What is intertextuality? How does intertextuality challenge E.D. Hirsch’s idea that a text has a single meaning created by its author? Explain with reference to examples drawn from any media format. According to American literary critic, E.D. Hirsch, in order to interpret a body of text, one must ask one’s self the only question that can be answered objectively – “what, in all probability, did the author mean to convey?” He believed that the author’s intended meaning equates the meaning of a text
Intertextuality in Buffy The Vampire Slayer A vivid and 'realistic' subjective experience of TV dramatic fiction is almost axiomatic of viewer enjoyment. To feel a personal engagement with the depicted events, to experience a sense of the fictional space as subjectively real and to become drawn into that space are arguably defining features of enjoyable television viewing, as they are of film and of literature. In this paper, I will argue that certain forms of intertextuality play a key role
Intertextuality in Robert Kroetsch's Seed Catalogue The late poet John Donne said, "No man is an island." Donne passed away in the earliest part of the seventeenth century, and yet he recognized an idea upon which much of modern philosophy and literary criticism is built. Donne said, in effect, that any individual man is nothing outside the body of mankind; Donne thereby supports a theory of cultural subjectivism. In the field of literary criticism, particularly modern and postmodern criticism
releasing the societal stranglehold the church held so tightly at that time. To survive the church had to keep the knowledge from the masses, and this is something that Umberto Eco has incorporated with finesse into his novel The Name of the Rose. Intertextuality, postmodernism, allusions and an array of interesting characters help to explain the state of education and the availability of knowledge in the middle ages. The labyrinth is one of the most important aspects to the portrayal of knowledge in
"And no doubt that is what reading is: rewriting the text of the work within the text of our lives." Roland Barthos When discussing intertextuality, it could be argued that a text is not only written material such as plays, novel and magazines, but everything; that there is in fact no world outside of textuality. Your very life could be called a text, a story always being written, and every novel that you read, every programme you watch and every conversation that you have is, in Piaget's words
reading of the text it precedes. This shadow looms large because it is formed not only by the body of the epigraph but also by the scholar, philosopher, or poet, and textual source from which it is taken. Like all citations, the epigraph creates an intertextuality and a dialogue with another author. The heuristic function of the epigraph may seem relatively simple when looking at a journal article that begins w...
school. I think prewriting is what I’ve always called a mind map, which is just a map drawn out like a spider web to show how each idea is interconnected to all the other ideas. Hypertext can be related to, but is not the same as, intertextuality(178). Intertextuality is the interrelation of all text on the same topic, language or culture, while hypertext is references within a text and allusions between texts. I think it is important to see the changes in the role of reader in hypertext fiction
Intertextuality The difference between short stories and novels extends far beyond the obvious, Short stories are often read in a single sitting and can be defined as a brief version of logical events usually revolving about a singular plot. Whilst a novel may retain many of the characteristics of a short story the format builds upon these basic ideas and concepts, expanding on themes and extending the plot and shaping the story through complicated interaction between characters. The process of
uses intertextuality to portray how Indian society changes the Western influence of cinema to express Eastern culture and how cinema depicts the narrator Saleem as unreliable. Intertextuality is the process of deriving meaning from the ways in which texts stand in relation to each other. This is the theory that all authors imitate styles, themes, and ideas from previous writers and, therefore, no text is entirely original. Thais Morgan asserts in his article “The Space of Intertextuality” that
diaries, poetry, and correspondence of two poets and lovers from the 1860's-Randolph Henry Ash and Christabel LaMotte. Although the book is modern fiction, much of it is a Victorian novel as well. Possession is characteristic of Byatt's love for intertextuality and imbedded texts. Possession is also an example of several literary genres, all written into one book. At various times it gives evidence of poetry, mythology, a romance novel, a detective story, a fairy tale, journals and diaries, and scholarly
