Sir Joseph Paxton was a famous English gardener, architect, who designed Crystal Palace and cultivated the Cavendish banana, which made banana’s very popular in the western world. Paxton was born on the third of August 1803,in Milton Bryan, Bedfordshire which is located in south central England. Paxton’s date of birth was in conflict but as he stated it in later life he did this so he could to enrol at Chiswick Gardens. The Horticultural Society's gardens were in close proximity to William Cavendish’s
The Crystal Palace During the 1800’s Great Britain’s empire stretched around the world, and with raw materials easily available to them this way, they inevitably began refining and manufacturing all stages of many new machines and other goods, distributing locally and globally. However, despite being the central ‘workshop of the world,’ Britain was not producing the highest quality of merchandise. When comparing factory-made products made in England to surrounding countries, most notably France
The direct relationship in the artistic practices and methodologies of Trisha Brown and Steve Paxton played a role in facilitating new ways of appreciating and developing movement. Trisha Brown is considered to be one of the most pivotal choreographers of the 1960’s as her work and practice shifted away from historically considered “appropriate” movement for choreography. This ideology references the modern era of choreographers, moving away from the aesthetics of Martha Graham and Merce Cunningham
in which they occurred. The March of the Paxton Boys took place in Paxton, Pennsylvania. William Penn founded Pennsylvania as a refuge for anyone who needed it. Here, the English people and the Indians peacefully co-existed, for the most part. At one time, the Indians began to raid the city of Paxton, where a multitude of Scots-Irish lived. The Indians in Pennsylvania invaded the towns and were disturbing the peace. A group of the Scots-Irish in Paxton feared the Indians, becoming weary of even
Maddie Guzaitis Response Paper 2 John and Alan Lomax were a father-son duo who were considered the “premier American folk collectors of the twentieth century” and were credited as both creators and contaminators of folk-song heritage (Filene 1991: 603-4). As some of the most prominent producers and recorders of folk music at the time, the Lomaxes shaped the American folk-song heritage by only recording songs that fit the “particular brand of old fashioned, rural folk music that they felt exemplified
The Innocence of the Paxton Boys I am here today to prove to you that Lazarus Stewart and Matthew Smith are not guilty of the murder of Conestoga Indians. While both men agree that they did kill the Conestogas, what they did is justified by the aggressive behavior shown by the Indians. I will now present evidence to prove this conclusion. My first piece of evidence is from a speech made by Little Abraham, a Mohawk sachem, to colonial Pennsylvania officials and Indian Leaders: "You [...]
Biography of Peter, Paul, and Mary The group Peter, Paul and Mary Have been one of my favorites since I was about age 5. Their original ballad "Puff the Magic Dragon" I would listen to over and over again. Other pieces such as "Blowing in the Wind", and "If I Had a Hammer" were also very familiar to me as a child. With her long flowing blonde hair and crystal clear soprano vocals, Mary Travers was a major influence on the folk music of the 60's and 70's. (AMG www.allmusic.com) Mary Travers
During this period of civil unrest, two attempted revolutions in particular made national headlines: The March of the Paxton Boys and The Regulator Movement. The movements differed because the Paxton Boys demanded social change while the Regulator Movement called for economic change. Both revolutions were similar because they used violence as a way to achieve their demands. The Paxton Boys rallied around the concept of retaliation against Indians; The
The Bowery Boys originally consisted of volunteer firefighters, though through the years they had members in all walks of life from butchers to mechanics though most importantly they were born and raised in New York City many residing as middle-class workers during the day and abiding by the law. They were one of the most notorious gangs in New York City during the 1800’s and were strictly nativist as well as being anti-catholic and anti-immigrant.. As seen in most gangs they had a sort of dress
American Studies is a difficult but interesting subject to try and understand, especially when looking at a few main themes such as authenticity and the folk. Two great examples that involve these themes are the publication of “Romancing the Folk” by Benjamin Feline and the film “O Brother Where Art thou” which have shown similar but different views on the two key themes, authenticity and the folk. The theme of authenticity within music has been altered by various groups of people as well as the
