In this essay I will be exploring the nature of the challenges Site-Specific theatre presents. It is ever growing as a genre with practitioners such as Punchdrunk and Station House Opera leading the way in the UK, as performances not set in conventional theatre buildings are becoming increasingly popular. Conventional theatres provide a comfortable performance arena with unspoken rules an audience adheres to, as explored by Nicolas Bourriaud in Relational Aesthetics suggesting that ‘forms, patterns