Rebirth in The Awakening The time Edna spends in water is a suspension of space and time; this is her first attempt at realizing Robert's impermanence. In a strange way, Edna is taking her self as an object of meditation, where at the extremity of self absorption, she should be able to see through her own selflessness. "As she swam she seemed to be reaching for the unlimited in which to lose herself[emphasis added]" (Chopin 74). Edna has left her earthly existence on the shore and looked forward
Suicide as the Only Alternative in The Awakening In Kate Chopin's The Awakening, the principal character, Edna decides to kill herself rather than to live a lie. It seemed to Kate that the time of her own death was the only thing remaining under her control since society had already decided the rest of her life for her. Edna was a woman of the wrong times; she wanted her independence and she wanted to be with her lover, Robert. This type of behavior would never be accepted by the society of
The Portrayal of Men in The Awakening When Kate Chopin develops the male characters in her novel, The Awakening, she portrays men in a very objectionable light. For the most part, her men are possessive, cowardly and self-serving. She seems a trifle unfair and biased in her portrayal of men, yet this view is necessary for Chopin to get her point across. She uses the characters of Mr. Pontellier, Robert, Alcee and a few other men to demonstrate her observations of the middle class man in the society
A Woman Ahead of her Time in The Awakening When she published The Awakening in 1899, Kate Chopin startled her public with a frank portrayal of a woman’s social, sexual, and spiritual awakening. Because it told its particular truth without judgment or censure, the public disapproved. The idea of a true autonomy for women, or, more astounding yet a single sexual standard for men and women — was too much to imagine. Kate Chopin’s presentation of the awakening of her heroine, Edna Pontellier
Feminism and Emotional Liberation in The Awakening In our time, the idea of feminism is often portrayed as a modern one, dating back no further than the famous bra-burnings of the 1960s. Perhaps this is due to some unconscious tendency to assume that one's own time is the most enlightened in history. But this tendency is unfortunate, because it does not allow readers to see the precursors of modern ideas in older works. A prime example of this is Kate Chopin's novel The Awakening, which explores