Which lip balm formulation will provide better moisturization, feel, taste and smell? Hypothesis If each lip balm has different ingredients and formulation, then the results for each lip balm will turn out differently; the moisturization, taste, feel and smell will all be different. Background Research Lip balm was invented by Dr. Charles Brown Fleet. He invented it in the 1880’s as a way to moisturize your lips. Lip balms seal your lips to protect it from losing its own moisture. Lips cannot make
to develop quality lip care products and although they have remained significantly focused on this line goods, they have branched out in recent years and also manufacture skin care products. As time has passed in the 68 years of manufacturing of Blistex brand products, new innovations in skin care and technology have kept new products surfacing and the original products improving. Quality and Value The company prides itself still today on being one of the leading brands in lip care products. The
she heard Nel call for her. Sula just went on to continue playing with Nel like nothing happened even thought the words of her mother would ring in her head forever reminding her of the hurt and betrayal she felt when those words left her mother’s lips. Sula’s lack of love continued in 1923 when she turned thirteen. She was changing into a woman, but the words of her mother were still with her. In the summer when the entire community began to can fruits and vegetables for the winter, Hannah began
dilemma that many can associate with in some way. From the beginning, one can only imagine the outcome of Apollo’s seduction of Creusa. To make matters worse she has a child. There is an uncanny feeling of darkness and silence as she is made to keep her lips sealed. It appears that she gave up her son from fear of her parents. Like many young girls today she made a drastic decision in order to conceal her pregnancy. Apollo in this play is given human attributes. He is depicted as a barbarian who truly
Edna St. Vincent Millay’s sonnet, “What lips my lips have kissed and where and why” Edna St. Vincent Millay’s sonnet, “What lips my lips have kissed and where and why,” is about being, physically or mentally jaded, and thinking back to the torrid love of one’s youth. The “ghosts” that haunt her are the many lovers of her past; she’s specifically trying to remember them all. She recalls the passion she experienced and how there was a certain feeling within herself. Millay shows this through her
cars, and how I daydreamed of my first kiss. But Amy had much more “experience” than I did at her age. She and her friends had passed their adolescent initiation of first kisses—at least the kind on the lips. “In the back of the CHURCH van? With everyone watching? Where did he kiss you?” “On the LIPS!” she squealed. Amy’s excitement and anxiety about kissing ignited a rush of memories. How I used to romanticize about first kissing someone! I thought that I would be in a long flowing gown, and
to exchange a parting kiss with his young wife.” The reader receives a premonition of the impending evil intrigue with Faith’s staement of her foreboding, troublesome dreams: "Dearest heart," whispered she, softly and rather sadly, when her lips were close to his ear, "pr'ythee, put off your journey until sunrise, and sleep in your own bed tonight. A lone woman is troubled with such dreams and such thoughts, that she's afeard of herself, sometimes. Pray, tarry with me this night, dear husband
Othello),'Not to pick bad from bad, but by bad mend.' Animality and darkness can be clearly seen in the character and more specifically the language of Iago. From the very opening of the play, curses and language which intone hate fall easily from his lips. His enigmatic declaration that 'I am not what I am' is preceded by the disturbing image that when he is sincere 'I will wear my heart upon my sleeve/For daws to peck at.' His descriptions of Othello and Desdemona's relationship are also animalistic
relationship between the house and Roderick can be found in their descriptions. The story's narrator describes Roderick as more zombielike than human. This is due to Roderick's cadaverous facial complexion: large, luminous eyes, thin and very pallid lips, his nose of "a delicate Hebrew model," his small molded chin, broad forehead, and his soft and weblike hair(Magill 364). Throughout the story, the narrator describes Roderick's large eyes and hair with having a "wild gossamer texture" (Thompson 96)
takes Isabel into his arms and kisses her near the close of the novel, Isabel does express sexuality, but that sexuality is short lived: He glared at her a moment through the dusk, and the next instant she felt his arms about her and his lips on her lips. His kiss was like white lightening, a flash that spread, and spread again, and stayed; and it was extraordinary as if, while she took it, she felt each thing in his hard manhood that had least pleased her, each aggressive fact of his face, his