In his poem, “The Hippopotamus,” T.S. Eliot asserts doubts about the institution of the Church and its apparent corruption resulting from its basis in a tainted world. T.S. Eliot composed many works concerning the despondent state of theology and faith, but as a result of his “lifetime of conflicting attitudes” (Bush 32), “The Hippopotamus” has remained obscured and somewhat insignificant to his legacy. Written before he converted to Christianity, Eliot’s uses his knowledge of religion from his
The Intertextuality and Analysis of Homoerotic Relations and Desires between UbiquitousMixie’s fan fiction “As Long As You Love Me” and its canon The Hours by Michael Cunningham. Intertextuality according to Genette is a “relationship between two texts [...] the actual presence of one text within another” (Allen 98). Genette’s theory of hypertextuality is presented as “literature which are intentionally inter-textual”. Genette uses the terms hypo- and hypertext, which means that the hypotext is considered
impregnated by a story, tells the story, brings the story into existence. The woman author takes the story and retells it, reclaiming it as her own, brings a new story into existence. She overshadows the object of fiction previously created and through intertextuality connects herself to the expanse of literature. She blatantly utilizes the man's text to her own literary advantages, and discovers an act of erecting a memorial for women through "one word at a time." The "stitching" of "one word at a time"
In today’s academic culture students are taught that intertextuality, or interpreting text from previous knowledge, is perfectly acceptable; where as five years ago, or even last year for some students, intertextuality was referred to as plagiarism and was completely unacceptable. When interpreting the difference between intertextuality and plagiarism, they are not incredibly different— they both take information from another source, quotes can be used, and it is not the writer’s sole knowledge creating
Sylvia Plath's "Lady Lazarus" In her poem, “Lady Lazarus,” Sylvia Plath uses dark imagery, disturbing diction, and allusions to shameful historical happenings to create a unique and morbid tone that reflects the necessity of life and death. Although the imagery and diction and allusions are all dark and dreary, it seems that the speaker’s attitude towards death is positive. The speaker longs for death, and despises the fact the she is continually raised up out of it. From the title, Plath
The short story “A Good Man is Hard to Find” by Flannery O’Connor is a story written with the intention of converting the young people, of the time, into Christians. O’Connor is a strong believer, wanting to convince her readers to also start leading a Christian life. This is the theme of many of her stories. The grandmother being the physical body that feels the grace of god and the Misfit as the one who tests her faith, expresses this message to her readers effectively. The usage of foreshadowing
experience within the reading of literature, the phenomena persist. Meanings are communicated, participating in a magnificent cosmic-cultural aura, penetrating a communication of meaning, intent, and scandalously--truth. There is a process of intertextuality occurring, a conversation between authors, texts themselves, and the readers who venture to interpret them. Richard Brautigan's imaginary novel, In Watermelon Sugar converses well with a poem written many years after his death, Tunnel Music by
through the work of the Holy Spirit.”101 Intertextuality One of the burgeoning areas in biblical interpretation is the notion of intertextuality. The concept of intertextuality, however, is still controversial among scholars because of its diverse claims and emphases.102 In this study we will consider intertextuality because it is concerned with a shared meaning of biblical texts that makes communication available between them. In this way, intertextuality offers a surplus of theologically meaningful
A graphic novel is a story that actually has something to say, it means something, and/or it is nonfictional. It is set up like a comic but has more detail. A graphic novel is different form cartoon comics because it does not have the cartoon look and feel to it. A graphic novel is different form comic books and comic strips because even though it looks similar, it is different in the fact that this graphic novel is based on true events. Who is Alison Bechdel? Is she the author? Is she the main character
Anti-traditional Conception of Sex in Pound's "Coitus" Critics have been fascinated and often baffled by Ezra Pound's shifting poetic style, which ranges from the profound simplicity of "In a Station of the Metro" to the complex intertextuality of the "Cantos." Pound's significance derives largely from his constant resolve to break traditional form and ideology, both literary and poetic. What is particularly unique about Pound, however, is that as he continually establishes precedence, he