Monthly magazines Essays

  • Morality In Oscar Wilde's The Picture Of Dorian Gray

    1059 Words  | 3 Pages

    this. The novel caused controversy around the time of its publishment in July 1890 as it “offended the moral sensibilities of British book reviewers” of the era, even despite the novel being censored in its original publication for “Lippincott’s monthly magazine”. The author of the book- Oscar Wilde- was openly homosexual at the time of publication and some say this can be reflected in his writing; The young man enters the

  • Dorian Gray Character Analysis James Vane

    1294 Words  | 3 Pages

    was a shallow person but he still wants a lover but by the time he made his decision it was too late because she was dead. James Vane - Sibyl’s brother, a sailor bound for Australia. James cares deeply for his sister and worries about her relationship with Dorian. Distrustful of his mother’s motives, he believes that Mrs. Vane’s interest in Dorian’s wealth disables her from properly protecting Sibyl. As a result, James is hesitant to leave his sister. James wanted nothing but the best for his sister

  • Homosexuality In Oscar Wilde's The Picture Of Dorian Gray

    1515 Words  | 4 Pages

    Homosexuality in The Picture of Dorian Gray The Picture of Dorian Gray is a well renowned book written by Oscar Wilde. When first published in July of 1880, the novel was edited and many passages were taken out by the British magazine, Lippincott’s Monthly Magazine. These passages that were deleted, included an explicit homosexual relationship between two of the three main characters, Basil Hallward and Dorian Gray. During the 1880’s, the subject matter of the book was not acceptable to society’s

  • Homosexuality in the Works of Oscar Wilde

    3111 Words  | 7 Pages

    Homosexuality in Oscar Wilde's Work "I turned half way around and saw Dorian Gray for the first time. I knew that I had come face to face with someone whose mere personality was so fascinating that, if I allowed it to do so, it would absorb my whole nature, my whole soul, my very art itself" (7). During the Victorian era, this was a dangerous quote. The Victorian era was about progress. It was an attempt aimed at cleaning up the society and setting a moral standard. The Victorian era was a time

  • Morality In C.S. Lewis' That Hideous Strength And Oscar Wilde's The Picture of Dorian Gray

    754 Words  | 2 Pages

    The crucial theme present throughout C.S. Lewis' "That Hideous Strength" and Oscar Wilde's "The picture of Dorian Gray" is morality, and how it can be influenced. The main characters in C. S. Lewis' novel, Mark and Jane Studdock, go through very contradicting paths and join opposite in objectives, organizations; at the same time they share similar feelings (solitude, confusion, paranoia) and carry out immoral actions in the attempt to run away from the problems. On the other hand,

  • New Hedonism in The Picture of Dorian Gray: A Lifestyle Doomed to Destruction

    1255 Words  | 3 Pages

    In the novel The Picture of Dorian Gray by Oscar Wilde the eponymous character Dorian follows the lifestyle of New Hedonism. This lifestyle advocates a complete abandon to your impulses, and does not believe in following social dictates or morals. The book illustrates the long-term effects of new hedonism, showing the destruction and death Dorian creates due to following this creed, eventually leading him to complete madness and his own destruction. When Dorian Gray first meets Lord Henry at the

  • The Death of Innocence and the Birth of Malevolence.

    933 Words  | 2 Pages

    In The Picture of Dorian Gray, Oscar Wilde introduces Dorian Gray as a mysterious and beautiful young man. He has no opinion and is very similar to a ball of clay, in the sense that he has no opinion and is free to be molded by whoever takes interest in him. Basil and Lord Henry both take interest in the young man. While both praise his physical beauty, Lord Henry wants to turn him into a hedonist minion. He convinces Dorian that he is a perfect candidate to live life according to his pleasure and

  • The Body, Mind, and Soul in The Picture of Dorian Gray

    1886 Words  | 4 Pages

    Dorian Gray is a grand Gothic experiment from the moment in Basil Hallward’s studio when he desperately swears that he “would give [his] soul” if only he “was to be always young, and the picture … was to grow old” in his stead (Wilde 28). Even before this moment, Dorian was a test subject of Lord Henry’s, who wanted to see how many of his own ideas he could inject into the boy. This influence rapidly planted in Dorian the ideas of eternal youth and beauty and led to the encasement of his soul in

  • Indulging Dorian Gray

    934 Words  | 2 Pages

    When you indulge in everything, you indulge in nothing. Oscar Wilde paints a picture for the reader much like Basil Hallward, the painter in The Picture of Dorian Gray, the story of a young man’s soul that he trades for the eternal youth and beauty of a portrait. Dorian’s sins are painted onto the canvas while his own face is left unmarred by the horrible acts he commits. Dorian is a young, naïve, innocent boy; with an impressionable nature that allows him to become seduced by Lord Henry’s fantastical

  • The Supernatural in The Picture of Dorian Gray by Oscar Wilde

    792 Words  | 2 Pages

    If you can get past most of the superficial and unlikeable characters in The Picture of Dorian Gray, this story does indeed have its place in the horror genre. While I understand the setting and the characters were a reflection of the actual class distinctions during the Victorian time period, I found the shallowness and narcissism of Dorian Gray and his circle of acquaintances tedious. "Fops" came to mind more than once along with "don't these people have a purpose other than to dine out and indulge