The Barren Lives of The Dead "One day he caught a fish, a beautiful big big fish, and the man in the hotel boiled it for their dinner" (p.191). Little did Mrs. Malins know that those words issued from her feeble old lips so poignantly described the insensibility of the characters in James Joyce's The Dead toward their barren lives. The people portrayed in this novelette represented a wealthy Irish class in the early twentieth century, gathered at the house of the Morkan sisters for an annual tradition
it is done in a way that can never be reproduced or attempted by other poets. This poem is as perfect as the love it describes. Donne explains how the love that is shared by the two is a love that is not affected by sensory things. “care lesse eyes, lips and hands to misse,” or don’t think that being apart dulls this love, because the love is so strong that even the non-existence of one or both partners cannot bring an end to the intense love felt by both. A Valediction: Forbidding Mourning is also
finds, Or bends with the remover to remove. O no, it is an ever-fixèd mark That looks on tempests and is never shaken; It is the star to every wand'ring bark, Whose worth's unknown, although his height be taken. Love's not time's fool, though rosy lips and cheeks Within his bending sickle's compass come. Love alters not with his brief hours and weeks, But bears it out ev'n to the edge of doom. If this be error and upon me proved, I never writ, nor no man ever loved. "Let me not": the poem begins
you anymore though. Still, they seemed all knowing and experienced as if they were able to see and know secrets about you that you wish no one knew. Her slender peaked nose was no match for the full lips she had, lips that never uttered a sound and which have become as pale as her knuckles. Her lips were pierced shut protecting the thoughts in her head from falling out one by one to the hard flooring. This morning Minnie felt a little different. No one was home. No one was there to bother her
The smell of ammonia drifts to the nostrils accompanied by the waves of laughter and over-loud conversation that constantly assault one’s ears in a cafeteria setting. Socially and behaviorally (mentally?) impaired, though amusedly tolerated; Al, a theatre boy, begins to lean awkwardly upon a girl at a table. A voice sounds above the din like a clarion bell, “Al’s having a seizure!” Time stops. Al slides to the floor as his companions remove dangerous objects from his path. Tables and chairs are flung
continually associated with it. Musicals also provide me with an emotional outlet. When enthralled by a member of the opposite sex, I am wont to burst into a performance of "Maria" from West Side Story. After an exhaustive football practice, my lips chant "I'm Free" from the rock opera Tommy; and at my desk, feeling haughty after getting the highest grade on a calculus test, I sing quietly, "I am the very model of a modern Major-General," from The Pirates of Penzance. I can delve into the recesses
saw Juliet I knew she was the one I loved her so much she was so beautiful. I just wanted to not let her go. I know that she loves me and my empty spot with Rosaline is gone finished my chin has been healed with Juliet’s love. And my lips have been sealed with her lips. What a beautiful day. Act II Scene i I couldn’t wait to see her I couldn’t take it so I went back that night to go see her. When I saw her again I new she was the one to marry. She is so much better then Rosaline in everyway beauty
Analysis: Siddhartha believes he may be able to learn to become enlightened by the Buddha. Again, this shows how dedicated he is to his goal. Siddhartha and Govinda hear the teachings of the Buddha. “Today we will hear the teachings from his own lips,” said Govinda. They heard his voice and this was also perfect, quiet and full of peace. Gotama talked about suffering, the origin of suffering, the way to release from suffering. Life was pain; the world was full of suffering…” (Page 28, 29) Analysis:
skin. It stopped when it met his hipbone. The doctor had to ratchet it now, hard, to penetrate the bone. He clenched harder. The doctor now rocked the needle around in every direction now, to break of the thread of marrow that was drawn. The boy's lips finally opened. His father would never forget the scream that came out. All he did was tighten his grip as the boy thrashed. It was this, or it was death. The doctor had all that was needed for now. A sample to analyze before making a final decision
neurological disorder of communication, from which the normal flow of speech is disrupted by repetitions (neu-neu-neuro), prolongations (biiiii-ol-ooogy), or abnormal stoppages (no sound) of sounds and syllables. Rapid eye blinking, tremors of the lips and/or jaw, or other struggle behaviors of the face or upper body may accompany speech disruptions ((3)). Why does stuttering worsen in situations that involve speaking before a group of people or talking on the phone, whereas fluency of speech improves