Is a holiday in Cambodia Where you'll do what you're told A holiday in Cambodia Where the slum's got so much soul. Bibliography: Berdeja, Cesar. "Francis Ford Coppola's Interpretation of Dracula as a Love Story" April 9, 2002 Biafra, Jello. "Holiday in Cambodia" Give me convenience OR give me death. LP. Alternative Tentacles Records, 1986. Milton, John. Paradise Lost. New York, NY: Penguin Putnam Inc., 1968 "Pol Pot." April 9, 2002 Rodgers, Blake. "Satan and Colonization"
The Grove is the women’s ministry for Passion City Church located in Atlanta, GA. This church has a huge outreach in not only their weekly gatherings, but also in their college ministry which has impacted the lives of millions of students for the gospel. The idea for Passion City church was actually born from these very college conferences. One component of the ministry that Louie and Shelley Giglio have built is their women’s ministry known as The Grove. The Grove is a monthly meeting of women in
Hausa and the Igbo were definitely causal factors to the war. The multiple viewpoints exhibited through the eyes of the three main characters: Ugwu, Odenigbo, and Olanna, demonstrated to me the various levels of impact the war had on the people of Biafra. The rate of both cultural change and change in social identity for the Igbo from pre- to post- Biafran war is most certainly evident through the character development over the course of the
reprisals were unleashed against the Igbo. Fearing marginalization within the state, on May 30, 1967 the Igbo-majority province declared its independence as the Republic of Biafra.” The widespread reprisals erupted everywhere in Nigeria and lasted for months... No Igbo was safe from the Hausa-Fulani, causing the Igbo leaders to declare Biafra as their own independent state on May 30, 1967. Refusing to accept a state-split, the Hausa-Fulani and Igbo went into direct war to gain or demolish independence. To
between he believes is right and not. The story “Half of a Yellow Sun” by Chimamanda Ngozi Adiche is a story about a young girl and her families struggles during the Nigerian civil war of the 1960’s. Her family has pride like much of the people of Biafra. That all changed when her younger brother Obi died, and the family realizes at that point the war was lost. While Sontag still maintained that war was not bad, she still believed that it was the torture of others that made war such a brutal action
British Colonial Policy and the Ensuing Nigerian Civil War. The Nigerian Civil War lasted from July 6, 1967 until January 15, 1970. The belligerents were the Federal Republic of Nigeria, led by the military governor Yakubu Gowon, and the Republic of Biafra, led by the military governor C. Odumegwu Ojukwu. After an abortive counter-coup d'etat in favor of Northern independence, General Ojukwu declared the independence of southeastern Nigeria. Each of these regions were dominated by one particular tribe
Margret Onyemakono Efue, my aunt is not only a very strong woman but her life is a depiction of what God can do for you when you have faith in him. She is the kind of person that’s is very committed to her faith. However, her journey to becoming the woman she is today was a struggle. She was born February 19th 1953 into a family with many hardships. This affected her not only personally but family wise as well. Her mom was divorced by her husband, so her mother left his home by the time Margret
In Uzodinma Iweala’s novel, Beasts of No Nation, Agu and many other young are thrust from the comfort of their families and villages into the civil war as guerilla fighters. With political unrest present in Western Africa Agu’s human rights are not protected, making him vulnerable to mistreatment and violation. He is conscripted into the guerilla war efforts at such a young age, before he has become a man in the eyes of his village. His young age causes him to have a different view on the killings
In Half of a Yellow Sun, Chimamanda Ngozi Adichie attempts to use history in order to gain leverage on the present, to subvert the single story stereotypes that dominate many contemporary discourses on Africa. Written in the genre of historical fiction, Adichie’s novel transcends beyond mere historical narration and recreates the polyphonic experiences of varying groups of people in Nigeria before and after the Civil War. She employs temporal distortion in her narrative, distorting time in order
cyber-communism began when I read Brock Meeks' "Hackers Stumble Toward Legitimacy"[1]. The article addressed a recent hackers' convention. Interestingly, the keynote speaker was Eric Boucher[2] (alias Jello Biafra[3]), a rock star with no technical background. Numerous questions ensue. Who is Eric Boucher (alias Jello Biafra)? What does he believe? More importantly, why schedule someone with no technical background to speak at a hackers' convention? Addressing his beliefs, his proposed Green Party platform[4]
Josh Delmar Zimmerman is responding to a problem that has been increasing as social media and technology have evolved; the stereotypes imposed by society depending on the kind music you like. His bold language and extreme sincerity seek to a wake up call towards social judgment. The author claims our culture has enacted us to judge and label depending on the likings of the young community. His article states that “uncreative” people would try to categorize and profile someone’s identity from the
Over the last couple of years, the world has become increasingly globalized. After the cold war, all parts of the world were attracted to the process of globalization. The effect of globalization is uneven in different parts of the world and globalization suggests a world full of persistent cultural interaction and exchange, contacts and connection, mixture and movement. Different people view globalization in different ways. Some people feel it has done more good than harm, while others believe it
The Censorship of Art While the censorship of art is not a new phenomenon, recent years have witnessed renewed and intensified attempts to control popular culture. In particular, rap and rock music have come under increasing attack from various sides representing the entire left and right political spectrum, purportedly for their explicit sexual and violent lyrical contents. In this paper is investigated which moral codes underlie these claims against popular music, how social movements mobilize