“In a faraway land long ago...” Thus begins Disney's film version of the fairy tale “Sleeping Beauty,” automatically giving its viewers a sense of a seemingly historical past. Most, if not all, people raised within Western culture are familiar with the Sleeping Beauty fairy tale and the story about a young girl being cursed to prick her finger on a spindle only to be awakened again by a true love’s kiss. Imagine instead a different version of Sleeping Beauty... THERE were previously a king and a
Powerful Emotion in Louise Gluck's The School Children In the poem The School Children, author Louise Gluck successfully creates for the reader an image of the children, their mothers and the position that they hold in their society. Her simple, yet descriptive words suggest a more in depth meaning that allows one to look past the simple story line of the poem and actually look into the entire situation the poem discusses. The story line simply tells of mothers who pick apples and send their
the primary point of the story -- Louise glimpses freedom as a result of the death of her husband, and then loses that freedom with the realization that he is still alive. It is a story of "an hour" because Louise has only an hour of freedom. Although the writer of this essay makes a valiant attempt to support the thesis, there really is not enough religious (or moral) symbolism, etc. to support it.] 2 Chopin’s physical and emotional characterization of Louise suggests the woman is experiencing
Communication Between Men and Women in "Thelma and Louise" Works Cited In communication between men and women, the two genders always communicate differently. Traditionally men communicate facts directly and are less likely to discuss details that have little to do with the conversation. Women traditionally are more careful about what they say and seek to build relationships by the way they communicate. These two forms of communication, direct (traditional male) and indirect (traditional
Louise Saint-Just and The Republic Louise Saint-Just once said, “The Republic consists of the extermination of everything that opposes it.” Being the right-hand man of Robespierre, the leader of the Terror, Saint-Just is obviously referring to the First Republic of France from 1792-1795. What he means by this, is that the essence of the sovereignty of the Republic was that it literally wiped out anyone, or anything that had
Canadian Literature Louise Halfe – Healing Through Orality and Spirituality in Poetry Louise Bernice Halfe was born in 1953 in Two Hills, Alberta. Her Cree name is SkyDancer. She grew up a member of the Saddle Lake Reserve and at the age of 7 was sent to the Blue Quills Residential School in St. Paul, Alberta. . After leaving the school at the age of 16, she attended St. Paul’s Regional High School where she began to journal about her life experiences. (McNally Robinson) Halfe has a degree
The Importance of Language in Clare Rossini’s Final Love Note and Louise Gluck’s Mock Orange Love is such an abstract concept for the human mind to figure out. Along with the love of a mother for her child, there are many types of sensual love or brotherly love; friendship is frequently described as a type of love, as well. This abstraction can also be distorted and made to fit into categories that would normally be associated with negativity and abuse not "love." Think of why a woman will continually
society of that time and had experienced the death of her husband at a young age (Internet). The similarity between Kate Chopin and her heroine can only leave us to wonder how much of this story is fiction and how much is personal experience. Indeed, Louise Mallard and Kate Chopin’s lives are very similar and ironic. Louise’s life began once she came to the realization that she could live for herself. During this “hour” she felt true joy and freedom, but her life ended abruptly as her husband walked
Arts of the Contact Zone by Mary Louise Pratt In the Arts of the Contact Zone, Mary Louise Pratt has tried to explain the concepts of the “contact zone”, which she referred to as “the space of colonial encounters”. This social space that she speaks about is a stage where “disparate cultures meet, clash, and grapple each other, often in highly asymmetrical relations of domination and subordination”. Pratt aims to highlight these relations between the colonizer and the colonized “in terms of copresence
Transformation in Louise Erdrich's The Red Convertible In Louise Erdrich's "The Red Convertible," the two main characters start off doing seemingly well. However, there are many changes that these two young men go through during the story. Henry experiences the largest transformation due to his involvement in the Vietnam War. This transformation also alters Henry's brother, Lyman, although not for the same reasons. As the story progresses, and these certain events take place, the brothers'
