The Importance of Clarity in Writing To write a good paper is there a magical recipe to follow? If there is you will not find it in these two books; Williams' Style: Toward Clarity and Grace and Strunk and White's The Elements of Style. What you will find is the elements that should be present to have a successful paper. Of all the styles mention though, one seems to stick out more then the others. This is the element of Clarity. What is clarity, you may be asking? It is simply the process
Strunk and White's Elements of Style and Joseph Williams' Style Toward Clarity and Grace When I initially thought about writing style I believed that there would be some nice neat definition, and maybe a few rules that would govern writing with “style”. It turns out that I grossly underestimated this topic and while I knew that writing style would be a topic of considerable depth, I did not fully understand the degree that I would be pondering the issue of writing with “style”. The first
Comparing The Element of Style and Style Toward Clarity and Grace Stylish writing has never been much of an issue before reading Strunk and White and Williams. I personally would interpret style as being an individual refection of one’s self. In reading “The Element of Style” and “Style Toward Clarity and Grace” I learned that style isn’t necessarily just a reflection of an individual’s style but it is also how the many rules to writing are used when composing a piece. In Strunk, White and
Comparing The Elements of Style by Strunk and White and Style Toward Clarity and Grace by Williams Both The Elements of Style by Strunk and White and Style Toward Clarity and Grace by Williams emphasize the importance of ‘style’ in writing. Though they agree style is important, their approach and views of style differ. Stunk and White’s book was published in 1912 and was written for the old-fashioned ivy leaguers. This can be expressed by their use of the pronoun ‘he’. According to Strunk
Comparing The Elements of Style and Grace and Style Toward Clarity and Grace Webster’s dictionary defines style as a particular or distinctive fashion, form or manner. This leaves much unsaid in context to the world of writing. Everyone looks at style differently because everyone has their own interpretation of what it is. The Elements of Style and Grace and Style Toward Clarity and Grace are two different books. Though these books have many differences, a lot of the ideas are the same; they
Key Elements of Style William Strunk and E.B. White's handbook The Elements of Style, and Joseph Williams's book Style Toward Clarity and Grace, are both full of good tips on how to improve writing style. The Elements of Style has some good information on how to make writing more vigorous and forceful, but it also contains a lot of opinions on word choice that seem frivolous. Although the advice may not be helpful, Strunk and White's strongly worded opinions are part of what makes their book
This is the advice found in Elements, "clarity can only be a virtue and muddiness is not merely a disturber of prose, it is a destroyer of life, of hope" (79). The only advice that they offer to assist the reader, besides preaching about the deadliness of lack of clarity is, "when you say something, make sure you have said it" (79). The reader is then aware of the paramount importance of clarity, but how can they ensure that they are expressing themselves clearly? Williams
In the beginning of the sonnet, Milton suggests that his primacy of experience have been deferred when he became blind. The words, "dark", "death", and "useless" (lines 2-4) describe the emotional state of Milton. His blindness created a shrouded clarity within his mind. Line three, "And that one talent which is death to hide" is an allusion to the biblical context of the bible. Line three refers to the story of Matthew XXV, 14-30 where a servant of the lord buried his single talent instead of investing
and accountability that are required, even comparing it to the closeness of an actual family. He than discusses the clarity of the team, touching on aspects such as values, goals, and my favorite, competition. He stresses the immense importance of over communicating this clarity until you feel that you have "beaten a dead horse". Finally, he discusses the reinforcement of this clarity throughout every part of the human resource system. This includes the interview process when hiring workers, the
is an amalgamation of the real and unreal, a fusion of dream and reality, and confusion within clarity. Magical realism became known for changing the way in which one thinks. Instead of seeing the ordinary and mundane, the Magical Realist brings a spark of life to the imagination that in turn enlightens the reader on a whole new level of thinking. As magical realism was defined as confusion within clarity, so is the world of probability. Magical Realism is a fusion of dream and reality, an amalgamation
