Mary Catherine Bateson's Improvisation In a Persian Garden, Annie Dillard's Seeing and Leslie Marmon Silko's Landscape, History, and the Pueblo Imagination This paper will analyze Improvisation In a Persian Garden (Mary Catherine Bateson), Seeing (Annie Dillard), and Landscape, History, and the Pueblo Imagination (Leslie Marmon Silko). Going through the Purpose, audience, context, ethics, and stance of each author’s piece. All three stories show the reader what each author sees. All three
Genghis Blues and Samba On Your Feet The 1999 film Genghis Blues explores the journey of American Paul Pena, a master of the Tuvan singing technique “khoomei”, or throat singing. Throughout this essay I will discuss how the culture and musical techniques presented in and those of the 2005 Afro-Cuban ethnic dance film Samba On Your Feet, while on the surface seem completely unrealted, actually share more similarities than one would assume. Discussion of the Cultural Background of Each Ensemble's
mythical female warrior, I believe that the very act of choosing a distinct path for my future is both a battle and a victory - and hence I am a warrior, Fa Mu-Krina, as I like to call myself. I am a survivor of my own destiny. Works Cited Bateson, Mary Catherine. "Multiple Lives." Advanced College Essay: Business and Its Publics. 3rd ed. Ed. Denice Martone, Pat C. Hoy and Natalie Kapetanios. New York: McGraw-Hill, 2004. 171 - 196. Kingston, Maxine Hong. The Woman Warrior: Memoirs of a Girlhood