Photograph Analysis This photo of a mother, Florence Owens Thompson and her two young children called, Migrant Mother was taken in March of 1936, a date was not given. This photo was taken by a Dorothea Lange, a photographer who wanted to take pictures of all the bad things happening around her during the great depression. After being taken, this photo was then called, migrant mother.” The photo was taken at a pea picking plant in Nipomo, California. Florence allowed Dorothea to take this picture because
Migrant Mother The United States experienced both the Great Depression and harsh weather conditions during the 1930’s causing Americans to suffer through extreme hardship and poverty. Many of the migrant farmers were bankrupt and poverty- stricken, so they were struggling to survive. Photographer and photojournalist, Dorothea Lange, captured the dangerous conditions migrant workers and their families endured through her photograph, Migrant Mother. The photograph shows a woman and children suffering
Coles’ Ideas in The Tradition: Fact and Fiction “The documentary tradition as a continually developing “record” that is made in so many ways, with different voices and vision, intents and concerns, and with each contributor, finally, needing to meet a personal text” (Coles 218). Coles writes “The Tradition: Fact and Fiction” and describes the process of documenting, and what it is to be a documentarian. He clearly explains through many examples and across disciplines that there is no “fact or
true narrative of its subjects - Florence Owens Thompson and her children. It is important to understand the context of the time and place that this photograph was taken. In 1936, it had been 16 years since women gained the right to vote. Many of the men in the 1930’s were away at war, leaving the women to fend for themselves. This meant that there were many
Lange during the Great Depression. Though the entire nation was feeling the turmoil of the Great Depression, Dorothea's way of capturing the harshness was second to none. The image “Migrant Mother” pictures a distressed woman by the name of Florence Owens Thompson with two of her children holding on to her, captured in a makeshift tent in Nipomo, California in March 1936 (MoMa.Org). The image itself is just raw. The kids are turned away and the sheer look of defeat on the woman's face is unreal. It
Dorothea Lange was born on May 26, 1895 in Hoboken, New Jersey to second-generation German immigrants. Her passion for photography began when she attended Columbia University in New York City, and eventually her talent landed her several prestigious apprenticeships in New York photography studios. After graduation Lange moved to San Francisco and opened her own successful portrait studio in 1919. Lange’s work was primarily portrait photography for upper-class families in San Francisco, however her
Dorothea Lange, born Dorothea Margaretta Nutzhorn, was a famous documentary photographer during the great depression. Lange was born on May 26th 1895 in Hoboken, New Jersey, and at age seven, contracted polio. Due to suffering from polio at a young age, Lange suffered weakness in her right leg, and had a limp throughout her adult life. At age 12, her father abandoned her family, causing her to ultimately drop her middle name, and replace her last name with her mother’s maiden name, Lange. She died
Through out the Great Depression there were many photographers, but one of the best was Dorothea Lange. Lange was born on the 25th of May in 1895 in Hoboken, New Jersey as the first child of Joan and Henry Nutzhorn. She decided to become a photographer at the age of 18. She studied photography at Columbia University in New York. At the age of 20 she began to travel the world. Later in life she settled down in San Francisco, California, where she met her first husband, artist Maynard Dixon. She had
Rosie the Riveter and “Migrant Mother” are two iconic images that emerged in the 20th century. “Migrant Mother” was produced during The Great Depression and Rosie the Riveter was developed as WWII propaganda. Both images are universally recognizable, therefore I believe both images were intended to be viewed by everyone. It is common knowledge that the “We can do it!” Rosie image was WWII propaganda. The “Migrant Mother” gained national attention in a newspaper. “Migrant Mother” did not receive praise
“Millions of men have lived to fight, build palaces and boundaries, shape destinies and societies; but the compelling force of all times has been the force of originality and creation profoundly affecting the roots of human spirit.” This is a quote from Ansel Adams who was arguably one of the most famous photographers. He was also one of the people who embraced the different aspects of the true art of photography in the twentieth century. Different types of photography are used to evoke different
Depression, Escapism, and Hope: The Story of 1930s America Often, the 1930s are classified as the age of economic depression. Although true, the decade has proved to be a time of reform and hope. In the midwest a series of windstorms occurred accompanied by a harsh drought causing the Dust Bowl, while in the more industrialized north, citizens struggled to find jobs. From song lyrics to baseball cards, artifacts from the decade rejuvenated the once crushed spirits of the American people. However
Samuel Gridley Howe shaped his place as a prominent member of the abolitionist movement. He was invited to speak at Faneuil Hall with Parker. Faneuil Hall was where major participants in the abolitionist cause gathered and gave speeches, in order to raise funds. Howe travelled to raise money, aided the abolitionist movement, and offered his time and resources to help those in need. He travelled to Europe to raise money and used this skill to help the Massachusetts-Kansas Committee with fundraising