Motoko Kusanagi Essays

  • ghost in the shell

    636 Words  | 2 Pages

    who is hacking into the ghost of cyborg. Under the help of her group, Major Kusanagi, spearheading in section 9, is doing some serious research and exploration about the essence of living. Due to the requirement of the job, Motoko Kusanagi is equipped with almost all her body is machine. The only left human brain cells that contain her essence or soul. Puppet Master is capable of hacking human minds, which make Kusanagi ponders the very nature of her existence and the possibility of future. The title

  • Japanese Animation and Identity

    3699 Words  | 8 Pages

    Japanese Animation and Identity In Orientalism, Edward Said claims that, “as much as the West itself, the Orient is an idea that has a history and a tradition of thought, imagery, and vocabulary that have given it reality and presence in and for the West” (5). The complex network of political, economical, academic, cultural, or geographical realities of the Orient called “Orientalism” is a way of coming to terms with the Orient, or to be less geographically specific, the Other. Although Said

  • Female Roles in Anime

    853 Words  | 2 Pages

    them in their anime, both visually and contextually. For the sake of saving time, I will explore only two anime that we have watched, namely Ghost in the Shell, and End of Evangelion. Ghost in the Shell has a strong female protagonist, Major Motoko Kusanagi. She is headstrong, determined, incredibly strong, and rather overconfident as a result. A recurring theme throughout the movie is her uncertainty in her identity. Since she is a cyborg, she states that she cannot prove her existence, even if

  • Analysis Of The Film 'The Killer'

    1419 Words  | 3 Pages

    The Killer (John Woo,1989, Hong Kong) John Woo is one of the most celebrated Asian filmmakers in the West, with his even directing films in Hollywood. This title is his most renowned. Ah Jong is a contract killer who, during his latest assignment, accidentally traumatizes a female singer at a nightclub. In order to pay for her operation, he agrees to take on one last mission. John Woo’s distinct style found its apogee in “The Killer”, with its stylized violence, constant bloodbaths, slow motion

  • Diversity In Hollywood Essay

    993 Words  | 2 Pages

    Hollywood has always been considered as one of the crown jewels of the entertainment industry. A true powerhouse of western cinema with a myriad of productions, each successful in the art of storytelling, and the maker of numerous directors, producers, writers and actors. With a reputation such as that, it’s no surprise that Hollywood is not only a symbol of success but also a beacon of hope for any aspiring newcomer. Indeed, Hollywood has been around for a great amount of time. Since the early 1900s

  • Prehumanism In Rosi Braidotti's 'Posthuman1'

    1913 Words  | 4 Pages

    Introduction What is posthumanism? As the name might imply the concept of posthumanism is essentially the next step, so to speak, in the human nature. A transcendence, of shorts, of mankind. This could take various forms, be it from feasible and current ways such as genetically engineered food, prosthetics due to injury to far-off and futuristic concepts such as cyborg technologies (prosthetics for the purpose of body or mind enhancement rather than appliance to amputees), digital preservation

  • The Future of Violence

    3106 Words  | 7 Pages

    In his Presidential Farewell Address, President Dwight D. Eisenhower warned the American public, and by extension, the world, about the future role of the military-industrial complex if it was left unchecked. In the 21st century, the consequences of a quickly evolving military machine are being felt, especially with the recent developments in the field of robotics. The problematic issue, however, is the role of technology as a driving factor behind this revolution in military affairs (RME), and

  • Mamoru Oshii's Ghost in The Shell

    1824 Words  | 4 Pages

    Mamoru Oshii’s Ghost in The Shell Science fiction has been a staple of film entertainment since George Melies first explored the genre in his 1902 Le Voyage Dans La Lune. While even as early an example as this contained many defining features of the genre which are still present today, over 100 years of exploring the genre has both expanded and more accurately defined what makes a film fit the science fiction niche. This paper seeks to explore elements of Mamoru Oshii’s Ghost in The Shell and

  • Artificial Intelligence in Gibson's Idoru and Oshii's Ghost in the Shell

    3554 Words  | 8 Pages

    Artificial Intelligence in Gibson's Idoru and Oshii's Ghost in the Shell Introduction If people knew what scientists are up to, they would not be sleeping as calmly as they do today. If only they knew, they would read more carefully what the cyberpunk authors have to say. The purpose of this work is not only to compare the pictures of Artificial Intelligence (hereafter referred to simply as AI) included in two major works of cyberpunk genre, but also to show the connection between