Des Knaben Wunderhorn Essays

  • Mahler’s Youth and a Brief Analysis of his Second Symphony

    2013 Words  | 5 Pages

    onour of Henry-Louis De La Grange on His Seventieth Birthday. Berne: P. Lang, 1997. Print. Mosley, David L. "The Material Thinking of Caspar David Friedrich and Gustav Mahler."Interdisciplinary Humanities 27.1 (2010): 99-111. Academic Search Complete. EBSCO. Web. 28 Jan. 2011 Rosenzweig, Alfred, and Jeremy Barham. Gustav Mahler: New Insights into His Life, times and Work. Aldershot, England: Ashgate, 2007. Print. Revers, Peter. "Song and Song Symphony (I). Des Knaben Wunderhorn and the Second, Third

  • The Life Of Walt Disney & The Grimm Brothers

    1594 Words  | 4 Pages

    Walt Disney and Jacob and Wilhelm Grimm Walt Disney and the Grimm Brothers used their talents, and, with help, became some of the most famous children’s literature writers and business owners of all time. Many children have read Grimm Brothers’ fairy tales and watched Walt Disney’s films and cartoons. The creators have used their tales, films, and cartoons not only during their lives, but even now. Walter Elias Disney was born on December 5, 1901 to a German-Irish-Canadian-American family who lived

  • Clemens Brentano Influence

    962 Words  | 2 Pages

    like a medieval minstrel. His close and lifelong friendship with Achim von Arnim, who married his sister Bettina, provided some stability, and created the work for which they are both best known, the collection of German folk poetry known as Des Knaben Wunderhorn. The collection was far larger than any predecessor, offering enormous supplied themes of beauty and value to strengthen German poetic value. Strauss appreciated the works spirit, setting three poems from that collection, including Hat gesagt—bleibt’s

  • The Lieder Of Richard Strauss Summary

    1806 Words  | 4 Pages

    At the fiftieth anniversary of Strauss’ death in 1999, new research discussing his Lieder appeared. Suzanne Lodato’s dissertation entitled, “Richard Strauss and the Modernists: A Contextual Study of Strauss’s Fin-de-siècle Song Style” examines poets and their writings during the late nineteenth century and the effects they had upon Strauss’s Lieder writing between 1894-1906, an era of time referred to as his middle-Lieder compositional period (Jefferson, 29), The Richard Strauss Companion, edited