasantly constructed. Having been instructed to read the book first, I was able to experience the full effect of the story and the message that the author intended for his readers. Although the book and the movie clearly relayed the same story, I would’ve better enjoyed the movie if it had included more incidents from the book, such as
depending on who interprets them. By interpreting the word-clues that Shakespeare wrote into the script to direct the performance of the play, we were able to imagine gestures, expressions, and movements appropriate to the intention of the playwright. An example of this can be seen in the different Romeo and Juliets: Luhrman clearly had a more modern vision after reading the script than did Zeffirelli did only 18 years before. The live performance at the CalPoly theatre also carried
Writing a "Private 3M Script" First it is important to define the term "3M." The term "3M" simply refers to a script's ability to unlock all of the channels, based on the saying "All for one, and One for all!" from the "3 Musketeers," (which came from the old days of hacking cable boxes where all channels were viewable through one channel). Anyway, "3M" now is just a generic term for a card that has all channels open and no stealth or write protection. In stealth scripts, the "3M" code refers to
[1] Within the last few decades, we have generated a great number of “historical” films reaching the American public. With these “historical” films come the question of whether or not the film portrayed history in an accurate manner; if not, why were the facts manipulated the way that they were. Unfortunately, this question is usually answered in the negative, and the audience is left with a fictional account of a factual happening, thereby giving the viewing public mixed messages concerning
production is nothing short of wonderful. The Theatre has been transformed from a long movie Theater atmosphere to a quaint surrounding by means of risers that are placed directly on the stage. The new seating divides the old Theater in half and allows for the actors and the audience to share the same space. Not only this atmosphere that makes it wonderful but also the performances, the direction, the design and the script. Set in France in 1904, the stage is a French bar called the “Lapin Agile”, with
substituting violence and special effects for "substance". Many believe that creating a movie script is a juvenile form of writing, a shrub to the oak of a novel. Upon reading both the novel The Scarlet Letter by Nathaniel Hawthorne and viewing the film produced by Roland Joffe, one notices the tremendous effort put into both. This essay will explore the many differences and similarities between the book and movie. The film is "freely adapted" from the novel. The word "free" describing the adaptation
I went to see Lend Me a Tenor at the Krevsky Center on the night of February twenty-first. Overall I thought the play was quite funny, with excellent actors, likeable characters, and an enjoyable plot. Overall, I found the script to be enjoyable. There were many situations created that allowed for some very funny dialog. There was, however, one type of event that was over used throughout the performance, namely, the instances of the characters wanting to see Tito, while various others tried to
word ‘journey’ is much overused, but perfectly describes the contents of Harper’s script. The following discourse will be looking at how Harper has followed screenwriting conventions, such as the ‘where’, ‘what’, ‘why’ and ‘how’ and using popular screenwriting theorist texts such as Robert McKee’s ‘Story’ (1999) and Syd Field’s ‘The Definitive Guide to Screenwriting’ (2003)as guides to analysing Harper’s script. The script is split into three parts; each part is identifiable by a number of factors, the
The most interesting technique that I learned throughout this unit was the fake choke hold. Before starting this unit I was apprehensive about the choke hold for the reason that our necks are sensitive, so I was afraid that I would hurt someone during this unit. However learning about the fake choke technique made me aware that I was not the one in charge of selling the fake choke and that I just needed to put my hands around her neck carefully. That it was the other partner’s job to move themselves
writing this script. The reason for employing this writing method is so that the reader can be immersed within the world of the sufferer. To really get a feel, an unquestionable and inexcibate sense of tragedy. In its currnt state then script is just shy of 20 pages. It has been written as many in a linear structure as the format is quite alien to many script readers. There are areas of th text that still require refining as this is only the first draft. The eventual final script will be a tighter