learned the beauty of my own culture, and an appreciation to learn the cultures of others. I brought that appreciation with me through life, and found it to make all the difference. My earliest cross-cultural experience that I can remember with clarity was the Spanish exchange student who was hosted by one of my aunts. Mai not only taught me about her culture, which in turn piqued an interest in the Spanish/Latino culture that continues to this day, but she also helped me to appreciate many small
be defined. It is considered to be best described as “black speech” and therefore can be referred to as an “undefined language.” Many consider language to be a spoken tongue belonging to a nationality of people, so in general, and for the sake of clarity in this work, language is a general communication concept by which species relate to themselves and others. It is also a set of rules combined to establish a designated communication system. In analyzing the two different meanings of language, Ebonics
With every click came a multitude of options that only opened a number of more options. Throughout the story I had an overwhelming feeling that I was missing vital information by picking and choosing which hyperlinks to follow. “Such violations of clarity and causality seem to be defining qualities of all hypertexts that permit the reader to make significant choices in the order of presentation.” (Bolter 129) I realized that I was reading a story that had no pre-ordained order. The author allowed
Metamorphosis in Pride and Prejudice As the story develops in Jane Austen's novel, Pride and Prejudice, the reader is witness to a shift in attitude between the principle characters. The chapter in which Elizabeth Bennett's reactions to Mr. Darcy's letter are explored provides valuable insights into this metamorphosis. The first description of Elizabeth's state upon perusing Fitzwilliam Darcy's revelatory missive is characteristic of Austen when relating heavy emotion: she doesn't. "Her feelings
reading the poem initially, I got an overall impression of being made to feel "uncomfortable," though quite unsure as to why. I had the same impression once I felt I understood the whole poem, but from a completely different perspective. That sort of clarity at differing resolutions is impressive in tha... ... middle of paper ... ... other party seems unconcerned with all these emotional gymnastics. It seems she is making the compensations for now, though she openly questions the wisdom of this arrangement
While this debate has slowly twisted into Church versus State, which is a very different argument, the highest questions still remain the same: Which one is held higher in men’s (and women’s) hearts? Antigone answers this question with shocking clarity in her admission of guilt to Creon, “ I should have praise and honor for what I have done. All these men here would praise me, were their lips not frozen shut with fear of you. Ah, the good fortune of kings, licensed to say and do whatever they please
The photographer sights, clicks, stops; the moment is captured; the vision settles. The poet sights, clicks, begins; the moment is released; the vision starts. Tess Gallagher says, "the poem is always the enemy of the photograph." The art of poetry demands more than external vision; a poem takes the reader outside and inside to see, hear, touch, and feel every detail. In Amy Clampitt’s poem "Fog," she immerses the reader’s senses in the entirety of the moment’s external grace and its secret inner
Although it may seem as if Conrad was trying to confuse the reader, his actual goal was to create a work of art, rather that just a novel. Several critics have put down Conrad's work because his writing is so vague; they claim that it lacks order and clarity. Conrad occasionally wrote back to these critics and explained why he chose to construct his stories in such a vague manner. Says Professor Mark Dintenfass, commenting on Conrad's own opinion about his writing: "For Conrad then, as for most modern
that in actuality, the Colonel was different from how he saw him as a young boy. This statement presages the mature understanding of his father’s character that Bayard develops as the novel progresses. In “The Odor of Verbena”, he has reached such clarity of vision that he can say without much difficulty that his father was a difficult man to get along with, he ac... ... middle of paper ... ...an adult, his articulation of this southern code of morality is coherent and well thought out while Sarty’s
modern art, in modern architecture, and in the modern soul, it is simplicity. 5. Clarity Serious writers strive to be understood, strive for clarity. Bad writers, on the other hand, aren’t afraid of being obscure as long as they can make the reader think, “What an extensive vocabulary! What learning! What talent!” The surest sign of bad prose is the use of uncommon words where common words would suffice. Clarity can be achieved by the repetition of certain words. Repetition is more comprehensible