Louise Erdrich's Tracks In Louise Erdrich’s “Tracks';, the readers discovers by the second chapter that there are two narrators, Nanapush and Pauline Puyat. This method of having two narrators telling their stories alternately could be at first confusing, especially if the readers hasn’t been briefed about it or hasn’t read a synopsis of it. Traditionally, there is one narrator in the story, but Erdrich does an effective and spectacular job in combining Nanapush and Pauline’s stories. It is
the media, movies, and film stars like Louise Brooks (Szabo). Louise Brooks was a big part of the Jazz Age and had a lot of influence on the women of the 1920’s. Being a film star with a great, original personality she is known for being one of the most extraordinary women to set forth the Flapper era. Her sleek and smooth looks with her signature bob helped define the flapper look (pandorasbox/flapper).On November 14, 1906, in Cherryvale, Kansas, Mary Louise Brooks was born. She had two brothers
stirring up some controversy. Callie Khouri, creator of "Thelma and Louise" is the exception to this rule. Awarded "Best Original Screenplay", the film challenges our preconceived notions of gender limitations by "giving a feminine twist to a pair of all too familiar Hollywood genres, the road picture and the buddy picture"(NY Times, 1991). The "road and buddy movie" usually calls for men in the lead roles, whereas "Thelma and Louise" called for Geena Davis and Susan Sarandon. A film such as this one
In the book Away Laughing on a Fast Camel: Even More Confessions of Georgia Nicolson by Louise Rennison, the main character, Georgia, is going through things that any teenage girl is likely to go through. Georgia lives in England with her mother, father, three year old sister, Libby, and “pure devil” cat, Angus. She is the girlfriend of a “Sex God,” who is the lead singer of a band, the Stiff Dylans. She has a group of friends, Ellen, Jools, Rosie, Mabs, and her best friend, Jas, who refer to themselves
Arts of the Contact Zone by Mary Louise Pratt The Arts of the Contact Zone by Mary Louise Pratt opened up a whole new concept for our class. The new term “contact zone” appeared and Pratt defined it as "social spaces where cultures meet, clash, and grapple with each other, often in contexts of highly asymmetrical relations of power, such as colonialism, slavery, or their aftermaths as they are lived out in many parts of the world today." The idea of the contact zone is intended in part to contrast
Comparing Louise of The Story of an Hour and Nora of A Doll's House In Kate Chopin's "The Story of an Hour," the main character is a woman who has been controlled and conformed to the norms of society. Louise Mallard has apparently given her entire life to assuring her husband's happiness while forfeiting her own. This truth is also apparent in Henrik Ibsen's A Doll's House. In this story, Nora Helmer has also given her life to a man who has very little concern for her feelings or beliefs. Both
with ease. One of the hidden truths would be when the wife Louise Mallard is thinking about the news she was just told, she is sitting in a "comfortable roomy chair," comfort and roominess are relaxing and fun. The reason the writer uses comfortable and roomy is to show that the wife, Louise, was happy and relaxed when she heard the news and thought about it. She was pretty much happy with the result. Another easy hidden truth was when Louise was saying, "free, free, free" and "free, body and soul free
Chopin, the author, presents an often unheard of view of marriage. Published in the late eighteen hundreds, the oppressive nature of marriage in "The Story of an Hour" may well be a reflection of, though not exclusive to, that era. Mrs. Louise Mallard, Chopin's main character, experiences the exhilaration of freedom rather than the desolation of loneliness after she learns of her husband's death. Later, when Mrs. Mallard learns that her husband, Brently, still lives, she know
Both Toni Morrison's novel about an African American family in Ohio during the 1930s and 1940s, The Bluest Eye and Louise Erdrich;s novel about the Anishinabe tribe in the 1920s in North Dakota, Tracks are, in part, about seeing. Both novels examine the effects of a kind of seeing that is refracted through the lens of racism by subjects of racism themselves. Erdrich's Pauline Puyat and Morrison's Pecola Breedlove are crazy from their dealings with racism and themselves suffer from an internalized
held ideal of the subservient wife. 'The Storm,' written in 1898 but not published until later because of its provocative content, describes the passionate extramarital affair between Calixta and Alcee, a former lover. 'The Story of an Hour' follows Louise Mallard as she deals with the death of her husband. Chopin uses the extraordinary events in the characters' lives to bring them out of the coma of submissive living. In both stories, the female protagonist awakens from a marriage-induced trance and