  • Dorian Gray Group Assignment

    1811 Words  | 4 Pages

    1. This quote reveals Dorian’s acknowledgement of his double life. On the surface, he must maintain a facade of unadulterated youth and innocence. Internally, he is reeling from murdering Basil Hallward, as we see the after effects of what could be arguably called Dorian’s most nefarious act. Yet he keeps his ebullition from view and greets guests with his beauty. In a way, we can see the extent of Dorian’s corruption, as he performs the very act of the portrait himself. The twisted deed is kept

  • Wilde Versus Hedonistic Society

    1158 Words  | 3 Pages

    Today’s culture sells the lifestyle of pleasure to people around the world. Society says that the way to live life to the fullest and to achieve happiness is to do whatever makes the individual feel good, no matter what the action may be. This way of life was also sold earlier within the history of the world, and has gone by many names including Epicureanism in Greece and Aestheticism in the 19th century. Even though it has gone by many different names, it simply means living only based on emotions

  • Right and Wrong in The Picture of Dorian Gray by Oscar Wilde and A Streetcar Named Desire by Tennesse Williams

    1909 Words  | 4 Pages

    Morality, defined as the “beliefs about what is right behavior and what is wrong behavior,”(“Morality”) is the substructure of our integrity and the column of virtuousness. The opposite of this, immorality, is the corruption of one’s being, becoming more wicked in nature. With morals, a person is held to a certain set of standards and demeanor, but if these morals were to become corrupted, a person’s moral boundaries would crumble, leaving the person vulnerable to misguiding influences and allowing

  • Picture of Dorian Gray: Influence, Corruption and Conscience

    3042 Words  | 7 Pages

    Influence, Corruption and Conscience in The Picture of Dorian Gray Oscar Wilde's novel, The Picture of Dorian Gray, explores the themes of influence, corruption and conscience. “The obvious influence of Lord Henry upon Dorian shows how one may corrupt another to such an extent that one's own conscience withers and dies”(Weintraub 116). Basil Hallward, a painter, knows the corruptive influence that Lord Henry can impose upon his model, Dorian Gray. Basil does not want Lord Henry to even

  • Essay on The Picture of Dorian Gray as a Moral Book

    1000 Words  | 2 Pages

    The Picture of Dorian Gray as a Moral Book The Picture of Dorian Gray was a remarkably well-written book due to the reaction of its themes by society.  In the preface of the novel, Wilde introduces the opinion that "...there is no moral or immoral book.  Books are well written or badly written.  That is all."  Numerous views can be taken upon this fastidious comment.  Many would agree that Wilde is justifiably correct because the preface was written with the intention that his readers understand

  • The Conscience of Dorian Gray in Oscar Wilde's The Picture of Dorian Gray

    2861 Words  | 6 Pages

    The Conscience of Dorian Gray in Oscar Wilde's The Picture of Dorian Gray Much of the criticism regarding The Picture of Dorian Gray by Oscar Wilde has dealt with Dorian Gray’s relation to his own portrait (Raby 392). While some may argue that the portrait represents a reflection of Dorian Gray’s character, this is only a superficial analysis of the novel and Dorian’s character. While Dorian Gray’s true character never changes, it is his own perception of his character (his conscience) that

  • Corruption and Consequences in The Picture of Dorian Gray

    1639 Words  | 4 Pages

    According to the nurture theory of the evolution of human behavior, when a child is first brought into the world it has no basis or idea of how to perceive things. The child is pure and innocent. It is naive to its surroundings, depending on the guidance of those around it to show it the way. When a child is born, most are accompanied by loving nurses, doctors, and parents. The moment this child encounters these other beings, the influences upon the individual begins. Their parents and peers influence

  • How Art Relates to Oscar Wilde's The Picture of Dorian Gray

    907 Words  | 2 Pages

    How Art Relates to Oscar Wilde's The Picture of Dorian Gray Oscar Wilde's The Picture of Dorian Gray is a novel about a young, handsome, and vain man who has his portrait painted, and impulsively wishes that he could forever remain just as handsome as he is in the painting -- that the painting would age instead of him. He gets his wish in a most eerie way; as, with passing years, he becomes increasingly dissolute and evil, while the changes that one would expect to appear on his

  • Bad Relationships In Dorian Gray

    637 Words  | 2 Pages

    Bad relationships make you feel more alone then when you really are alone. Sometimes people don’t realize when they are in a bad relationship. Dorian Gray is a young man of about twenty when the novel begins. He is exceptionally good-looking, but an innocent beauty. Dorian has a way with people that most people just don’t have. He uses his way with people and his good looks to manipulate and eventually destroy all his relationships especially with Sybil, Basil, and Alan. Sybil Vane is just one of

  • The Picture Of Dorian Gray Analysis

    1180 Words  | 3 Pages

    “Blessed is the man who walks not in the counsel of the ungodly” (Bible Psalm 1:1). It is ironic that both Oscar Wilde and his fictional character Dorian Gray both fell victim to bad counsel. Wilde refused to listen to his close friends when they insisted that he ignore the accusation made by Marquess Queensberry. Instead Wilde sided with his close friend and possible lover Lord Alfred Douglas, who instructed him to fight the accusation. Because of Douglas’s advice and Wilde’s pride he ended up in