Ambiguities Explored in Heart of Darkness Literature is never interpreted in exactly the same way by two different readers. A prime example of a work of literature that is very ambiguous is Joseph Conrad's, "Heart of Darkness". The Ambiguities that exist in this book are Marlow's relationship to colonialism, Marlow's changing feelings toward Kurtz, and Marlow's lie to the Intended at the end of the story. One interpretation of Marlow's relationship to colonialism is that he does
Heart of Darkness as Social Protest Heart of Darkness, by Joseph Conrad, is an intriguing and extremely disturbing portrayal of man's surrender to his carnal nature when all external trappings of "civilization" are removed. This novel excellently portrays the shameful ways in which the Europeans exploited the Africans: physically, socially, economically, and spiritually. Throughout the nineteenth century, Europeans treated their African counterparts savagely. They were beaten, driven
Restraint in Lord of the Flies and Heart of Darkness Throughout Lord of the Flies and Heart of Darkness the importance of restraint is greatly stressed. This being the restraint to remain human and maintain sanity. In Heart of Darkness, Marlow was able to remain his restriant despite how difficult it was for him. He was always surrounded by cannibals and constant chaos. On the other hand, Kurtz was unable to keep his restriant, as a result he lost his humanity and sanity, and eventually
Similarities in Conrad's The Secret Sharer and Heart of Darkness Joseph Conrad's books, The Secret Sharer and Heart of Darkness, both deal with each of our "dark selves". These books also have similarities which are overwhelming. In describing the true inner self of humans, Conrad used many symbols which have become apparent in many of his novels. Conrad uses the same or very similar objects in many of his works. Joseph Conrad wrote Heart of Darkness in 1899 to recount his voyages in
of our earliest civilizations. In more recent years, however, symbolism has taken on a new role, forming the skeleton upon which the storyteller builds the tales of his or hers thoughts and adventures. Knowing the power of this element, Joseph Conrad uses symbols to help the reader explore dark interiors of men. The symbols become a vehicle that carry the audience from stop to stop, the ride becoming an evaluation of the darkness contained inside the hearts of mankind. Through
Characters, Setting, Themes, and Symbols of Heart of Darkness Deep within the chest of every man, woman, and child beats the heart of darkness. On the surface, mankind has achieved a sophisticated level of civilization. Joseph Conrad forces the reader to peel away the pristine layer of sweetness and see the unaltered truth. Heart of Darkness reveals the true nature that lurks behind every smile, handshake, and conversation. Conrad's portrayal of the characters, setting, symbols, and ironies
The European, White Male vs. the Other in Heart of Darkness The novella Heart of Darkness has, since it's publication in 1899, caused much controversy and invited much criticism. While some have hailed it's author, Joseph Conrad as producing a work ahead of it's time in it's treatment and criticism of colonialist practices in the Congo, others, most notably Chinua Achebe, have criticized it for it's racist and sexist construction of cultural identity. Heart of Darkness can therefore be described
to sociological rules and regulations that are often hypocritical. These hypocrisies, both concrete and unspoken, are the subject of criticism by authors the world over, utilizing various methods and styles to ridicule society's many fables. Joseph Heller's Catch-22 and Arthur Miller's The Crucible present two stylistically dissimilar literary works that criticize hypocritical functions and conventions within society through equally contrasting methods. Hypocrisy in Heller's novel revolves
believed they had reached the height of civilization, remnants remained of their own savagery. Throughout the novel Heart of Darkness there is reference to the idea of civility versus savagery - this is also true of the movie Apocalypse Now. Joseph Conrad's Heart of Darkness shows the disparity between the European ideal of civilization and the reality of it, displayed by the domination, torture, exploitation and dehumanization of the African people. Conrad often emphasizes the idea of what
The Heart of Darkness The Heart of Darkness has two storytellers: Joseph Conrad, the author, and the other being Marlow the story's narrator. The narration that takes place is conceived mostly from Conrad's opinions. Conrad is using Marlow as the embodiment of all the goodness that he represents. "But Marlow was not typical...His remark did not seem at all surprising. It was just like Marlow. It was accepted in silence" (p. 68). "Marlow sat cross-legged right aft, leaning against the mizzen-mast