Maurine Dallas Watkins Essays

  • The Impact Of Theater In The 1920's Theater

    1329 Words  | 3 Pages

    “You know some guys just can’t hold their arsenic” (Chicago). Theater in the 1920’s was greatly influenced by prohibition, mobsters and large murder cases as shown in the musical Chicago. Prohibition fueled many of the social issues of the day and also influenced theater. 1920’s theater was in turmoil as American society struggled to establish a new moral code. The musical Chicago gives examples of corruption in the legal system and the changing roles of women in society. Beer and alcohol has been

  • Beulah Annan and Belva Gaertner, Social Opposites

    1202 Words  | 3 Pages

    The roaring twenties was a new era, WWI was over and that was cause to celebrate.As music radio and motion pictures became very popular in the early 20's, people stop taking life so seriously, "you only live once" became the anthem of the time.Everything was changing, many women started drinking smoking and wearing make up. They started rebelling against their parents and victorian standards were thrown out the window. These women were called flappers, for their short provocative skirts and actions

  • A Closer Look at the Musical, Chicago

    1744 Words  | 4 Pages

    Chicago is an American musical with music by John Kander, lyrics by Fred Ebb and a book by Ebb and Bob Fosse. Set in Prohibition-era Chicago, the musical is based on a 1926 play of the same name by reporter Maurine Dallas Watkins about actual criminals and crimes she reported on. The story is a satire on corruption in the administration of criminal justice and the concept of the "celebrity criminal." Fred Ebb explains: “So I made it [Chicago] a vaudeville based on the idea that the characters were

  • Chicago The Musical Analysis

    1039 Words  | 3 Pages

    Matt Quinlan Professor Thompson Live Performance Review April 21, 2017 Chicago The Musical On Friday April 21, I attended Chicago, a musical performed in Griswold Theatre at American International College. The performance started at 7 p.m and I arrived at approximately 6:45 p.m. This was the first time I had ever attended a live musical performance and the first thing I noticed upon walking into the lobby of the theatre was the excitement. The audience had a buzz among it, making it very apparent